Existing state-of-the-art symbolic music generation models represent symbolic music as a sequence of attribute tokens with fixed unidirectional dependencies.However, from the perspective of music theory, the attributes of a musical note are inherently a set rather than a sequence.Building on this insight, we propose Amadeus, a novel symbolic music generation framework that adopts a two-level architecture: an autoregressive model for note sequences and a bidirectional discrete diffusion model for note attributes.This design enables flexible attribute control and adjustable decoding speed during inference.To further enhance sequential modeling, we introduce the Conditional Information Enhancement Module (CIEM).We also constructed AMD (Amadeus MIDI Dataset)-the largest open-source symbolic music dataset to date-supporting both pre-training and finetuning.We trained two models of different scales, Amadeus and Amadeus-M, and conducted extensive experiments, demonstrating substantial improvements over state-of-the-art methods across both objective and subjective metrics.

Despite the rapid advancements in text-to-image (T2I) synthesis, enabling precise visual control remains a significant challenge. Existing works attempted to incorporate multi-facet controls (text and sketch), aiming to enhance the creative control over generated images. However, our pilot study reveals that the expressive power of humans far surpasses the capabilities of current methods. Users desire a more versatile approach that can accommodate their diverse creative intents, ranging from controlling individual subjects to manipulating the entire scene composition. We present VersaGen, a generative AI agent that enables versatile visual control in T2I synthesis. VersaGen admits four types of visual controls: i) single visual subject; ii) multiple visual subjects; iii) scene background; iv) any combination of the three above or merely no control at all. We train an adaptor upon a frozen T2I model to accommodate the visual information into the text-dominated diffusion process. We introduce three optimization strategies during the inference phase of VersaGen to improve generation results and enhance user experience. Comprehensive experiments on COCO and Sketchy validate the effectiveness and flexibility of VersaGen, as evidenced by both qualitative and quantitative results.

Sketch animations offer a powerful medium for visual storytelling, from simple flip-book doodles to professional studio productions. While traditional animation requires teams of skilled artists to draw key frames and in-between frames, existing automation attempts still demand significant artistic effort through precise motion paths or keyframe specification. We present FlipSketch, a system that brings back the magic of flip-book animation – just draw your idea and describe how you want it to move! Our approach harnesses motion priors from text-to-video diffusion models, adapting them to generate sketch animations through three key innovations: (i) fine-tuning for sketch-style frame generation, (ii) a reference frame mechanism that preserves visual integrity of input sketch through noise refinement, and (iii) a dual-attention composition that enables fluid motion without losing visual consistency. Unlike constrained vector animations, our raster frames support dynamic sketch transformations, capturing the expressive freedom of traditional animation. The result is an intuitive system that makes sketch animation as simple as doodling and describing, while maintaining the artistic essence of hand-drawn animation.

We introduce NitroFusion, a fundamentally different approach to single-step diffusion that achieves high-quality generation through a dynamic adversarial framework. While one-step methods offer dramatic speed advantages, they typically suffer from quality degradation compared to their multi-step counterparts. Just as a panel of art critics provides comprehensive feedback by specializing in different aspects like composition, color, and technique, our approach maintains a large pool of specialized discriminator heads that collectively guide the generation process. Each discriminator group develops expertise in specific quality aspects at different noise levels, providing diverse feedback that enables high-fidelity one-step generation. Our framework combines: (i) a dynamic discriminator pool with specialized discriminator groups to improve generation quality, (ii) strategic refresh mechanisms to prevent discriminator overfitting, and (iii) global-local discriminator heads for multi-scale quality assessment, and unconditional/conditional training for balanced generation. Additionally, our framework uniquely supports flexible deployment through bottom-up refinement, allowing users to dynamically choose between 1-4 denoising steps with the same model for direct quality-speed trade-offs. Through comprehensive experiments, we demonstrate that NitroFusion significantly outperforms existing single-step methods across multiple evaluation metrics, particularly excelling in preserving fine details and global consistency.

While foundation models have revolutionised computer vision, their effectiveness for sketch understanding remains limited by the unique challenges of abstract, sparse visual inputs. Through systematic analysis, we uncover two fundamental limitations: Stable Diffusion (SD) struggles to extract meaningful features from abstract sketches (unlike its success with photos), and exhibits a pronounced frequency-domain bias that suppresses essential low-frequency components needed for sketch understanding. Rather than costly retraining, we address these limitations by strategically combining SD with CLIP, whose strong semantic understanding naturally compensates for SD’s spatial-frequency biases. By dynamically injecting CLIP features into SD’s denoising process and adaptively aggregating features across semantic levels, our method achieves state-of-the-art performance in sketch retrieval (+3.35%), recognition (+1.06%), segmentation (+29.42%), and correspondence learning (+21.22%), demonstrating the first truly universal sketch feature representation in the era of foundation models.

We present CaricatureBooth, a system that transforms caricature creation into a simple interactive experience – as easy as using a photo booth! A key challenge in caricature generation is two-fold: the scarcity of high-quality caricature data and the difficulty in enabling precise creative control over the exaggeration process while maintaining identity. Prior approaches either require large-scale caricature and photo data or lack intuitive mechanisms for users to guide the deformation without losing identity. We address the data scarcity by synthesising training data through Thin Plate Spline (TPS) deformation of standard face images. For creative control, we design a Bézier curve interface where users can easily manipulate facial features, with these edits then driving TPS transformations at inference time. When combined with a pre-trained ID-preserving diffusion model, our system maintains both identity preservation and creative flexibility. Through extensive experiments, we demonstrate that CaricatureBooth achieves state-of-the-art quality while making the joy of caricature creation as accessible as taking a photo – just walk in and walk out with your personalised caricature! Code is available at https://github.com/WinKawaks/CaricatureBooth.

As sketch research has collectively matured over time, its adaptation for at-mass commercialisation emerges on the immediate horizon. Despite an already mature research endeavour for photos, there is no research on the efficient inference specifically designed for sketch data. In this paper, we first demonstrate existing state-of-the-art efficient light-weight models designed for photos do not work on sketches. We then propose two sketch-specific components which work in a plug-n-play manner on any photo efficient network to adapt them to work on sketch data. We specifically chose fine-grained sketch-based image retrieval (FG-SBIR) as a demonstrator as the most recognised sketch problem with immediate commercial value. Technically speaking, we first propose a cross-modal knowledge distillation network to transfer existing photo efficient networks to be compatible with sketch, which brings down number of FLOPs and model parameters by 97.96% percent and 84.89% respectively. We then exploit the abstract trait of sketch to introduce a RL-based canvas selector that dynamically adjusts to the abstraction level which further cuts down number of FLOPs by two thirds. The end result is an overall reduction of 99.37% of FLOPs (from 40.18G to 0.254G) when compared with a full network, while retaining the accuracy (33.03% vs 32.77%) – finally making an efficient network for the sparse sketch data that exhibit even fewer FLOPs than the best photo counterpart.

