Demonstration venue · read-only. Every page can be browsed; the buttons that would change it are switched off. Create an account to run TaxoReview on your own data. A simulation from public publication records: the people listed were not invited and did not agree to review.
? Tutorial for this page

Kazunaga Ikeda

dblp:97/6246 · DBLP profile ↗
← Back
6ranked-venue papers
0as first author
0since 2021 · last 2003
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Graphics, computer vision, multimedia, augmented reality and games · 4Systems, architecture and hardware · 1Computer networks · 1

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer graphics and multimedia
1 paper
Audio and music processing · 100%
Computer networks
1 paper
Content delivery and video streaming · 100%

Topics — the 3 heaviest of 3, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Audio and music processing › speech coding
code-excited linear prediction
0.011995
Design of a Pitch Synchronous Innovation CELP Coder for Mobile Communications · IEEE J. Sel. Areas Commun. 1995
Audio and music processing
speech coding
0.011995
Design of a Pitch Synchronous Innovation CELP Coder for Mobile Communications · IEEE J. Sel. Areas Commun. 1995
Content delivery and video streaming › source coding
speech coding
0.011995
Design of a Pitch Synchronous Innovation CELP Coder for Mobile Communications · IEEE J. Sel. Areas Commun. 1995

Methods — techniques the papers use, named apart from their topics

linear predictive coding · 0.0codebook search · 0.0
YearPublicationVenuePosition
2003 Hierarchical lossless audio coding in terms of sampling rate and amplitude resolution
abstract
This paper proposes a lossless audio coding scheme with hierarchical scalability in terms of sampling rate and amplitude resolution. A single bit stream contains hierarchical information that can generate waveforms ranging from 96 kHz with 24-bit amplitude resolution through lower sampling/resolution lossless waveforms to a highly compressed lossy one created using an MPEG-4 audio coder. This bit stream structure enables dynamic rate control and hierarchical multicasting based on a simple priority control of the IP packets. These functions will be useful for high-quality archiving and broadband streaming for various types of networks and terminal equipment.
Takehiro Moriya, Akio Jin, Takeshi Mori, Kazunaga Ikeda, Takao Kaneko
ICASSP (5)4
2002 Lossless scalable audio coder and quality enhancement
abstract
This paper proposes a lossless scalable audio coding scheme and quality enhancement processing at the decoder to compensate for some missing scalable units of information. The bit rate scalability is achieved by combining high-compression coding, such as MPEG-4, and horizontal bit slicing of the PCM-coded error signal between the original waveform and the locally reconstructed MPEG-4 signal. The horizontally sliced stream may be transported through an IP network with priority. Even if some units are missing at the decoder, reasonable quality waveform can be reconstructed by means of post-processing using some side information. This scheme enables graceful degradation by supporting lossless, near lossless, and high-compression coding within a single scalable framework, and is useful for narrowband to broadband audio streaming.
Takehiro Moriya, Akio Jin, Takeshi Mori, Kazunaga Ikeda, Takao Kaneko
ICASSP4
1997 A design of transform coder for both speech and audio signals at 1 bit/sample
abstract
This paper proposes a speech and audio coder which operates at 1 bit/sample, namely an 8 kbit/s coder for 8 kHz sampling or a 16 kbit/s coder for 16 kHz sampling. The basic structure is inherited from a Twin VQ (transform domain weighted interleave vector quantization) high-quality audio coding scheme. A periodical component extraction scheme is newly added to the quantization of the MDCT coefficients. This scheme is found to be effective for reducing distortion and improving the robustness against channel errors. The qualities for music signals at 8 kbit/s are better than those of G.729 at the same bit rates, while they are worse for clean speech. The qualities at 16 kbit/s are comparable to or better than those of G.722 at 48 kbit/s.
Takehiro Moriya, Naoki Iwakami, Akio Jin, Kazunaga Ikeda, Satoshi Miki
ICASSP4
1996 Extension and complexity reduction of TwinVQ audio coder
abstract
This paper proposes two novel techniques for twinVQ (transform domain weighted interleave VQ) high-quality audio coding scheme for rates lower than 64 kbit/s. One is an extension of the weighted interleave technique to the time and input channel domains as well as the frequency domain. The other is an efficient representation scheme of the spectral envelope by means of a interpolated square root LPC (linear predictive coding) spectrum.
Takehiro Moriya, Naoki Iwakami, Kazunaga Ikeda, Satoshi Miki
ICASSP3
1995 Design of a Pitch Synchronous Innovation CELP Coder for Mobile Communications
abstract
This paper describes the design of a speech coder called pitch synchronous innovation CELP (PSI-CELP) for low hit-rate mobile communications. PSI-CELP is based on CELP, but has more adaptive excitation structures. In voiced frames, instead of conventional random excitation vectors, PSI-CELP converts even the random excitation vectors to have pitch periodicity by repeating stored random vectors as well as by using an adaptive codebook, in silent, unvoiced, and transient frames, the coder stops using the adaptive codebook and switches to fixed random codebooks. The PSI-CELP coder also implements novel structures and techniques: an FIR-type perceptual weighting filter using unquantized LPC parameters, a random codebook with a conjugate structure trained to be robust against channel errors, codebook search with delayed decision, a gain quantization with sloped amplitude, and a moving average prediction coding of LSP parameters, Our speech coder is implemented by DSP chips. Its coded speech quality at 3.6 kb/s with 2.0 kb/s redundancy is comparable to that of the Japanese full-rate VSELP coder at 6.7 kb/s with 4.5 kb/s redundancy. The basic structure of this PSI-CELP coder has been chosen as the Japanese half-rate speech codec for digital cellular telecommunications.>
Kazunori Mano, Takehiro Moriya, Satoshi Miki, Hitoshi Ohmuro, Kazunaga Ikeda, Jotaro Ikedo
IEEE J. Sel. Areas Commun.5
1994 A Class D Type High Frequency Tuned Power Amplifier with Class E Switching Conditions
abstract
A new class D type tuned power amplifier is proposed. It can operate at a far higher frequency (above 1 MHz) than a conventional class D one. This can be realized by applying the class E switching conditions to each switch. This circuit is very similar to class D amplifier but has a shunt capacitor in each switch device. The analysis, design procedure and experimental results are given. The measured efficiency was over 96 percent at 1 MHz.>
Hirotaka Koizumi, Minoru Iwadare, Shinsaku Mori, Kazunaga Ikeda
ISCAS4