While High Dynamic Range (HDR) image generation using computational approaches has seen widespread adoption in consumer photography, computational approaches for HDR video creation are only just beginning to emerge. In this paper, we present an algorithm for HDR video generation using short baseline camera arrays (cameras placed close together) with varying exposures. Our main contributions are an algorithm for disparity estimation that specifically targets short baseline camera arrays and an alignment algorithm that minimizes visual artifacts even in the presence of disparity errors. Finally, we present results using our algorithm on real world videos captured using a camera array to demonstrate the success of this application.

The tremendous explosion of image-, video-, and audio-enabled mobile devices, such as tablets and smart-phones in recent years, has led to an associated dramatic increase in the volume of captured and distributed multimedia content. In particular, the number of digital photographs being captured annually is approaching 100 billion in just the U.S. These pictures are increasingly being acquired by inexperienced, casual users under highly diverse conditions leading to a plethora of distortions, including blur induced by camera shake. In order to be able to automatically detect, correct, or cull images impaired by shake-induced blur, it is necessary to develop distortion models specific to and suitable for assessing the sharpness of camera-shaken images. Toward this goal, we have developed a no-reference framework for automatically predicting the perceptual quality of camera-shaken images based on their spectral statistics. Two kinds of features are defined that capture blur induced by camera shake. One is a directional feature, which measures the variation of the image spectrum across orientations. The second feature captures the shape, area, and orientation of the spectral contours of camera shaken images. We demonstrate the performance of an algorithm derived from these features on new and existing databases of images distorted by camera shake.

It is generally recognized that severe video distortions that are transient in space and/or time have a large effect on overall perceived video quality. In order to understand this phenomena, we study the distribution of spatio-temporally local quality scores obtained from several video quality assessment (VQA) algorithms on videos suffering from compression and lossy transmission over communication channels. We propose a content adaptive spatial and temporal pooling strategy based on the observed distribution. Our method adaptively emphasizes "worst" scores along both the spatial and temporal dimensions of a video sequence and also considers the perceptual effect of large-area cohesive motion flow such as egomotion. We demonstrate the efficacy of the method by testing it using three different VQA algorithms on the LIVE Video Quality database and the EPFL-PoliMI video quality database.

Computational photography techniques overcome limitations of traditional image sensors such as dynamic range and noise. Many computational imaging techniques have been proposed that process image stacks acquired using different exposure, aperture or gain settings, but far less attention has been paid to determining the parameters of the stack automatically. In this paper, we propose a novel computational imaging system that automatically and efficiently computes the optimal number of shots and corresponding exposure times and gains, taking into account characteristics of the scene and sensor. Our technique seamlessly integrates the use of multiple capture for both High Dynamic Range (HDR) imaging and denoising. The acquired images are then aligned, warped and merged in the raw Bayer domain according to a statistical noise model of the sensor to produce an optimal, potentially HDR and denoised image. The result is a fully automatic camera that constantly monitors the scene in front of it and decides how many images are required to capture it, without requiring the user to explicitly switch between different capture modalities.

Video quality assessment (QA) continues to be an important area of research due to the overwhelming number of applications where videos are delivered to humans. In particular, the problem of temporal pooling of quality sores has received relatively little attention. We observe a hysteresis effect in the subjective judgment of time-varying video quality based on measured behavior in a subjective study. Based on our analysis of the subjective data, we propose a hysteresis temporal pooling strategy for QA algorithms. Applying this temporal strategy to pool scores from PSNR, SSIM and MOVIE produces markedly improved subjective quality prediction.

With the increasing popularity of video applications, the reliable measurement of perceived video quality has increased in importance. We study methods for pooling video quality scores over space and time. The method accounts for localized severe impairments of the signal which exhibit significant influence on the subjective impression of the overall signal quality. It also accounts for the effect of camera motion (egomotion) on perceived quality. The method arrived at is tested on the LIVE Video Quality Database and is shown to perform quite well.

Evaluating the perceptual quality of video is of tremendous importance in the design and optimization of wireless video processing and transmission systems. In an endeavor to emulate human perception of quality, various objective video quality assessment (VQA) algorithms have been developed. However, the only subjective video quality database that exists on which these algorithms can be tested is dated and does not accurately reflect distortions introduced by present generation encoders and/or wireless channels. In order to evaluate the performance of VQA algorithms for the specific task of H.264 advanced video coding compressed video transmission over wireless networks, we conducted a subjective study involving 160 distorted videos. Various leading full reference VQA algorithms were tested for their correlation with human perception. The data from the paper has been made available to the research community, so that further research on new VQA algorithms and on the general area of VQA may be carried out.