Keypoint detection, integral to modern machine perception, faces challenges in few-shot learning, particularly when source data from the same distribution as the query is unavailable. This gap is addressed by leveraging sketches, a popular form of human expression, providing a source-free alternative. However, challenges arise in mastering cross-modal embeddings and handling user-specific sketch styles. Our proposed framework overcomes these hurdles with a prototypical setup, combined with a grid-based locator and prototypical domain adaptation. We also demonstrate success in few-shot convergence across novel keypoints and classes through extensive experiments.

Negative guidance -- explicitly suppressing unwanted attributes -- remains a fundamental challenge in diffusion models, particularly in few-step sampling regimes. While Classifier-Free Guidance (CFG) works well in standard settings, it fails under aggressive sampling step compression due to divergent predictions between positive and negative branches. We present Normalized Attention Guidance (NAG), an efficient, training-free mechanism that applies extrapolation in attention space with L1-based normalization and refinement. NAG restores effective negative guidance where CFG collapses while maintaining fidelity. Unlike existing approaches, NAG generalizes across architectures (UNet, DiT), sampling regimes (few-step, multi-step), and modalities (image, video), functioning as a \textit{universal} plug-in with minimal computational overhead. Through extensive experimentation, we demonstrate consistent improvements in text alignment (CLIP Score), fidelity (FID, PFID), and human-perceived quality (ImageReward). Our ablation studies validate each design component, while user studies confirm significant preference for NAG-guided outputs. As a model-agnostic inference-time approach requiring no retraining, NAG provides effortless negative guidance for all modern diffusion frameworks -- pseudocode in the Appendix!

Recent work shows that features from Stable Diffusion (SD) and contrastively pretrained models like DINO can be directly used for zero-shot semantic correspondence via naive feature concatenation. In this paper, we explore the stronger potential of Stable Diffusion 3 (SD3), a rectified flow-based model with a multimodal transformer backbone (MM-DiT). We show that semantic signals in SD3 are scattered across multiple timesteps and transformer layers, and propose a multi-level fusion scheme to extract discriminative features. Moreover, we identify that naive fusion across models suffers from inconsistent distributions, thus leading to suboptimal performance. To address this, we propose a simple yet effective confidence-aware feature fusion strategy that re-weights each model’s contribution based on prediction confidence scores derived from their matching uncertainties. Notably, this fusion approach is not only training-free but also enables per-pixel adaptive integration of heterogeneous features. The resulting representation, Fuse2Match, significantly outperforms strong baselines on SPair-71k, PF-Pascal, and PSC6K, validating the benefit of combining SD3, SD, and DINO through our proposed confidence-aware feature fusion. Code is available at https://github.com/panda7777777/fuse2match

How to prompt a foundation model like CLIP towards a sketch expert is the question we seek to answer in this paper. Debates on the best way to prompt have been intense and divided, however converged on one particular point that of modelling prompt learning as context token optimisation. This paper scrutinises such technical route for sketch and argues the challenge is more than a stereotyped ask from context change. In particular, we pin down the problem to the dramatic cross-modality gap between sketch and the photo-centric visual world formed within CLIP. We first show through a pilot study that relocating a sketched object to a different spatial locality can significantly improve zero-shot CLIP performance on sketch. Our core contribution is then to regard spatial misalignment as the key to explaining poor sketch adaptation in CLIP prompts – that a sketched object does not reside in a place as if it were part of the scene compositions of photo. Methodologically, we leverage a lightweight network that explicitly allows differentiable spatial manipulation of sketch data and design regulatory self-supervised signals to encourage proper convergence. We showcase consistent complementary power of this simple approach by building on top of 10 existing contemporary prompting methods on the sketch recognition task. For example, we outperform the strong prompting baseline CoOp by 2.57%, MaPle by 4.83% and AdaptFormer by 5.07%. Notably, the latter two beat the traditional full parameter fine-tuning (82.98%83.39% vs. 81.51%), and does so with less than 1% of the total training parameters.

Achieving generalization for deep learning models has usually suffered from the bottleneck of annotated sample scarcity. As a common way of tackling this issue, few-shot learning focuses on "episodes", i.e., sampled tasks that help the model acquire generalizable knowledge onto unseen categories - better the episodes, the higher a model's generalisability. Despite extensive research, the characteristics of episodes and their potential effects are relatively less explored. A recent paper discussed that different episodes exhibit different prediction difficulties, and coined a new metric "hardness" to quantify episodes, which however is too wide-range for an arbitrary dataset and thus remains impractical for realistic applications. In this paper therefore, we for the first time conduct an algebraic analysis of the critical factors influencing episode hardness supported by experimental demonstrations, that reveal episode hardness to largely depend on classes within an episode, and importantly propose an efficient pre-sampling hardness assessment technique named Inverse-Fisher Discriminant Ratio (IFDR). This enables sampling hard episodes at the class level via class-level (CL) sampling scheme that drastically decreases quantification cost. Delving deeper, we also develop a variant called class-pair-level (CPL) sampling, which further reduces the sampling cost while guaranteeing the sampled distribution. Finally, comprehensive experiments conducted on benchmark datasets verify the efficacy of our proposed method.

Despite significant progress, the shortage of labeled data and expert knowledge remains a challenge for Fine-grained Visual Classification (FGVC). Some multi-source approaches that incorporate additional modalities, such as sound or bounding boxes, show promise for data enrichment but introduce added complexity to data collection. In this paper, we pose the question: can multi-source capabilities be achieved solely with existing images? The answer, confirmed by a pilot study, is affirmative. By analyzing the probability distribution of model output with different resolutions image, we find that complementary information beneficial to FGVC exists among images of different resolutions. Although the classification accuracy of low-resolution images is lower than high-resolution images, it can provide additional information for high-resolution input images. We designed a naive baseline that uses mixed training of multi-resolution images. Through the experimental results of the baseline, we find that i) not all low-resolution images are beneficial, and ii) adaptively selecting low-resolution images is what we need. Therefore, we proposed a meta-learning-based adaptive “resolution” pooling layer. Through the pooling operation, the features of low-resolution images are obtained from high-resolution images, and the most appropriate complementary features are selected for the features of high-resolution images through the gating mechanism, which enables the model to fully and autonomously exploit the complementary information. Experimental results on three FGVC datasets validate the effectiveness of our proposed method. Our code is available athttps://github.com/PRIS-CV/Adaptive-Multi-Resolution-Feature-Fusion.

