Demo Data from EDBT 2026 / reviewers in the wild / expert
Hisako Kroiden Yamakawa
dblp:73/5737
· DBLP profile ↗
1ranked-venue papers
1as first author
0since 2021 · last 2005
—ORCID · none
Domains — the database's venue-derived domains; a paper can count in several
Graphics, computer vision, multimedia, augmented reality and games · 1 · 1 first-author
Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.
| Human-computer interaction and pervasive computing
1 paper |
Immersive interaction · 100% | |
| Computer graphics and multimedia
1 paper |
Audio and music processing · 100% |
Topics — the 1 heaviest of 2, each with the papers that count most for it
| Topic | Weight | Papers | Last | Evidence papers |
|---|---|---|---|---|
Immersive interaction › artistic expression
interactive installation |
0.1 | 1 | 2005 | "KODAMA": mischievous echoes · ACM Multimedia 2005 |
Methods — techniques the papers use, named apart from their topics
motion sensing · 0.1
| Year | Publication | Venue | Position |
|---|---|---|---|
| 2005 | "KODAMA": mischievous echoesabstractI created "KODAMA" to demonstrate my sensation of solidified human voices in conversation."KODAMA" is an interactive installation. The "KODAMA" are tree fairies that live in the forest who listen to human voices and mimic their sounds. They are visually depicted as bubbles or pockets of air that move around a projection of the forest. Their movement on screen is controlled by the movement of the audience detected by motion sensors. The audience's voices are captured and re-played by the "KODAMA". Hisako Kroiden Yamakawa |
ACM Multimedia | 1 |