Given the long textual product information and the product image, Multi-modal Product Summarization (MPS) aims to increase customers’ desire to purchase by highlighting product characteristics with a short textual summary. Existing MPS methods can produce promising results. Nevertheless, they still 1) lack end-to-end product summarization, 2) lack multi-grained multi-modal modeling, and 3) lack multi-modal attribute modeling. To improve MPS, we propose an end-to-end multi-grained multi-modal attribute-aware product summarization method (MMAPS) for generating high-quality product summaries in e-commerce. MMAPS jointly models product attributes and generates product summaries. We design several multi-grained multi-modal tasks to better guide the multi-modal learning of MMAPS. Furthermore, we model product attributes based on both text and image modalities so that multi-modal product characteristics can be manifested in the generated summaries. Extensive experiments on a real large-scale Chinese e-commence dataset demonstrate that our model outperforms state-of-the-art product summarization methods w.r.t. several summarization metrics. Our code is publicly available at: https://github.com/KDEGroup/MMAPS.

Image matting is widely studied for accurate foreground extraction. Most algorithms, including deep-learning based solutions, require a carefully edited trimap. Recent works attempt to combine the segmentation stage and matting stage in one CNN model, but errors occurring at the segmentation stage lead to unsatisfactory matte. We propose a user-guided approach for practical human matting. More precisely, we provide a good automatic initial matting and a natural way of interaction that reduces the workload of drawing trimaps and allows users to guide the matting in ambiguous situation. We also combine the segmentation and matting stage in an end-to-end CNN architecture and introduce a residual-learning module to support convenient stroke-based interaction. The proposed model learns to propagate the input trimap and modify the deep image features, which can efficiently correct the segmentation errors. Our model supports arbitrary forms of trimaps from carefully edited to totally unknown maps. Our model also allows users to choose from different foreground estimations according to their preference. We collected a large human matting dataset consisting of 12K real-world human images with complex background and human-object relations. The proposed model is trained on the new dataset with a novel trimap generation strategy that enables the model to tackle different test situations and highly improves the interaction efficiency. Our method outperforms other state-of-the-art automatic methods and achieve competitive accuracy when high-quality trimaps are provided. Experiments indicate that our interactive matting strategy is superior to separately estimating the trimap and alpha matte using two models.

Underexposed image enhancement is of importance in many research domains. In this paper, we take this problem as image feature transformation between the underexposed image and its paired enhanced version, and we propose a deep symmetric network for the issue. Our symmetric network adapts invertible neural networks (INN) for bidirectional feature learning between images, and to ensure the mutual propagation invertible we specifically construct two pairs of encoder-decoder with the same pretrained parameters. This invertible mechanism with bidirectional feature transformations enable us to both avoid colour bias and recover the content effectively for image enhancement. In addition, we propose a new recurrent residual-attention module (RRAM), where the recurrent learning network is designed to gradually perform the desired colour adjustments. Ablation experiments are executed to show the role of each component of our new architecture. We conduct a large number of experiments on two datasets to demonstrate that our method achieves the state-of-the-art effect in underexposed image enhancement. Code is available at https://www.shaopinglu.net/proj-iccv21/ImageEnhancement.html.

We propose a novel end-to-end deep learning framework, the Joint Matting Network (JMNet), to automatically generate alpha mattes for human images. We utilize the intrinsic structures of the human body as seen in images by introducing a pose estimation module, which can provide both global structural guidance and a local attention focus for the matting task. Our network model includes a pose network, a trimap network, a matting network, and a shared encoder to extract features for the above three networks. We also append a trimap refinement module and utilize gradient loss to provide a sharper alpha matte. Extensive experiments have shown that our method outperforms state-of-theart human matting techniques; the shared encoder leads to better performance and lower memory costs. Our model can process real images downloaded from the Internet for use in composition applications.

What would someone from another culture think of this photograph I just took? Would they think my picture of this "wilted flower" was also sentimentally positive or would they perceive it negatively instead? Or what if I wanted to find other photographs that are semantically related to my image as well as sentimentally sensitive, but from other cultures? In fact, this cultural and sentimental relevancy are features that we would expect of any recommender system and query expansion engine, respectively. Motivated by this, we present an online demonstration of a system called Complura. Our system implements three major functions: an interactive multilingual ontology browser, a cross-lingual image-based sentiment analyzer, and a culturally-coherent, sentiment-aware image query expansion engine. We ground our system on a multilingual visual sentiment ontology, containing over 10k sentiment-polarized visual concepts over 12 languages and over 7.3M images.