Open-Set Domain Adaptation (OSDA) aims at adapting a model trained on a labelled source domain, to an unlabeled target domain that is corrupted with unknown classes. The key challenge inherent to this open-set setting is therefore how best to avoid the negative transfer incurred by unknown classes during model adaptation. Most existing works tackle this challenge by simply pushing the entire unknown classes away. In this paper, we take a different stance - instead of addressing these unknown classes as a single entity, we "reserve" in-between spaces for their subsets in the learned embedding. Our key finding is that the inter-class relations learned off the source domain, can help to enforce class separations in the target domain - thereby reserving spaces for unknown classes. More specifically, we first prep the "reservation" by tightening the known-class representations while enlarging their inter-class margin. We then learn soft-label prototypes in the source domain to facilitate the discrimination of known and unknown samples in the target domain. It follows that these two steps are iterated at each epoch in a mutually beneficial manner - better discrimination of unknown samples helps with space reservation, and vice versa. We show state-of-the-art results on four standard OSDA datasets, Office-31, Office-Home, VisDA and ImageCLEF, and conduct further analysis to help understand our method. Codes are available at: https://github.com/PRIS-CV/Reserve_to_Adapt.

We propose SketchINR, to advance the representation of vector sketches with implicit neural models. A variable length vector sketch is compressed into a latent space of fixed dimension that implicitly encodes the underlying shape as a function of time and strokes. The learned function predicts the xy point coordinates in a sketch at each time and stroke. Despite its simplicity, SketchINR outperforms existing representations at multiple tasks: (i) Encoding an entire sketch dataset into a fixed size latent vector, SketchINR gives 60× and 10× data compression over raster and vector sketches, respectively. (ii) SketchINR's auto-decoder provides a much higher-fidelity representation than other learned vector sketch representations, and is uniquely able to scale to complex vector sketches such as FS-COCO. (iii) SketchINR supports parallelisation that can decode/render ∼100× faster than other learned vector representations such as SketchRNN. (iv) SketchINR, for the first time, emulates the human ability to reproduce a sketch with varying abstraction in terms of number and complexity of strokes. As a first look at implicit sketches, SketchINR's compact high-fidelity representation will support future work in modelling long and complex sketches.

In this paper, we explore the unique modality of sketch for explainability, emphasising the profound impact of human strokes compared to conventional pixel-oriented studies. Beyond explanations of network behavior, we discern the genuine implications of explainability across diverse downstream sketch-related tasks. We propose a lightweight and portable explainability solution - a seamless plugin that integrates effortlessly with any pre-trained model, elim-inating the need for re-training. Demonstrating its adaptability, we present four applications: highly studied re-trieval and generation, and completely novel assisted drawing and sketch adversarial attacks. The centrepiece to our solution is a stroke-level attribution map that takes different forms when linked with downstream tasks. By addressing the inherent non-differentiability of rasterisation, we enable explanations at both coarse stroke level (SLA) and partial stroke level (P-SLA), each with its advantages for specific downstream tasks.

In this paper, we democratise 3D content creation, enabling precise generation of 3D shapes from abstract sketches while overcoming limitations tied to drawing skills. We introduce a novel part-level modelling and alignment framework that facilitates abstraction modelling and cross-modal correspondence. Leveraging the same part-level decoder, our approach seamlessly extends to sketch modelling by establishing correspondence between CLIPasso edgemaps and projected 3D part regions, eliminating the need for a dataset pairing human sketches and 3D shapes. Additionally, our method introduces a seamless in-position editing process as a byproduct of cross-modal part-aligned modelling. Operating in a low-dimensional implicit space, our approach significantly reduces computational demands and processing time.

In this paper, we democratise caricature generation, empowering individuals to effortlessly craft personalised caricatures with just a photo and a conceptual sketch. Our objective is to strike a delicate balance between abstraction and identity, while preserving the creativity and subjectivity inherent in a sketch. To achieve this, we present Explicit Rank-1 Model Editing alongside single-image personalisation, selectively applying nuanced edits to cross-attention layers for a seamless merge of identity and style. Additionally, we propose Random Mask Reconstruction to enhance robustness, directing the model to focus on distinctive identity and style features. Crucially, our aim is not to replace artists but to eliminate accessibility barriers, allowing enthusiasts to engage in the artistry.

High-resolution image generation with Generative Artificial Intelligence (GenAl) has immense potential but, due to the enormous capital investment required for training, it is increasimgly centralised to a few large corporations, and hidden behind paywalls. This paper aims to democratise high-resolution GenAl by advancing the frontier of high-resolution generation while remaining accessible to a broad audience. We demonstrate that existing Latent Diffusion Models (LDMs) possess untapped potential for higher-resolution image generation. Our novel DemoFusion framework seamlessly extends open-source GenAl models, employing Progressive Upscaling, Skip Residual, and Di-lated Sampling mechanisms to achieve higher-resolution image generation. The progressive nature of DemoFusion requires more passes, but the intermediate results can serve as “previews”, facilitating rapid prompt iteration.

Two primary input modalities prevail in image retrieval: sketch and text. While text is widely used for inter-category retrieval tasks, sketches have been established as the sole preferred modality for fine-grained image retrieval due to their ability to capture intricate visual details. In this paper, we question the reliance on sketches alone for fine-grained image retrieval by simultaneously exploring the fine-grained representation capabilities of both sketch and text, orchestrating a duet between the two. The end result enables precise retrievals previously unattainable, allowing users to pose ever-finer queries and incorporate attributes like colour and contextual cues from text. For this purpose, we introduce a novel compositionality framework, effectively combining sketches and text using pre-trained CLIP models, while eliminating the need for extensive fine-grained textual descriptions. Last but not least, our system extends to novel applications in composed image retrieval, domain attribute transfer, and fine-grained generation, providing solutions for various real-world scenarios.

This paper, for the first time, explores text-to-image diffusion models for Zero-Shot Sketch-based Image Retrieval (ZS-SBIR). We highlight a pivotal discovery: the capacity of text-to-image diffusion models to seamlessly bridge the gap between sketches and photos. This proficiency is underpinned by their robust cross-modal capabilities and shape bias, findings that are substantiated through our pilot studies. In order to harness pre-trained diffusion models effectively, we introduce a straightforward yet powerful strategy focused on two key aspects: selecting optimal feature layers and utilising visual and textual prompts. For the former, we identify which layers are most enriched with information and are best suited for the specific retrieval requirements (category-level or fine-grained). Then we employ visual and textual prompts to guide the model's feature extraction process, enabling it to generate more discriminative and contextually relevant cross-modal representations. Extensive experiments on several benchmark datasets validate significant performance improvements.

In this paper, we propose a novel abstraction-aware sketch-based image retrieval framework capable of handling sketch abstraction at varied levels. Prior works had mainly focused on tackling sub-factors such as drawing style and order, we instead attempt to model abstraction as a whole, and propose feature-level and retrieval granularity-level designs so that the system builds into its DNA the necessary means to interpret abstraction. On learning abstraction-aware features, we for the first-time harness the rich semantic embedding of pre-trained Style-GAN model, together with a novel abstraction-level mapper that deciphers the level of abstraction and dynamically selects appropriate dimensions in the feature matrix correspondingly, to construct a feature matrix embedding that can be freely traversed to accommodate different levels of abstraction. For granularity-level abstraction understanding, we dictate that the retrieval model should not treat all abstraction-levels equally and introduce a differentiable surrogate Acc. @q loss to inject that understanding into the system. Different to the gold-standard triplet loss, our Acc.@q loss uniquely allows a sketch to narrow/broaden its focus in terms of how stringent the evaluation should be - the more abstract a sketch, the less stringent (higher q). Extensive experiments depict our method to outperform existing state-of-the-arts in standard SBIR tasks along with challenging scenarios like early retrieval, forensic sketch-photo matching, and style-invariant retrieval.

