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Daryl Ning

dblp:81/4673 · DBLP profile ↗
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3ranked-venue papers
2as first author
0since 2021 · last 2006
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Graphics, computer vision, multimedia, augmented reality and games · 2 · 2 first-authorArtificial intelligence and machine learning · 1

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
1 paper
Audio and music processing · 67% Image and video coding · 33%

Topics — the 3 heaviest of 3, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Audio and music processing
audio coding
0.112006
A Novel Audio Coding Scheme Using Warped Linear Prediction Model and the Discrete Wavelet Transform · IEEE Trans. Speech Audio Process. 2006
Image and video coding › transform coding
discrete wavelet transform
0.112006
A Novel Audio Coding Scheme Using Warped Linear Prediction Model and the Discrete Wavelet Transform · IEEE Trans. Speech Audio Process. 2006
Audio and music processing › linear prediction
warped linear prediction
0.112006
A Novel Audio Coding Scheme Using Warped Linear Prediction Model and the Discrete Wavelet Transform · IEEE Trans. Speech Audio Process. 2006

Methods — techniques the papers use, named apart from their topics

warped linear prediction · 0.1discrete wavelet transform · 0.1bit allocation · 0.1
YearPublicationVenuePosition
2006 A Novel Audio Coding Scheme Using Warped Linear Prediction Model and the Discrete Wavelet Transform
abstract
In this paper, we present a novel audio coder using the discrete wavelet transform (DWT) and warped linear prediction (WLP). In contrast to conventional LP, WLP allows for the control of frequency resolution to closely match the response of the human auditory system. The structure of the system is similar to the transform coded excitation techniques used in wideband speech coding, where LP has been replaced with WLP, and the residual is analyzed by a wavelet filterbank designed to approximate the critical bands. The inherent shaping of the WLP synthesis filter, and a controlled bit allocation to the wavelet coefficients helps minimise the perceptually significant noise due to the quantization error in the residual. For monophonic signals sampled at 44.1 kHz, the coder achieves near transparent to transparent quality for a variety of speech and music signals at an average bitrate of about 64 kb/s. Tests also show that the coder (in its initial implementation) delivers superior quality to the MPEG layer III and comparable quality to the MPEG2-AAC codec when operating at the same bitrate
Mohamed Deriche 0001, Daryl Ning
IEEE Trans. Speech Audio Process.2
2003 A bitstream scalable audio coder using a hybrid WLPC-wavelet representation
abstract
In this paper, we present a novel bitstream scalable audio coder. In the proposed coder, the full bandwidth of input audio is first split into two. A hybrid WLPC-wavelet representation is used to encode the low frequency components (<11 kHz). In this method, the excitation to the WLPC synthesis filter is decomposed into subbands using a wavelet filterbank, and perceptually encoded. Two stage quantisation of the wavelet coefficients is used to provide scalability. The high frequency components of the input are assumed to be noisy, and efficiently encoded using an LPC noise model. The output bitstream is capable of being decoded at rates between 16 kbit/s and 80 kbit/s. As the bitrate increases, so too does the signal quality. At 80 kbit/s, the quality is near transparent. At the intermediate rates, the coder gives comparable performance to the MPEG layer III coder, when the MPEG coder operates at similar, but fixed, bitrates.
Daryl Ning, Mohamed Deriche 0001
ICASSP (5)1
2002 A new audio coder using a warped linear prediction model and the wavelet transform
abstract
In this paper, we present results for a wavelet transform (WT) excited warped linear prediction (WLP) audio coder. In contrast to conventional LP, WLP allows for the control of frequency resolution to closely match the response of the human auditory system. The structure of the system is similar to the transform-coded excitation techniques used in wideband speech coding, where LP has been replaced with WLP. Quantisation of the wavelet coefficients is aided by a psychoacoustic model to minimise the perceptually significant noise due to quantisation error. For monophonic signals sampled at 44.1 kHz, the coder achieves near transparent quality for a variety of speech and music signals at an average bit-rate of 64 kb/s. When compared to MPEG layer III at the same bit-rate, the coder delivers superior quality. The power of the proposed coder resides in its easy scalability to lower bitrates.
Daryl Ning, Mohamed Deriche 0001
ICASSP1