The impact of culture in visual emotion perception has recently captured the attention of multimedia research. In this study, we provide powerful computational linguistics tools to explore, retrieve and browse a dataset of 16K multilingual affective visual concepts and 7.3M Flickr images. First, we design an effective crowdsourcing experiment to collect human judgements of sentiment connected to the visual concepts. We then use word embeddings to represent these concepts in a low dimensional vector space, allowing us to expand the meaning around concepts, and thus enabling insight about commonalities and differences among different languages. We compare a variety of concept representations through a novel evaluation task based on the notion of visual semantic relatedness. Based on these representations, we design clustering schemes to group multilingual visual concepts, and evaluate them with novel metrics based on the crowdsourced sentiment annotations as well as visual semantic relatedness. The proposed clustering framework enables us to analyze the full multilingual dataset in-depth and also show an application on a facial data subset, exploring cultural insights of portrait-related affective visual concepts.

Every culture and language is unique. Our work expressly focuses on the uniqueness of culture and language in relation to human affect, specifically sentiment and emotion semantics, and how they manifest in social multimedia. We develop sets of sentiment- and emotion-polarized visual concepts by adapting semantic structures called adjective-noun pairs, originally introduced by Borth et al. (2013), but in a multilingual context. We propose a new language-dependent method for automatic discovery of these adjective-noun constructs. We show how this pipeline can be applied on a social multimedia platform for the creation of a large-scale multilingual visual sentiment concept ontology (MVSO). Unlike the flat structure in Borth et al. (2013), our unified ontology is organized hierarchically by multilingual clusters of visually detectable nouns and subclusters of emotionally biased versions of these nouns. In addition, we present an image-based prediction task to show how generalizable language-specific models are in a multilingual context. A new, publicly available dataset of >15.6K sentiment-biased visual concepts across 12 languages with language-specific detector banks, >7.36M images and their metadata is also released.

We present a general framework and working system for predicting likely affective responses of the viewers in the social media environment after an image is posted online. Our approach emphasizes a mid-level concept representation, in which intended affects of the image publisher is characterized by a large pool of visual concepts (termed PACs) detected from image content directly instead of textual metadata, evoked viewer affects are represented by concepts (termed VACs) mined from online comments, and statistical methods are used to model the correlations among these two types of concepts. We demonstrate the utilities of such approaches by developing an end-to-end Assistive Comment Robot application, which further includes components for multi-sentence comment generation, interactive interfaces, and relevance feedback functions. Through user studies, we showed machine suggested comments were accepted by users for online posting in 90 percent of completed user sessions, while very favorable results were also observed in various dimensions (plausibility, preference, and realism) when assessing the quality of the generated image comments.

We investigate automatic inference of uploader intent for online video, i.e., prediction of the reason for which a user has uploaded a particular video to the Internet. Users upload video for specific reasons, but rarely state these reasons explicitly in the video metadata. Information about the reasons motivating uploaders has the potential ultimately to benefit a wide range of application areas, including video production, video-based advertising , and video search. In this paper, we apply a combination of social-Web mining and crowdsourcing to arrive at a typology that characterizes the uploader intent of a broad range of videos. We then use a set of multimodal features, including visual semantic features, found to be indicative of uploader intent in order to classify videos automatically into uploader intent classes. We evaluate our approach on a dataset containing ca. 3K crowdsourcing-annotated videos and demonstrate its usefulness in prediction tasks relevant to common application areas.

Visual sentiment analysis is getting increasing attention because of the rapidly growing amount of images in online social interactions and several emerging applications such as online propaganda and advertisement. Recent studies have shown promising progress in analyzing visual affect concepts intended by the media content publisher. In contrast, this paper focuses on predicting what viewer affect concepts will be triggered when the image is perceived by the viewers. For example, given an image tagged with "yummy food," the viewers are likely to comment "delicious" and "hungry," which we refer to as viewer affect concepts (VAC) in this paper. To the best of our knowledge, this is the first work explicitly distinguishing intended publisher affect concepts and induced viewer affect concepts associated with social visual content, and aiming at understanding their correlations. We present around 400 VACs automatically mined from million-scale real user comments associated with images in social media. Furthermore, we propose an automatic visual based approach to predict VACs by first detecting publisher affect concepts in image content and then applying statistical correlations between such publisher affect concepts and the VACs. We demonstrate major benefits of the proposed methods in several real-world tasks - recommending images to invoke certain target VACs among viewers, increasing the accuracy of predicting VACs by 20.1% and finally developing a social assistant tool that may suggest plausible, content-specific and desirable comments when users view new images.