This paper unravels the potential of sketches for diffusion models, addressing the deceptive promise of direct sketch control in generative AI. We importantly democratise the process, enabling amateur sketches to generate precise images, living up to the commitment of “what you sketch is what you get”. A pilot study underscores the necessity, revealing that deformities in existing models stem from spatial-conditioning. To rectify this, we propose an abstraction-aware framework, utilising a sketch adapter, adaptive time-step sampling, and discriminative guidance from a pre-trained fine-grained sketch-based image retrieval model, working synergistically to reinforce fine-grained sketch-photo association. Our approach operates seamlessly during inference without the need for textual prompts; a simple, rough sketch akin to what you and I can create suffices! We welcome everyone to examine results presented in the paper and its supplementary. Contributions include democratising sketch control, introducing an abstraction-aware framework, and leveraging discriminative guidance, validated through extensive experiments.

Creating multi-view wire art (MVWA), a static 3D sculpture with diverse interpretations from different viewpoints, is a complex task even for skilled artists. In response, we present DreamWire, an AI system enabling everyone to craft MVWA easily. Users express their vision through text prompts or scribbles, freeing them from intricate 3D wire organisation. Our approach synergises 3D Bézier curves, Prim's algorithm, and knowledge distillation from diffusion models or their variants (e.g., ControlNet). This blend enables the system to represent 3D wire art, ensuring spatial continuity and overcoming data scarcity. Extensive evaluation and analysis are conducted to shed insight on the inner workings of the proposed system, including the trade-off between connectivity and visual aesthetics.

Multimodal foundation models, pre-trained on large-scale data, effectively capture vast amounts of factual and commonsense knowledge. However, these models store all their knowledge within their parameters, requiring increasingly larger models and training data to capture more knowledge. To address this limitation and achieve a more scalable and modular integration of knowledge, we propose a novel knowledge graph-augmented multimodal model. This approach enables a base multimodal model to access pertinent information from an external knowledge graph. Our methodology leverages existing general domain knowledge to facilitate vision-language pre-training using paired images and text descriptions. We conduct comprehensive evaluations demonstrating that our model outperforms state-of-the-art models and yields comparable results to much larger models trained on more extensive datasets. Notably, our model reached a 145 Cider score on MS COCO Captions using only 2.9 million samples, outperforming a 1.4B parameter model by 1.7% despite having 11 times fewer parameters.

Vector drawings are innately interactive as they preserve creational cues. Despite this desirable property they remain relatively under explored due to the difficulties in modeling complex vector drawings. This is in part due to the primarily _sequential and auto-regressive nature_ of existing approaches failing to scale beyond simple drawings. In this paper, we define generative models over _highly complex_ vector drawings by first representing them as “stroke-clouds” – _sets_ of arbitrary cardinality comprised of semantically meaningful strokes. The dimensionality of the strokes is a design choice that allows the model to adapt to a range of complexities. We learn to encode these _set of strokes_ into compact latent codes by a probabilistic reconstruction procedure backed by _De-Finetti’s Theorem of Exchangability_. The parametric generative model is then defined over the latent vectors of the encoded stroke-clouds. The resulting “Latent stroke-cloud generator (LSG)” thus captures the distribution of complex vector drawings on an implicit _set space_. We demonstrate the efficacy of our model on complex drawings (a newly created Anime line-art dataset) through a range of generative tasks.

While diffusion models have revolutionized generative AI, their application to human sketch generation, especially in the creation of complex yet concise and recognizable sketches, remains largely unexplored. Existing efforts have primarily focused on vector-based sketches, limiting their ability to handle intricate sketch data. This paper introduces an innovative extension of diffusion models to pixellevel sketch generation, addressing the challenge of dynamically optimizing the guidance scale for classifier-guided diffusion. Our approach achieves a delicate balance between recognizability and complexity in generated sketches through scale-adaptive classifier-guided diffusion models, a scaling indicator, and the concept of a residual sketch. We also propose a three-phase sampling strategy to enhance sketch diversity and quality. Experiments on the QuickDraw dataset showcase the potential of diffusion models to push the boundaries of sketch generation, particularly in complex scenarios unattainable by vector-based methods.

Sketching is a uniquely human tool for expressing ideas and creativity. The animation of sketches infuses life into these static drawings, opening a new dimension for designers. Animating sketches is a time-consuming process that demands professional skills and extensive experience, often proving daunting for amateurs. In this paper, we propose a novel sketch animation model SketchAnimator, which enables adding creative motion to a given sketch, like "a jumping car". Namely, given an input sketch and a reference video, we divide the sketch animation into three stages: Appearance Learning, Motion Learning and Video Prior Distillation. In stages 1 and 2, we utilize LoRA to integrate sketch appearance information and motion dynamics from the reference video into the pre-trained T2V model. In the third stage, we utilize Score Distillation Sampling (SDS) to update the parameters of the Bézier curves in each sketch frame according to the acquired motion information. Consequently, our model produces a sketch video that not only retains the original appearance of the sketch but also mirrors the dynamic movements of the reference video. We compare our method with alternative approaches and demonstrate that it generates the desired sketch video under the challenge of one-shot motion customization.

Despite great strides made on fine-grained visual classification (FGVC), current methods are still heavily reliant on fully-supervised paradigms where ample expert labels are called for. Semi-supervised learning (SSL) techniques, acquiring knowledge from unlabeled data, provide a considerable means forward and have shown great promise for coarse-grained problems. However, exiting SSL paradigms mostly assume in-category (i.e., category-aligned) unlabeled data, which hinders their effectiveness when re-proposed on FGVC. In this paper, we put forward a novel design specifically aimed at making out-of-category data work for semi-supervised FGVC. We work off an important assumption that all fine-grained categories naturally follow a hierarchical structure (e.g., the phylogenetic tree of "Aves" that covers all bird species). It follows that, instead of operating on individual samples, we can instead predict sample relations within this tree structure as the optimization goal of SSL. Beyond this, we further introduced two strategies uniquely brought by these tree structures to achieve inter-sample consistency regularization and reliable pseudo-relation. Our experimental results reveal that (i) the proposed method yields good robustness against out-of-category data, and (ii) it can be equipped with prior arts, boosting their performance thus yielding state-of-the-art results.

