Demonstration venue · read-only. Every page can be browsed; the buttons that would change it are switched off. Create an account to run TaxoReview on your own data. A simulation from public publication records: the people listed were not invited and did not agree to review.
? Tutorial for this page

Xingbei Chen

dblp:422/6168 · DBLP profile ↗
← Back
1ranked-venue papers
0as first author
1since 2021 · last 2026
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Artificial intelligence and machine learning · 1 · 1 since 2021Graphics, computer vision, multimedia, augmented reality and games · 1 · 1 since 2021

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
1 paper
Multimedia analysis and retrieval · 50% Visual content generation and editing · 50%
Artificial intelligence
1 paper
Video understanding and tracking · 100%

Topics — the 1 heaviest of 4, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Computer vision › Video understanding and tracking › affective video analysis
video sentiment analysis
0.312026
EmoVid: A Multimodal Emotion Video Dataset for Emotion-Centric Video Understanding and Generation · AAAI 2026

Methods — techniques the papers use, named apart from their topics

text-to-video generation · 2.0image-to-video generation · 2.0fine-tuning · 2.0
YearPublicationVenuePosition
2026 EmoVid: A Multimodal Emotion Video Dataset for Emotion-Centric Video Understanding and Generation
abstract
Emotion plays a pivotal role in video-based expression, but existing video generation systems predominantly focus on low-level visual metrics while neglecting affective dimensions. Although emotion analysis has made progress in the visual domain, the video community lacks dedicated resources to bridge emotion understanding with generative tasks, particularly for stylized and non-realistic contexts. To address this gap, we introduce EmoVid, the first multimodal, emotion-annotated video dataset specifically designed for artistic media, which includes cartoon animations, movie clips, and animated stickers. Each video is annotated with emotion labels, visual attributes (brightness, colorfulness, hue), and text captions. Through systematic analysis, we uncover spatial and temporal patterns linking visual features to emotional perceptions across diverse video forms. Building on these insights, we develop an emotion-conditioned video generation technique by fine-tuning the Wan2.1 model. The results show a significant improvement in both quantitative metrics and the visual quality of generated videos for text-to-video and image-to-video tasks. EmoVid establishes a new benchmark and protocol for affective video computing. Our work not only offers valuable insights into visual emotion analysis in artistic videos but also provides practical methods for enhancing emotional expression in video generation. The extended version and the dataset are available on our project page.
Zongyang Qiu, Bingyuan Wang, Xingbei Chen, Yingqing He, Zeyu Wang 0003
AAAI3