This paper studies the problem of modeling object-based visual concepts such as "crazy car" and "shy dog" with a goal to extract emotion related information from social multimedia content. We focus on detecting such adjective-noun pairs because of their strong co-occurrence relation with image tags about emotions. This problem is very challenging due to the highly subjective nature of the adjectives like "crazy" and "shy" and the ambiguity associated with the annotations. However, associating adjectives with concrete physical nouns makes the combined visual concepts more detectable and tractable. We propose a hierarchical system to handle the concept classification in an object specific manner and decompose the hard problem into object localization and sentiment related concept modeling. In order to resolve the ambiguity of concepts we propose a novel classification approach by modeling the concept similarity, leveraging on online commonsense knowledgebase. The proposed framework also allows us to interpret the classifiers by discovering discriminative features. The comparisons between our method and several baselines show great improvement in classification performance. We further demonstrate the power of the proposed system with a few novel applications such as sentiment-aware music slide shows of personal albums.

Attribute-based representation has been widely used in visual recognition and retrieval due to its interpretability and cross-category generalization properties. However, classic attribute learning requires manually labeling attributes on the images, which is very expensive, and not scalable. In this paper, we propose to model attributes from category-attribute proportions. The proposed framework can model attributes without attribute labels on the images. Specifically, given a multi-class image datasets with N categories, we model an attribute, based on an N-dimensional category-attribute proportion vector, where each element of the vector characterizes the proportion of images in the corresponding category having the attribute. The attribute learning can be formulated as a learning from label proportion (LLP) problem. Our method is based on a newly proposed machine learning algorithm called $\propto$SVM. Finding the category-attribute proportions is much easier than manually labeling images, but it is still not a trivial task. We further propose to estimate the proportions from multiple modalities such as human commonsense knowledge, NLP tools, and other domain knowledge. The value of the proposed approach is demonstrated by various applications including modeling animal attributes, visual sentiment attributes, and scene attributes.

In this paper we propose a novel aesthetic model emphasizing psycho-visual statistics extracted from multiple levels in contrast to earlier approaches that rely only on descriptors suited for image recognition or based on photographic principles. At the lowest level, we determine dark-channel, sharpness and eye-sensitivity statistics over rectangular cells within a frame. At the next level, we extract Sentibank features (1,200 pre-trained visual classifiers) on a given frame, that invoke specific sentiments such as "colorful clouds", "smiling face" etc. and collect the classifier responses as frame-level statistics. At the topmost level, we extract trajectories from video shots. Using viewer's fixation priors, the trajectories are labeled as foreground, and background/camera on which statistics are computed. Additionally, spatio-temporal local binary patterns are computed that capture texture variations in a given shot. Classifiers are trained on individual feature representations independently. On thorough evaluation of 9 different types of features, we select the best features from each level -- dark channel, affect and camera motion statistics. Next, corresponding classifier scores are integrated in a sophisticated low-rank fusion framework to improve the final prediction scores. Our approach demonstrates strong correlation with human prediction on 1,000 broadcast quality videos released by NHK as an aesthetic evaluation dataset.

A picture is worth one thousand words, but what words should be used to describe the sentiment and emotions conveyed in the increasingly popular social multimedia? We demonstrate a novel system which combines sound structures from psychology and the folksonomy extracted from social multimedia to develop a large visual sentiment ontology consisting of 1,200 concepts and associated classifiers called SentiBank. Each concept, defined as an Adjective Noun Pair (ANP), is made of an adjective strongly indicating emotions and a noun corresponding to objects or scenes that have a reasonable prospect of automatic detection. We believe such large-scale visual classifiers offer a powerful mid-level semantic representation enabling high-level sentiment analysis of social multimedia. We demonstrate novel applications made possible by SentiBank including live sentiment prediction of social media and visualization of visual content in a rich intuitive semantic space.

We address the challenge of sentiment analysis from visual content. In contrast to existing methods which infer sentiment or emotion directly from visual low-level features, we propose a novel approach based on understanding of the visual concepts that are strongly related to sentiments. Our key contribution is two-fold: first, we present a method built upon psychological theories and web mining to automatically construct a large-scale Visual Sentiment Ontology (VSO) consisting of more than 3,000 Adjective Noun Pairs (ANP). Second, we propose SentiBank, a novel visual concept detector library that can be used to detect the presence of 1,200 ANPs in an image. The VSO and SentiBank are distinct from existing work and will open a gate towards various applications enabled by automatic sentiment analysis. Experiments on detecting sentiment of image tweets demonstrate significant improvement in detection accuracy when comparing the proposed SentiBank based predictors with the text-based approaches. The effort also leads to a large publicly available resource consisting of a visual sentiment ontology, a large detector library, and the training/testing benchmark for visual sentiment analysis.