Reconstructing a 3D shape based on a single sketch image is challenging due to the inherent sparsity and ambiguity present in sketches. Existing methods lose fine details when extracting features to predict 3D objects from sketches. Upon analyzing the 3D-to-2D projection process, we observe that the density map, characterizing the distribution of 2D point clouds, can serve as a proxy to facilitate the reconstruction process. In this work, we propose a novel sketch-based 3D reconstruction model named SketchSampler. It initiates the process by translating a sketch through an image translation network into a more informative 2D representation, which is then used to generate a density map. Subsequently, a two-stage probabilistic sampling process is employed to reconstruct a 3D point cloud: first, recovering the 2D points (i.e., the x and y coordinates) by sampling the density map; and second, predicting the depth (i.e., the z coordinate) by sampling the depth values along the ray determined by each 2D point. Additionally, we convert the reconstructed point cloud into a 3D mesh for wider applications. To reduce ambiguity, we incorporate hidden lines in sketches. Experimental results demonstrate that our proposed approach significantly outperforms other baseline methods.

The main challenge for fine-grained few-shot image classification is to learn feature representations with higher inter-class and lower intra-class variations, with a mere few labelled samples. Conventional few-shot learning methods however cannot be naively adopted for this fine-grained setting - a quick pilot study reveals that they in fact push for the opposite (i.e., lower inter-class variations and higher intra-class variations). To alleviate this problem, prior works predominately use a support set to reconstruct the query image and then utilize metric learning to determine its category. Upon careful inspection, we further reveal that such unidirectional reconstruction methods only help to increase inter-class variations and are not effective in tackling intra-class variations. In this paper, we introduce a bi-reconstruction mechanism that can simultaneously accommodate for inter-class and intra-class variations. In addition to using the support set to reconstruct the query set for increasing inter-class variations, we further use the query set to reconstruct the support set for reducing intra-class variations. This design effectively helps the model to explore more subtle and discriminative features which is key for the fine-grained problem in hand. Furthermore, we also construct a self-reconstruction module to work alongside the bi-directional module to make the features even more discriminative. We introduce the snapshot ensemble method in the episodic learning strategy - a simple trick to further improve model performance without increasing training costs. Experimental results on three widely used fine-grained image classification datasets, as well as general and cross-domain few-shot image datasets, consistently show considerable improvements compared with other methods.

Unsupervised domain adaptation aims to leverage labeled data from a source domain to learn a classifier for an unlabeled target domain. Amongst its many variants, open set domain adaptation (OSDA) is perhaps the most challenging one, as it further assumes the presence of unknown classes in the target domain. In this paper, we study OSDA with a particular focus on enriching its ability to traverse across larger domain gaps, and we show that existing state-of-the-art methods suffer a considerable performance drop in the presence of larger domain gaps, especially on a new dataset (PACS) that we re-purposed for OSDA. Exploring this is pivotal for OSDA as with increasing domain shift, identifying unknown samples in the target domain becomes harder for the model, thus making negative transfer between source and target domains more challenging. Accordingly, we propose a Mutual-to-Separate (MTS) framework to address the larger domain gaps. Essentially we design two networks – (a) Sample Separation Network (SSN): which is trained to learn a hyperplane for separating unknown samples from known ones, and (b) Distribution Matching Network (DMN): which is trained to maximise domain confusion between source and target domains without unknown samples under the guidance of the SSN. The key insight lies in how we exploit the mutually beneficial information between these two networks. On closer observation, we see that SSN can reveal which samples in the target domain belong to the unknown class by instance weighting whereas, DMN pushes apart the samples that most likely belong to the unknown class in the target domain, which in turn reduces the difficulty of SSN in identifying unknown samples. It follows that (a) and (b) will mutually supervise each other and alternate until convergence, which can better align the source and target domains in the shared label space. Extensive experiments on five datasets (Office-31, Office-Home, PACS, VisDA, andmini_DomainNet) demonstrate the efficiency of the proposed method. Detailed ablation experiments also validate the effectiveness of each component and the generality of the proposed framework. Codes are available at: https://github.com/PRIS-CV/Mutual-to-Separate.

The problem of sketch semantic segmentation is far from being solved. Despite existing methods exhibiting near-saturating performances on simple sketches with high recognisability, they suffer serious setbacks when the target sketches are products of an imaginative process with high degree of creativity. We hypothesise that human creativity, being highly individualistic, induces a significant shift in distribution of sketches, leading to poor model generalisation. Such hypothesis, backed by empirical evidences, opens the door for a solution that explicitly disentangles creativity while learning sketch representations. We materialise this by crafting a learnable creativity estimator that assigns a scalar score of creativity to each sketch. It follows that we introduce CreativeSeg, a learning-to-learn framework that leverages the estimator in order to learn creativity-agnostic representation, and eventually the downstream semantic segmentation task. We empirically verify the superiority of CreativeSeg on the recent "Creative Birds" and "Creative Creatures" creative sketch datasets. Through a human study, we further strengthen the case that the learned creativity score does indeed have a positive correlation with the subjective creativity of human. Codes are available at https://github.com/PRIS-CV/Sketch-CS.

The main challenge for fine-grained few-shot image classification is to learn feature representations with higher inter-class and lower intra-class variations, with a mere few labelled samples. Conventional few-shot learning methods however cannot be naively adopted for this fine-grained setting -- a quick pilot study reveals that they in fact push for the opposite (i.e., lower inter-class variations and higher intra-class variations). To alleviate this problem, prior works predominately use a support set to reconstruct the query image and then utilize metric learning to determine its category. Upon careful inspection, we further reveal that such unidirectional reconstruction methods only help to increase inter-class variations and are not effective in tackling intra-class variations. In this paper, we for the first time introduce a bi-reconstruction mechanism that can simultaneously accommodate for inter-class and intra-class variations. In addition to using the support set to reconstruct the query set for increasing inter-class variations, we further use the query set to reconstruct the support set for reducing intra-class variations. This design effectively helps the model to explore more subtle and discriminative features which is key for the fine-grained problem in hand. Furthermore, we also construct a self-reconstruction module to work alongside the bi-directional module to make the features even more discriminative. Experimental results on three widely used fine-grained image classification datasets consistently show considerable improvements compared with other methods. Codes are available at: https://github.com/PRIS-CV/Bi-FRN.

