Demonstration venue · read-only. Every page can be browsed; the buttons that would change it are switched off. Create an account to run TaxoReview on your own data. A simulation from public publication records: the people listed were not invited and did not agree to review.
? Tutorial for this page

Dimitris Kamarotos

dblp:42/2938 · DBLP profile ↗
← Back
2ranked-venue papers
0as first author
0since 2021 · last 2006
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Artificial intelligence and machine learning · 2

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
2 papers
Audio and music processing · 100%

Topics — the 2 heaviest of 2, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Audio and music processing
music information retrieval
0.122006
Classification of musical patterns using variable duration hidden Markov models · IEEE Trans. Speech Audio Process. 2006
Recognition of isolated musical patterns using context dependent dynamic time warping · IEEE Trans. Speech Audio Process. 2003
Audio and music processing › speech analysis
pitch tracking
0.022006
Classification of musical patterns using variable duration hidden Markov models · IEEE Trans. Speech Audio Process. 2006
Recognition of isolated musical patterns using context dependent dynamic time warping · IEEE Trans. Speech Audio Process. 2003

Methods — techniques the papers use, named apart from their topics

fundamental frequency tracking · 0.1variable duration hidden markov model · 0.1quantization · 0.0context dependent dynamic time warping · 0.0
YearPublicationVenuePosition
2006 Classification of musical patterns using variable duration hidden Markov models
abstract
This paper presents a new extension to the variable duration hidden Markov model (HMM), capable of classifying musical pattens that have been extracted from raw audio data into a set of predefined classes. Each musical pattern is converted into a sequence of music intervals by means of a fundamental frequency tracking procedure. This sequence is subsequently presented as input to a set of variable-duration HMMs. Each one of these models has been trained to recognize patterns of a corresponding predefined class. Classification is determined based on the highest recognition probability. The new type of variable-duration hidden Markov modeling proposed in this paper results in enhanced performance because 1) it deals effectively with errors that commonly originate during the feature extraction stage, and 2) it accounts for variations due to the individual expressive performance of different instrument players. To demonstrate its effectiveness, the novel classification scheme has been employed in the context of Greek traditional music, to monophonic musical patterns of a popular instrument, the Greek traditional clarinet. Although the method is also appropriate for western-style music, Greek traditional music poses extra difficulties and makes music pattern recognition a harder task. The classification results demonstrate that the new approach outperforms previous work based on conventional HMMs
Aggelos Pikrakis, Sergios Theodoridis, Dimitris Kamarotos
IEEE Trans. Speech Audio Process.3
2003 Recognition of isolated musical patterns using context dependent dynamic time warping
abstract
Automatic recognition of musical patterns plays a crucial part in musicological and ethnomusicological research and can become an indispensable tool for the search and comparison of music extracts within a large multimedia database. This paper presents an efficient method for recognizing isolated musical patterns in a monophonic environment, using a novel extension of dynamic time warping, which we call context dependent dynamic time warping. Each pattern, to be recognized, is converted into a sequence of frequency jumps by means of a fundamental frequency tracking algorithm, followed by a quantizer. The resulting sequence of frequency jumps is presented to the input of the recognizer. The main characteristic of context dependent dynamic time warping is that it exploits the correlation exhibited among adjacent frequency jumps of the feature sequence. The methodology has been tested in the context of Greek traditional music, which exhibits certain characteristics that make the classification task harder, when compared with western musical tradition. A recognition rate higher than 95% was achieved.
Aggelos Pikrakis, Sergios Theodoridis, Dimitris Kamarotos
IEEE Trans. Speech Audio Process.3