There has recently been a great deal of interest in the development of algorithms that objectively measure the integrity of video signals. Since video signals are being delivered to human end users in an increasingly wide array of applications and products, it is important that automatic methods of video quality assessment (VQA) be available that can assist in controlling the quality of video being delivered to this critical audience. Naturally, the quality of motion representation in videos plays an important role in the perception of video quality, yet existing VQA algorithms make little direct use of motion information, thus limiting their effectiveness. We seek to ameliorate this by developing a general, spatio-spectrally localized multiscale framework for evaluating dynamic video fidelity that integrates both spatial and temporal (and spatio-temporal) aspects of distortion assessment. Video quality is evaluated not only in space and time, but also in space-time, by evaluating motion quality along computed motion trajectories. Using this framework, we develop a full reference VQA algorithm for which we coin the term the MOtion-based Video Integrity Evaluation index, or MOVIE index. It is found that the MOVIE index delivers VQA scores that correlate quite closely with human subjective judgment, using the Video Quality Expert Group (VQEG) FRTV Phase 1 database as a test bed. Indeed, the MOVIE index is found to be quite competitive with, and even outperform, algorithms developed and submitted to the VQEG FRTV Phase 1 study, as well as more recent VQA algorithms tested on this database.

We present the results of a recent large-scale subjective study of video quality on a collection of videos distorted by a variety of application-relevant processes. Methods to assess the visual quality of digital videos as perceived by human observers are becoming increasingly important, due to the large number of applications that target humans as the end users of video. Owing to the many approaches to video quality assessment (VQA) that are being developed, there is a need for a diverse independent public database of distorted videos and subjective scores that is freely available. The resulting Laboratory for Image and Video Engineering (LIVE) Video Quality Database contains 150 distorted videos (obtained from ten uncompressed reference videos of natural scenes) that were created using four different commonly encountered distortion types. Each video was assessed by 38 human subjects, and the difference mean opinion scores (DMOS) were recorded. We also evaluated the performance of several state-of-the-art, publicly available full-reference VQA algorithms on the new database. A statistical evaluation of the relative performance of these algorithms is also presented. The database has a dedicated web presence that will be maintained as long as it remains relevant and the data is available online.

This paper studies two increasingly popular paradigms for image quality assessment - Structural SIMilarity (SSIM) metrics and Information Fidelity metrics. The relation of the SSIM metric to Mean Squared Error and Human Visual System (HVS) based models of quality assessment are studied. The SSIM model is shown to be equivalent to models of contrast gain control of the HVS. We study the information theoretic metrics and show that the Information Fidelity Criterion (IFC) is a monotonic function of the structure term of the SSIM index applied in the sub-band filtered domain. Our analysis of the Visual Information Fidelity (VIF) criterion shows that improvements in VIF include incorporation of a contrast comparison, in addition to the structure comparison in IFC. Our analysis attempts to unify quality metrics derived from different first principles and characterize the relative performance of different QA systems.

Quality assessment plays a very important role in almost all aspects of multimedia signal processing such as acquisition, coding, display, processing etc. Several objective quality metrics have been proposed for images, but video quality assessment has received relatively little attention and most video quality metrics have been simple extension of metrics for images. In this paper, we propose a novel quality metric for video sequences that utilizes motion information in video sequences, which is the main difference in moving from images to video. This metric is capable of capturing temporal artifacts in video sequences in addition to spatial distortions. Results are presented that demonstrate the efficacy of our quality metric by comparing model performance against subjective scores on the database developed by the video quality experts group.

This paper presents novel techniques for detecting watermarks in images in a known-cover attack framework using natural scene models. Specifically, we consider a class of watermarking algorithms, popularly known as spread spectrum-based techniques. We attempt to classify images as either watermarked or distorted by common signal processing operations like compression, additive noise etc. The basic idea is that the statistical distortion introduced by spread spectrum watermarking is very different from that introduced by other common distortions. Our results are very promising and indicate that this statistical framework is effective in the steganalysis of spread spectrum watermarks.