The sketch community has faced up to its unique challenges over the years, that of data scarcity however still remains the most significant to date. This lack of sketch data has imposed on the community a few “peculiar” design choices - the most representative of them all is perhaps the coerced utilisation of photo-based pre-training (i.e., no sketch), for many core tasks that otherwise dictates specific sketch understanding. In this paper, we ask just the one question - can we make such photo-based pre-training, to actually benefit sketch? Our answer lies in cultivating the topology of photo data learned at pre-training, and use that as a “free” source of supervision for downstream sketch tasks. In particular, we use fine-grained sketch-based image retrieval (FG-SBIR), one of the most studied and data-hungry sketch tasks, to showcase our new perspective on pre-training. In this context, the topology-informed supervision learned from photos act as a constraint that take effect at every fine-tuning step - neighbouring photos in the pre-trained model remain neighbours under each FG-SBIR updates. We further portray this neighbourhood consistency constraint as a photo ranking problem and formulate it into a neat cross-modal triplet loss. We also show how this target is better leveraged as a meta objective rather than optimised in parallel with the main FG-SBIR objective. With just this change on pre-training, we beat all previously published results on all five product-level FG-SBIR benchmarks with significant margins (sometimes >10%). And the most beautiful thing, as we note, is such gigantic leap is made possible within just a few extra lines of code! Our implementation is available at https://github.com/KeLi-SketchX/Photo-Pre-Training-But-for-Sketch

Human sketch has already proved its worth in various visual understanding tasks (e.g., retrieval, segmentation, image-captioning, etc). In this paper, we reveal a new trait of sketches – that they are also salient. This is intuitive as sketching is a natural attentive process at its core. More specifically, we aim to study how sketches can be used as a weak label to detect salient objects present in an image. To this end, we propose a novel method that emphasises on how “salient object” could be explained by hand-drawn sketches. To accomplish this, we introduce a photo-to-sketch generation model that aims to generate sequential sketch coordinates corresponding to a given visual photo through a 2D attention mechanism. Attention maps accumulated across the time steps give rise to salient regions in the process. Extensive quantitative and qualitative experiments prove our hypothesis and delineate how our sketch-based saliency detection model gives a competitive performance compared to the state-of-the-art.

Current fine-grained visual classification (FGVC) models are isolated. In practice, we first need to identify the coarse-grained label of an object, then select the corresponding FGVC model for recognition. This hinders the application of FGVC algorithms in real-life scenarios. In this paper, we propose an erudite FGVC model jointly trained by several different datasets11In this paper, different datasets mean different fine-grained visual classification datasets., which can efficiently and accurately predict an object's fine-grained label across the combined label space. We found through a pilot study that positive and negative transfers co-occur when different datasets are mixed for training, i.e., the knowledge from other datasets is not always useful. Therefore, we first propose a feature disentanglement module and a feature re-fusion module to reduce negative transfer and boost positive transfer between different datasets. In detail, we reduce negative transfer by decoupling the deep features through many dataset-specific feature extractors. Subsequently, these are channel-wise re-fused to facilitate positive transfer. Finally, we propose a meta-learning based dataset-agnostic spatial attention layer to take full advantage of the multi-dataset training data, given that localisation is dataset-agnostic between different datasets. Experimental results across 11 different mixed-datasets built on four different FGVC datasets demonstrate the effectiveness of the proposed method. Furthermore, the proposed method can be easily combined with existing FGVC methods to obtain state-of-the-art results. Our code is available at https://github.com/PRIS-CV/An-Erudite-FGVC-Model.

Rising concerns about privacy and anonymity preservation of deep learning models have facilitated research in data-free learning (DFL). For the first time, we identify that for data-scarce tasks like Sketch-Based Image Retrieval (SBIR), where the difficulty in acquiring paired photos and hand-drawn sketches limits data-dependent cross-modal learning algorithms, DFL can prove to be a much more practical paradigm. We thus propose Data-Free (DF)-SBIR, where, unlike existing DFL problems, pre-trained, single-modality classification models have to be leveraged to learn a cross-modal metric-space for retrieval without access to any training data. The widespread availability of pre-trained classification models, along with the difficulty in acquiring paired photo-sketch datasets for SBIR justify the practicality of this setting. We present a methodology for DF-SBIR, which can leverage knowledge from models independently trained to perform classification on photos and sketches. We evaluate our model on the Sketchy, TU-Berlin, and QuickDraw benchmarks, designing a variety of baselines based on state-of-the-art DFL literature, and observe that our method surpasses all of them by significant margins. Our method also achieves mAPs competitive with data-dependent approaches, all the while requiring no training data. Implementation is available at https://github.com/abhrac/data-free-sbir.

In this paper, we extend scene understanding to include that of human sketch. The result is a complete trilogy of scene representation from three diverse and complementary modalities – sketch, photo, and text. Instead of learning a rigid three-way embedding and be done with it, wefocus on learning a flexible joint embedding that fully supports the “optionality” that this complementarity brings. Our embedding supports optionality on two axes: (i) optionality across modalities – use any combination of modalities as query for downstream tasks like retrieval, (ii) optionality across tasks – simultaneously utilising the embedding for either discriminative (e.g., retrieval) or generative tasks (e.g., captioning). This provides flexibility to end-users by exploiting the best of each modality, therefore serving the very purpose behind our proposal of a trilogy in the first place. First, a combination of information-bottleneck and conditional invertible neural networks disentangle the modality-specific component from modality-agnostic in sketch, photo, and text. Second, the modality-agnostic instances from sketch, photo, and text are synergised using a modified cross-attention. Once learned, we show our embedding can accommodate a multi-facet of scene-related tasks, including those enabled for the first time by the inclusion of sketch, all without any task-specific modifications. Project Page: https://pinakinathc.github.io/scenetrilogy

Sketches are highly expressive, inherently capturing subjective and fine-grained visual cues. The exploration of such innate properties of human sketches has, however, been limited to that of image retrieval. In this paper, for the first time, we cultivate the expressiveness of sketches but for the fundamental vision task of object detection. The end result is a sketch-enabled object detection framework that detects based on what you sketch – that “zebra” (e.g., one that is eating the grass) in a herd of zebras (instance-aware detection), and only the part (e.g., “head” of a “zebra”) that you desire (part-aware detection). We further dictate that our model works without (i) knowing which category to expect at testing (zero-shot) and (ii) not requiring additional bounding boxes (as per fully supervised) and class labels (as per weakly supervised). Instead of devising a model from the ground up, we show an intuitive synergy between foundation models (e.g., CLIP) and existing sketch models build for sketch-based image retrieval (SBIR), which can already elegantly solve the task – CLIP to provide model generalisation, and SBIR to bridge the (sketch→photo) gap. In particular, we first perform independent prompting on both sketch and photo branches of an SBIR model to build highly generalisable sketch and photo encoders on the back of the generalisation ability of CLIP. We then devise a training paradigm to adapt the learned encoders for object detection, such that the region embeddings of detected boxes are aligned with the sketch and photo embeddings from SBIR. Evaluating our framework on standard object detection datasets like PASCAL-VOC and MS-COCO outperforms both supervised (SOD) and weakly-supervised object detectors (WSOD) on zero-shot setups. Project Page: https://pinakinathc.github.io/sketch-detect

Although machines have surpassed humans on visual recognition problems, they are still limited to providing closed-set answers. Unlike machines, humans can cognize novel categories at the first observation. Novel category discovery (NCD) techniques, transferring knowledge from seen categories to distinguish unseen categories, aim to bridge the gap. However, current NCD methods assume a transductive learning and offline inference paradigm, which restricts them to a predefined query set and renders them unable to deliver instant feedback. In this paper, we study on-the-fly category discovery (OCD) aimed at making the model instantaneously aware of novel category samples (i.e., enabling inductive learning and streaming inference). We first design a hash coding-based expandable recognition model as a practical baseline. Afterwards, noticing the sensitivity of hash codes to intra-category variance, we further propose a novel Sign-Magnitude dIsentangLEment (SMILE) architecture to alleviate the disturbance it brings. Our experimental results demonstrate the superiority of SMILE against our baseline model and prior art. Our code is available at https://github.com/PRIS-CV/On-the-fly-Category-Discovery.

