Deep dreaming (DD) can combine and transform images in surprising ways. But, being based in deep learning (DL), it is not analytically understood. Collage is an art form that is constrained along various dimensions. DD will not be able to generate collages until DL can be guided in a disciplined fashion.

This paper proposes a set of five ethical principles, together with seven high-level messages, as a basis for responsible robotics. The Principles of Robotics were drafted in 2010 and published online in 2011. Since then the principles have influenced, and continue to influence, a number of initiatives in robot ethics but have not, to date, been formally published. This paper remedies that omission.

The appreciation of art normally includes recognition of the artist's skills in making it. Most people cannot appreciate computer art in that way, because they know little or nothing about coding. Various suggestions are made about how computer artists and/or curators might design and present computer art in such a way as to make the relevant making-skills more intelligible.

Three forms of creativity are exemplified in biology and studied in ALife. Combinational creativity exists as the first step in genetic algorithms. Exploratory creativity is seen in models using cellular automata or evolutionary programs. Transformational creativity can result from evolutionary programming. Even radically novel forms can do so, given input from outside the program itself. Transformational creativity appears also in reaction-diffusion models of morphogenesis. That there are limits to biological creativity is suggested by ALife work bearing on instances of biological impossibility.

No abstract available.

This panel invites four speakers to discuss the history of creativity and cognition. Phil Husbands talks about the pioneering group that played an important role in the emergence of cybernetics in the UK - The Ratio Club; Margaret Boden describes the history of creativity research in AI; Catherine Mason presents her research into the role that institutions played in the development of the computer arts in the UK and; Alan Sutcliffe describes his experiences as a co-founder of the influential Computer Arts Society.