In this paper, we first introduce a general approach for context-aware patch-based image inpainting, where textural descriptors are used to guide and accelerate the search for well-matching (candidate) patches. A novel top-down splitting procedure divides the image into variable size blocks according to their context, constraining thereby the search for candidate patches to nonlocal image regions with matching context. This approach can be employed to improve the speed and performance of virtually any (patch-based) inpainting method. We apply this approach to the so-called global image inpainting with the Markov random field (MRF) prior, where MRF encodes a priori knowledge about consistency of neighboring image patches. We solve the resulting optimization problem with an efficient low-complexity inference method. Experimental results demonstrate the potential of the proposed approach in inpainting applications like scratch, text, and object removal. Improvement and significant acceleration of a related global MRF-based inpainting method is also evident.

In this paper, we propose a novel global Markov Random Field based image inpainting method with context-aware label selection. Context is determined based on the texture and color features in fixed image regions and is used to distinguish areas of similar content to which the search for candidate patches is limited. Furthermore, we introduce a novel optimization approach, as an alternative to priority belief propagation framework, which further reduces the number of candidates and performs efficient inference to obtain final inpainting result. Experimental results show improvement over related state-of-the-art methods. Moreover, global optimization is significantly accelerated with the proposed inference approach.

Objective characterization of jewels in paintings, especially pearls, has been a long lasting challenge for art historians. The way an artist painted pearls reflects his ability to observing nature and his knowledge of contemporary optical theory. Moreover, the painterly execution may also be considered as an individual characteristic useful in distinguishing hands. In this work, we propose a set of image analysis techniques to analyze and measure spatial characteristics of the digital images of pearls, all relying on the so called spatiogram image representation. Our experimental results demonstrate good correlation between the new metrics and the visually observed image features, and also capture the degree of realism of the visual appearance in the painting. In that sense, these results set the basis in creating a practical tool for art historical attribution and give strong motivation for further investigations in this direction.