In the fashion domain, there exists a variety of vision-and-language (V+L) tasks, including cross-modal retrieval, text-guided image retrieval, multi-modal classification, and image captioning. They differ drastically in each individual input/output format and dataset size. It has been common to design a task-specific model and fine-tune it independently from a pre-trained V+l model (e.g., CLIP). This results in parameter inefficiency and inability to exploit inter-task relatedness. To address such issues, we propose a novel FAshion-focused Multi-task Efficient learning method for Vision-and-Language tasks (FAME-ViL) in this work. Compared with existing approaches, FAME-ViL applies a single model for multiple heterogeneous fashion tasks, therefore being much more parameter-efficient. It is enabled by two novel components: (1) a task-versatile architecture with cross-attention adapters and task-specific adapters integrated into a unified V+L model, and (2) a stable and effective multi-task training strategy that supports learning from heterogeneous data and prevents negative transfer. Extensive experiments on four fashion tasks show that our FAME-ViL can save 61.5% of parameters over alternatives, while significantly outperforming the conventional independently trained single-task models. Code is available at https://github.com/BrandonHanx/FAME-ViL.

Given an abstract, deformed, ordinary sketch from untrained amateurs like you and me, this paper turns it into a photorealistic image – just like those shown in Fig. 1(a), all non-cherry-picked. We differ significantly from prior art in that we do not dictate an edgemap-like sketch to start with, but aim to work with abstract free-hand human sketches. In doing so, we essentially democratise the sketch-to-photo pipeline, “picturing” a sketch regardless of how good you sketch. Our contribution at the outset is a decoupled encoder-decoder training paradigm, where the decoder is a StyleGAN trained on photos only. This importantly ensures that generated results are always photorealistic. The rest is then all centred around how best to deal with the abstraction gap between sketch and photo. For that, we propose an autoregressive sketch mapper trained on sketch-photo pairs that maps a sketch to the StyleGAN latent space. We further introduce specific designs to tackle the abstract nature of human sketches, including a fine-grained discriminative loss on the back of a trained sketch-photo retrieval model, and a partial-aware sketch augmentation strategy. Finally, we showcase a few downstream tasks our generation model enables, amongst them is showing how fine-grained sketch-based image retrieval, a well-studied problem in the sketch community, can be reduced to an image (generated) to image retrieval task, surpassing state-of-the-arts. We put forward generated results in the supplementary for everyone to scrutinise. Project page: https://subhadeepkoley.github.io/PictureThatSketch

This paper studies the problem of zero-short sketch-based image retrieval (ZS-SBIR), however with two significant differentiators to prior art (i) we tackle all variants (inter-category, intracategory, and cross datasets) of ZS-SBIR with just one network (“everything”), and (ii) we would really like to understand how this sketch-photo matching operates (“explainable”). Our key innovation lies with the realization that such a cross-modal matching problem could be reduced to comparisons of groups of key local patches - akin to the seasoned “bag-of-words” paradigm. Just with this change, we are able to achieve both of the aforementioned goals, with the added benefit of no longer requiring external semantic knowledge. Technically, ours is a transformer-based cross-modal network, with three novel components (i) a self-attention module with a learnable tokenizer to produce visual tokens that correspond to the most informative local regions, (ii) a cross-attention module to compute local correspondences between the visual tokens across two modalities, and finally (iii) a kernel-based relation network to assemble local putative matches and produce an overall similarity metric for a sketch-photo pair. Experiments show ours indeed delivers superior performances across all ZS-SBIR settings. The all important explainable goal is elegantly achieved by visualizing cross-modal token correspondences, and for the first time, via sketch to photo synthesis by universal replacement of all matched photo patches. Code and model are available at https://github.com/buptLinfy/ZSE-SBIR.

Existing Temporal Action Detection (TAD) methods typically take a pre-processing step in converting an input varying-length video into a fixed-length snippet representation sequence, before temporal boundary estimation and action classification. This pre-processing step would temporally downsample the video, reducing the inference resolution and hampering the detection performance in the original temporal resolution. In essence, this is due to a temporal quantization error introduced during resolution downsampling and recovery. This could negatively impact the TAD performance, but is largely ignored by existing methods. To address this problem, in this work we introduce a novel model-agnostic post-processing method without model redesign and retraining. Specifically, we model the start and end points of action instances with a Gaussian distribution for enabling temporal boundary inference at a sub-snippet level. We further introduce an efficient Taylor-expansion based approximation, dubbed as Gaussian Approximated Post-processing (GAP). Extensive experiments demonstrate that our GAP can consistently improve a wide variety of pre-trained off-the-shelf TAD models on the challenging ActivityNet (+0.2%~0. 7% in average mAP) and THUMOS (+0.2%~0.5% in average mAP) benchmarks. Such performance gains are already significant and highly comparable to those achieved by novel model designs. Also, GAP can be integrated with model training for further performance gain. Importantly, GAP enables lower temporal resolutions for more efficient inference, facilitating low-resource application. The code is available at https://github.com/sauradip/GAP

This paper, for the very first time, introduces human sketches to the landscape of XAI (Explainable Artificial Intelligence). We argue that sketch as a “human-centred” data form, represents a natural interface to study explainability. We focus on cultivating sketch-specific explainability designs. This starts by identifying strokes as a unique building block that offers a degree of flexibility in object construction and manipulation impossible in photos. Following this, we design a simple explainability-friendly sketch encoder that accommodates the intrinsic properties of strokes: shape, location, and order. We then move on to define the first ever XAI task for sketch, that of stroke location inversion (SLI). Just as we have heat maps for photos, and correlation matrices for text, SLI offers an explainability angle to sketch in terms of asking a network how well it can recover stroke locations of an unseen sketch. We offer qualitative results for readers to interpret as snapshots of the SLI process in the paper, and as GIFs on the project page. A minor but interesting note is that thanks to its sketch-specific design, our sketch encoder also yields the best sketch recognition accuracy to date while having the smallest number of parameters. The code is available at https://sketchxai.github.io.

