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Teri Pettit

dblp:82/6546 · DBLP profile ↗
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1ranked-venue papers
0as first author
0since 2021 · last 2007
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Graphics, computer vision, multimedia, augmented reality and games · 1

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
1 paper
Visual content generation and editing · 100%
Human-computer interaction and pervasive computing
1 paper
User interface design and tools · 100%

Topics — the 1 heaviest of 2, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
User interface design and tools › interactive design tools
drawing tools
0.012007
Dynamic planar map illustration · ACM Trans. Graph. 2007

Methods — techniques the papers use, named apart from their topics

heuristic matching · 0.1
YearPublicationVenuePosition
2007 Dynamic planar map illustration
abstract
There are many types of illustrations that are easier to create in planar-map-based illustration systems than in the more common stacking-based systems. One weakness shared by all existing planar-map-based systems is that the editability of the drawing is severely hampered once coloring has begun. The paths that define the areas to be filled become divided wherever they intersect, making it difficult or impossible to edit them as a whole. Live Paint is a new metaphor that allows planar-map-based coloring while maintaining all the original paths unchanged. When a user makes a change, the regions and edges defined by the new paths take on fill and stroke attributes from the previous regions and edges. This results in greater editing flexibility and ease of use. Live Paint uses a set of heuristics to match each region and edge in a changed illustration with a region or edge in the previous version, a task that is more difficult than it at first appears. It then transfers fill and stroke attributes accordingly.
Paul Asente, Mike Schuster, Teri Pettit
ACM Trans. Graph.3