Demo Data from EDBT 2026 / reviewers in the wild / expert
Bingning (Jolin) Liu
dblp:433/1061
· DBLP profile ↗
1ranked-venue papers
0as first author
1since 2021 · last 2026
0009-0004-3807-829XORCID · reported
Domains — the database's venue-derived domains; a paper can count in several
Human-computer interaction and ubiquitous computing · 1 · 1 since 2021
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Network and information security
1 paper |
Usable security · 100% | |
| Human-computer interaction and pervasive computing
1 paper |
Design research and methods · 100% |
Topics — the 2 heaviest of 3, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Usable security › usable privacy
privacy communication |
1.0 | 1 | 2026 | Depictions of Privacy Invasion and Surveillance in Artworks and Potential Lessons For Privacy Communication · CHI 2026 |
Design research and methods
speculative design |
0.3 | 1 | 2026 | Depictions of Privacy Invasion and Surveillance in Artworks and Potential Lessons For Privacy Communication · CHI 2026 |
Methods — techniques the papers use, named apart from their topics
qualitative analysis · 2.0artwork corpus analysis · 2.0
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2026 | Depictions of Privacy Invasion and Surveillance in Artworks and Potential Lessons For Privacy CommunicationabstractUser-facing communication about privacy (e.g., privacy policies, privacy tools’ user interfaces) is frequently ignored and often ineffective. In contrast to these arguably staid interfaces, artworks often focus on provocation, engagement, and critical interpretation. For decades, artists have created privacy art—artistic media in galleries relating to the surveillance and privacy of individuals. What are artists saying about privacy, and how? Crucially, what lessons might they have for designing privacy-focused user interfaces? To this end, we compiled over 800 privacy artworks, qualitatively analyzing a sample. Common topics spanned artistic media (from paintings to immersive installations) and eras. Artworks built upon familiar concepts (e.g., cameras, homes) to speculate on society’s future and present personal information (e.g., artist, viewer, public). We discuss lessons for making non-artistic privacy communication more engaging and powerful through directing attention (e.g., lighting, collage) and setting a tone (e.g., unsettling, fun, mundane). Tess Eschebach, Emma I. C. Peterson, Nathaniel Kim, Bingning (Jolin) Liu, Marc Downie, Douglas Pancoast, Blase Ur |
CHI | 4 |