What impressions might readers form with visualizations that go beyond the data they encode? In this paper, we build on recent work that demonstrates the socio-indexical function of visualization, showing that visualizations communicate more than the data they explicitly encode. Bridging this with prior work examining public discourse about visualizations, we contribute an analytic framework for describing inferences about an artifact's social provenance. Via a series of attribution-elicitation surveys, we offer descriptive evidence that these social inferences: (1) can be studied asynchronously, (2) are not unique to a particular sociocultural group or a function of limited data literacy, and (3) may influence assessments of trust. Further, we demonstrate (4) how design features act in concert with the topic and underlying messages of an artifact's data to give rise to such 'beyond-data' readings. We conclude by discussing the design and research implications of inferences about social provenance, and why we believe broadening the scope of research on human factors in visualization to include sociocultural phenomena can yield actionable design recommendations to address urgent challenges in public data communication.

In contemporary information ecologies saturated with misinformation, disinformation, and a distrust of science itself, public data communication faces significant hurdles. Although visualization research has broadened criteria for effective design, governing paradigms privilege the accurate and efficient transmission of data. Drawing on theory from linguistic anthropology, we argue that such approaches-focused on encoding and decoding propositional content-cannot fully account for how people engage with visualizations and why particular visualizations might invite adversarial or receptive responses. In this paper, we present evidence that data visualizations communicate not only semantic, propositional meaning-meaning about data-but also social, indexical meaning-meaning beyond data. From a series of ethnographically-informed interviews, we document how readers make rich and varied assessments of a visualization's "vibes"-inferences about the social provenance of a visualization based on its design features. Furthermore, these social attributions have the power to influence reception, as readers' decisions about how to engage with a visualization concern not only content, or even aesthetic appeal, but also their sense of alignment or disalignment with the entities they imagine to be involved in its production and circulation. We argue these inferences hinge on a function of human sign systems that has thus far been little studied in data visualization: socio-indexicality, whereby the formal features (rather than the content) of communication evoke social contexts, identities, and characteristics. Demonstrating the presence and significance of this socio-indexical function in visualization, this paper offers both a conceptual foundation and practical intervention for troubleshooting breakdowns in public data communication.