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Yu-Chuan Tseng

dblp:48/795 · DBLP profile ↗
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4ranked-venue papers
3as first author
1since 2021 · last 2026
—ORCID · unresolved

Domains — the database's venue-derived domains; a paper can count in several

Graphics, computer vision, multimedia, augmented reality and games · 3 · 3 first-authorArtificial intelligence and machine learning · 1 · 1 since 2021

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Human-computer interaction and pervasive computing
2 papers
Games and playful interaction · 100%
Computer graphics and multimedia
3 papers
Audio and music processing · 55% Multimedia systems and quality of experience · 24% Virtual and augmented reality · 21%

Topics — the 4 heaviest of 6, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Games and playful interaction › interactive art
audience participation
0.112012
Dinner of Luciérnaga: an interactive play with iPhone app in theater · ACM Multimedia 2012
Games and playful interaction › interactive art
interactive performance
0.112012
Dinner of Luciérnaga: an interactive play with iPhone app in theater · ACM Multimedia 2012
Games and playful interaction
interactive art
0.112005
Immersing ME: the disappearing digitized presence · ACM Multimedia 2005
Audio and music processing
sound synthesis
0.012012
Dinner of Luciérnaga: an interactive play with iPhone app in theater · ACM Multimedia 2012

Methods — techniques the papers use, named apart from their topics

sound generation · 0.3iphone application · 0.3interactive installation · 0.1text-to-speech · 0.1multichannel sound · 0.1image analysis · 0.1AJAX · 0.1
YearPublicationVenuePosition
2026 Novel physics-informed spatiotemporal gated long short-term memory fault prediction for permanent magnet synchronous motor compressors in cold chain logistics
Yu-Chuan Tseng, Wu-Sung Yao
Expert Syst. Appl.2
2012 Dinner of Luciérnaga: an interactive play with iPhone app in theater
abstract
Interactive digital art in the field of performance is emerging as an increasingly important form of artistic expression in Taiwan. Dinner of Luciérnaga is an interdisciplinary project produced by more than ten talented members which include the director, dancer, choreographer, artist, interactive designer, sound designer, iPhone app engineer, image processing designer, stage designer and light designer. The goal of this project is to create new modes of interactive participation between the performers and audience through the use of an innovative iPhone application that links dancer to audience and audience to dancer. The application not only plays a key role in connecting the audience and dancer, but also uses an interesting sound generation application that enhances the spectators' experience. It creates and shares special interactive experiences. Dinner of Luciérnaga is a story about the relationship of light and human in the digital era. It is a stunning performance in visuals and interactive process with focus on new interface that are put into use in authentic environments for validation by audience. In this paper, we will discuss our artistic motivation, the development of the digitally interactive performances, and our process for creating the digitally interactive performance entitled Dinner of Luciérnaga.
Yu-Chuan Tseng, Janet Yi-Ching Huang, Kuan-Ying Wu, Chi-Ping Chin
ACM Multimedia1
2006 Flow: an interactive AJAX-based internet information requesting system
abstract
"Flow" is an interactive art work that indicates the chaotic state when we receive too much information from the medium. When the Internet becomes our major resource of information, we try to acquire as much news as possible from the net. That is the reason why we attempt to integrate web AJAX (Asynchronous JavaScript and XML) technology, Text-To-Speech (TTS), images analysis and presentation, and multichannel sound play, to create a context of flowing information which is unable to be hold but in a state of intermix.
Yu-Chuan Tseng, Chia-Hsiang Lee
ACM Multimedia1
2005 Immersing ME: the disappearing digitized presence
abstract
Artists try to represent existence and indicate the meaning of presence by a variety of practices. However, when a figure is created by bits and composes hypereal information, the existence information has become fragments of fake existence. Presence has become a form of absence. Absence has become a form of presence. The work 'Immersing ME' is an interactive art work inviting participants to perceive the process of dissolving from presence to absence.
Yu-Chuan Tseng, Chia-Hsiang Lee
ACM Multimedia1