Recent advances in free-viewpoint rendering techniques as well as the continued improvements of the internet network infrastructure open the door for challenging new applications. In this paper, we present a framework for interactive free-viewpoint streaming with open standards and software. Network bandwidth, encoding strategy as well as codec support for open source browsers are key constraints to be considered for our interactive streaming applications. Our framework is capable of real-time server-side rendering and interactively streaming the output by means of open source streaming. To enable viewer interaction with the free-viewpoint video rendering back-end in a standard browser, user events are captured with Javascript and transmitted using WebSockets. The rendered video is streamed to the browser using the FFmpeg free software project. This paper discusses the applicability of open source streaming and presents timing measurements for video-frame transmission over network.

Many compelling video processing effects can be achieved if per-pixel depth information and 3D camera calibrations are known. However, the success of such methods is highly dependent on the accuracy of this "scene-space" information. We present a novel, sampling-based framework for processing video that enables high-quality scene-space video effects in the presence of inevitable errors in depth and camera pose estimation. Instead of trying to improve the explicit 3D scene representation, the key idea of our method is to exploit the high redundancy of approximate scene information that arises due to most scene points being visible multiple times across many frames of video. Based on this observation, we propose a novel pixel gathering and filtering approach. The gathering step is general and collects pixel samples in scene-space, while the filtering step is application-specific and computes a desired output video from the gathered sample sets. Our approach is easily parallelizable and has been implemented on GPU, allowing us to take full advantage of large volumes of video data and facilitating practical runtimes on HD video using a standard desktop computer. Our generic scene-space formulation is able to comprehensively describe a multitude of video processing applications such as denoising, deblurring, super resolution, object removal, computational shutter functions, and other scene-space camera effects. We present results for various casually captured, hand-held, moving, compressed, monocular videos depicting challenging scenes recorded in uncontrolled environments.

We present a novel approach to free-viewpoint video. Our main contribution is the formulation of a hybrid approach between image morphing and depth-image based rendering. When rendering the scene from novel viewpoints, we use both dense pixel correspondences between image pairs as well as an underlying, view-dependent geometrical model. Our novel reconstruction scheme iteratively refines geometric and correspondence information. By combining the strengths of both depth and correspondence estimation, our approach enables free-viewpoint video also for challenging scenes as well as for recordings that may violate typical constraints in multiview reconstruction. For example, our method is robust against inaccurate camera calibration, asynchronous capture, and imprecise depth reconstruction. Rendering results for different scenes and applications demonstrate the versatility and robustness of our approach.

We present a semi-automatic approach to exchange the clothes of an actor for arbitrary virtual garments in conventional monocular video footage as a postprocess. We reconstruct the actor's body shape and motion from the input video using a parameterized body model. The reconstructed dynamic 3D geometry of the actor serves as an animated mannequin for simulating the virtual garment. It also aids in scene illumination estimation, necessary to realistically light the virtual garment. An image-based warping technique ensures realistic compositing of the rendered virtual garment and the original video. We present results for eight real-world video sequences featuring complex test cases to evaluate performance for different types of motion, camera settings, and illumination conditions.

High quality dense image correspondence estimation between two images is an essential pre-requisite for view interpolation in visual media production. Due to the ill-posed nature of the problem, automated estimation approaches are prone to erroneous correspondences and subsequent quality degradation, e.g. in the presence of ambiguous movements that require human scene understanding to resolve. Where visually convincing results are essential, artifacts resulting from estimation errors must be repaired by hand with image editing tools. In this paper, we propose a new workflow alternative by fixing the correspondences instead of fixing the interpolated images. We combine realtime interactive correspondence display, multi-level user guidance and algorithmic subpixel precision to counteract failure cases of automated estimation algorithms. Our results show that already few interactions improve the visual quality considerably.