For images, gradient domain composition methods like Poisson blending offer practical solutions for uncertain object boundaries and differences in illumination conditions. However, adapting Poisson image blending to video presents new challenges due to the added temporal dimension. In video, the human eye is sensitive to small changes in blending boundaries across frames and slight differences in motions of the source patch and target video. We present a novel video blending approach that tackles these problems by merging the gradient of source and target videos and optimizing a consistent blending boundary based on a user-provided blending trimap for the source video. Our approach extends mean-value coordinates interpolation to support hybrid blending with a dynamic boundary while maintaining interactive performance. We also provide a user interface and source object positioning method that can efficiently deal with complex video sequences beyond the capabilities of alpha blending.

We introduce an interactive technique for manipulating simple 3D shapes based on extracting them from a single photograph. Such extraction requires understanding of the components of the shape, their projections, and relations. These simple cognitive tasks for humans are particularly difficult for automatic algorithms. Thus, our approach combines the cognitive abilities of humans with the computational accuracy of the machine to solve this problem. Our technique provides the user the means to quickly create editable 3D parts---human assistance implicitly segments a complex object into its components, and positions them in space. In our interface, three strokes are used to generate a 3D component that snaps to the shape's outline in the photograph, where each stroke defines one dimension of the component. The computer reshapes the component to fit the image of the object in the photograph as well as to satisfy various inferred geometric constraints imposed by its global 3D structure. We show that with this intelligent interactive modeling tool, the daunting task of object extraction is made simple. Once the 3D object has been extracted, it can be quickly edited and placed back into photos or 3D scenes, permitting object-driven photo editing tasks which are impossible to perform in image-space. We show several examples and present a user study illustrating the usefulness of our technique.

We present PoseShop--a pipeline to construct segmented human image database with minimal manual intervention. By downloading, analyzing, and filtering massive amounts of human images from the Internet, we achieve a database which contains 400 thousands human figures that are segmented out of their background. The human figures are organized based on action semantic, clothes attributes, and indexed by the shape of their poses. They can be queried using either silhouette sketch or a skeleton to find a given pose. We demonstrate applications for this database for multiframe personalized content synthesis in the form of comic-strips, where the main character is the user or his/her friends. We address the two challenges of such synthesis, namely personalization and consistency over a set of frames, by introducing head swapping and clothes swapping techniques. We also demonstrate an action correlation analysis application to show the usefulness of the database for vision application.

Abstract We present a framework for interactively manipulating objects in a photograph using related objects obtained from internet images. Given an image, the user selects an object to modify, and provides keywords to describe it. Objects with a similar shape are retrieved and segmented from online images matching the keywords, and deformed to correspond with the selected object. By matching the candidate object and adjusting manipulation parameters, our method appropriately modifies candidate objects and composites them into the scene. Supported manipulations include transferring texture, color and shape from the matched object to the target in a seamless manner. We demonstrate the versatility of our framework using several inputs of varying complexity, for object completion, augmentation, replacement and revealing. Our results are evaluated using a user study.

We present a system that composes a realistic picture from a simple freehand sketch annotated with text labels. The composed picture is generated by seamlessly stitching several photographs in agreement with the sketch and text labels; these are found by searching the Internet. Although online image search generates many inappropriate results, our system is able to automatically select suitable photographs to generate a high quality composition, using a filtering scheme to exclude undesirable images. We also provide a novel image blending algorithm to allow seamless image composition. Each blending result is given a numeric score, allowing us to find an optimal combination of discovered images. Experimental results show the method is very successful; we also evaluate our system using the results from two user studies.

We present a system for vectorizing 2D raster format cartoon animations. The output animations are visually flicker free, smaller in file size, and easy to edit. We identify decorative lines separately from colored regions. We use an accurate and semantically meaningful image decomposition algorithm, supporting an arbitrary color model for each region. To ensure temporal coherence in the output, we reconstruct a universal background for all frames and separately extract foreground regions. Simple user-assistance is required to complete the background. Each region and decorative line is vectorized and stored together with their motions from frame to frame. The contributions of this paper are: 1) the new trapped-ball segmentation method, which is fast, supports nonuniformly colored regions, and allows robust region segmentation even in the presence of imperfectly linked region edges, 2) the separate handling of decorative lines as special objects during image decomposition, avoiding results containing multiple short, thin oversegmented regions, and 3) extraction of a single patch-based background for all frames, which provides a basis for consistent, flicker-free animations.