Demo Data from EDBT 2026 / reviewers in the wild / expert
Ashley Eden
dblp:53/451
· DBLP profile ↗
2ranked-venue papers
1as first author
0since 2021 · last 2006
—ORCID · none
Domains — the database's venue-derived domains; a paper can count in several
Artificial intelligence and machine learning · 2 · 1 first-authorGraphics, computer vision, multimedia, augmented reality and games · 2 · 1 first-author
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Computer graphics and multimedia
2 papers |
Computational photography and imaging · 71% Image and video processing · 29% | |
| Theoretical computer science
1 paper |
Graph algorithms and graph theory · 100% |
Topics — the 4 heaviest of 4, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Computational photography and imaging
image stitching |
0.1 | 2 | 2006 | Seamless Image Stitching of Scenes with Large Motions and Exposure Differences · CVPR (2) 2006 Eliminating Ghosting and Exposure Artifacts in Image Mosaics · CVPR (2) 2001 |
Image and video processing › image fusion
multi-exposure image fusion |
0.1 | 1 | 2006 | Seamless Image Stitching of Scenes with Large Motions and Exposure Differences · CVPR (2) 2006 |
Computational photography and imaging › image stitching
panoramic image stitching |
0.1 | 1 | 2006 | Seamless Image Stitching of Scenes with Large Motions and Exposure Differences · CVPR (2) 2006 |
Graph algorithms and graph theory
graph cut |
0.0 | 1 | 2006 | Seamless Image Stitching of Scenes with Large Motions and Exposure Differences · CVPR (2) 2006 |
Methods — techniques the papers use, named apart from their topics
seam optimization · 0.1graph cuts · 0.1vertex cover algorithm · 0.0spline interpolation · 0.0
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2006 | Seamless Image Stitching of Scenes with Large Motions and Exposure DifferencesabstractThis paper presents a technique to automatically stitch multiple images at varying orientations and exposures to create a composite panorama that preserves the angular extent and dynamic range of the inputs. The main contribution of our method is that it allows for large exposure differences, large scene motion or other misregistrations between frames and requires no extra camera hardware. To do this, we introduce a two-step graph cut approach. The purpose of the first step is to fix the positions of moving objects in the scene. In the second step, we fill in the entire available dynamic range. We introduce data costs that encourage consistency and higher signal-to-noise ratios, and seam costs that encourage smooth transitions. Our method is simple to implement and effective. We demonstrate the effectiveness of our approach on several input sets with varying exposures and camera orientations. Ashley Eden, Matthew Uyttendaele, Richard Szeliski |
CVPR (2) | 1 |
| 2001 | Eliminating Ghosting and Exposure Artifacts in Image MosaicsabstractAs panoramic photography becomes increasingly popular, there is a greater need for high-quality software to automatically create panoramic images. Existing algorithms either produce a rough "stitch" that cannot deal with common artifacts, or require user input. This paper presents methods for dealing with two artifacts that often occur in practice. Our first contribution is a method for dealing with objects that move between different views of a dynamic scene. If such moving objects are left in, they will appear blurry and "ghosted". Treating such regions as nodes in a graph, we use a vertex cover algorithm to selectively remove all but one instance of each object. Our second contribution is a method for continuously adjusting exposure across multiple images in order to eliminate visible shifts in brightness or hue. We compute exposure corrections on a block-by block basis, then smoothly interpolate the parameters using a spline to get spatially continuous exposure adjustment. Our enhancements, combined with previously published techniques for automatic image stitching, result in a high-quality automated stitcher that exhibits far fewer artifacts than existing software. Matthew Uyttendaele, Ashley Eden, Richard Szeliski |
CVPR (2) | 2 |