In this paper, we leverage CLIP for zero-shot sketch based image retrieval (ZS-SBIR). We are largely inspired by recent advances on foundation models and the unparalleled generalisation ability they seem to offer, but for the first time tailor it to benefit the sketch community. We put forward novel designs on how best to achieve this synergy, for both the category setting and the fine-grained setting ('all”}. At the very core of our solution is a prompt learning setup. First we show just via factoring in sketch-specific prompts, we already have a category-level ZS-SBIR system that over-shoots all prior arts, by a large margin (24.8%) - a great testimony on studying the CLIP and ZS-SBIR synergy. Moving onto the fine-grained setup is however trickier, and re-quires a deeper dive into this synergy. For that, we come up with two specific designs to tackle the fine-grained matching nature of the problem: (i) an additional regularisation loss to ensure the relative separation between sketches and photos is uniform across categories, which is not the case for the gold standard standalone triplet loss, and (ii) a clever patch shuffling technique to help establishing instance-level structural correspondences between sketch-photo pairs. With these designs, we again observe signifi-cant performance gains in the region of 26.9% over previ-ous state-of-the-art. The take-home message, if any, is the proposed CLIP and prompt learning paradigm carries great promise in tackling other sketch-related tasks (not limited to ZS-SBIR) where data scarcity remains a great challenge. Project page: https://aneeshan95.github.ioISketchLVM/

This paper advances the fine-grained sketch-based image retrieval (FG-SBIR) literature by putting forward a strong baseline that overshoots prior state-of-the-arts by ≈11 %. This is not via complicated design though, but by addressing two critical issues facing the community (i) the gold standard triplet loss does not enforce holistic latent space geometry, and (ii) there are never enough sketches to train a high accuracy model. For the former, we propose a simple modification to the standard triplet loss, that explicitly enforces separation amongst photos/sketch instances. For the latter, we put forward a novel knowledge distillation module can leverage photo data for model training. Both modules are then plugged into a novel plug-n-playable training paradigm that allows for more stable training. More specifically, for (i) we employ an intra-modal triplet loss amongst sketches to bring sketches of the same instance closer from others, and one more amongst photos to push away different photo instances while bringing closer a structurally augmented version of the same photo (offering a gain of ≈4-6%). To tackle (ii), we first pre-train a teacher on the large set of unlabelled photos over the aforementioned intra-modal photo triplet loss. Then we distill the contextual similarity present amongst the instances in the teacher's embedding space to that in the student's embedding space, by matching the distribution over inter-feature distances of respective samples in both embedding spaces (delivering a further gain of ≈ 4-5%). Apart from outperforming prior arts significantly, our model also yields satisfactory results on generalising to new classes. Project page: https://aneeshan95.github.io/Sketch_PVT/

This paper studies the problem of 2D sketch to 3D shape retrieval, but with a focus on democratising the process. We would like this democratisation to happen on two fronts: (i) to remove the need for large-scale specifically sourced 2D sketch and 3D shape datasets, and (ii) to remove restrictions on how well the user needs to sketch and from what viewpoints. The end result is a system that is trainable using existing datasets, and once trained allows users to sketch regardless of drawing skills and without restriction on view angle. We achieve all this via a clever use of pivoting, along with novel designs that injects 3D understanding of 2D sketches into the system. We perform pivoting using two existing datasets, each from a distant research domain to the other: 2D sketch and photo pairs from the sketch-based image retrieval field (SBIR), and 3D shapes from ShapeNet. It follows that the actual feature pivoting happens on photos from the former and 2D projections from the latter. Doing this already achieves most of our democratisation challenge – the level of 2D sketch abstraction embedded in SBIR dataset offers demoralization on drawing quality, and the whole thing works without a specifically sourced 2D sketch and 3D model pair. To further achieve democratisation on sketching viewpoint, we “lift” 2D sketches to 3D space using Blind Perspective-n-Points (BPnP) that injects 3D-aware information into the sketch encoder. Results show ours achieves competitive performance compared with fully-supervised baselines, while meeting all set democratisation goals.

Although existing few-shot learning works yield promising results for in-domain queries, they still suffer from weak cross-domain generalization. Limited support data requires effective knowledge transfer, but domain-shift makes this harder. Towards this emerging challenge, researchers improved adaptation by introducing task-specific parameters, which are directly optimized and estimated for each task. However, adding a fixed number of additional parameters fails to consider the diverse domain shifts between target tasks and the source domain, limiting efficacy. In this paper, we first observe the dependence of task-specific parameter configuration on the target task. Abundant task-specific parameters may over-fit, and insufficient task-specific parameters may result in under-adaptation – but the optimal task-specific configuration varies for different test tasks. Based on these findings, we propose the Task-aware Adaptive Network (TA2-Net), which is trained by reinforcement learning to adaptively estimate the optimal task-specific parameter configuration for each test task. It learns, for example, that tasks with significant domain-shift usually have a larger need for task-specific parameters for adaptation. We evaluate our model on Meta-dataset. Empirical results show that our model outperforms existing state-of-the-art methods. Our code is available at https://github.com/PRIS-CV/TA2-Net.

Controllable person image synthesis aims at rendering a source image based on user-specified changes in body pose or appearance. Prior art approaches leverage pixel-level denoising diffusion models conditioned on the coarse skeleton via cross-attention. This leads to two limitations: low efficiency and inaccurate condition information. To address both issues, a novel Pose-Constrained Latent Diffusion model (PoCoLD) is introduced. Rather than using the skeleton as a sparse pose representation, we exploit DensePose which offers much richer body structure information. To effectively capitalize DensePose at a low cost, we propose an efficient pose-constrained attention module that is capable of modeling the complex interplay between appearance and pose. Extensive experiments show that our PoCoLD outperforms the state-of-the-art competitors in image synthesis fidelity. Critically, it runs 2× faster and consumes 3.6× smaller memory than the latest diffusion-model-based alternative during inference. Our code and models are available at https://github.com/BrandonHanx/PoCoLD.

3D shape modeling is labor-intensive, time-consuming, and requires years of expertise. To facilitate 3D shape modeling, we propose a 3D shape generation network that takes a 3D VR sketch as a condition. We assume that sketches are created by novices without art training and aim to reconstruct geometrically realistic 3D shapes of a given category. To handle potential sketch ambiguity, our method creates multiple 3D shapes that align with the original sketch’s structure. We carefully design our method, training the model step-by-step and leveraging multi-modal 3D shape representation to support training with limited training data. To guarantee the realism of generated 3D shapes we leverage the normalizing flow that models the distribution of the latent space of 3D shapes. To encourage the fidelity of the generated 3D shapes to an input sketch, we propose a dedicated loss that we deploy at different stages of the training process. The code is available at https://github.com/Rowl1ng/3Dsketch2shape.

We propose a new formulation of temporal action detection (TAD) with denoising diffusion, DiffTAD in short. Taking as input random temporal proposals, it can yield action proposals accurately given an untrimmed long video. This presents a generative modeling perspective, against previous discriminative learning manners. This capability is achieved by first diffusing the ground-truth proposals to random ones (i.e., the forward/noising process) and then learning to reverse the noising process (i.e., the backward/denoising process). Concretely, we establish the denoising process in the Transformer decoder (e.g., DETR) by introducing a temporal location query design with faster convergence in training. We further propose a cross-step selective conditioning algorithm for inference acceleration. Extensive evaluations on ActivityNet and THUMOS show that our DiffTAD achieves top performance compared to previous art alternatives. The code is available at https://github.com/sauradip/DiffusionTAD.

Recently, text-guided 3D generative methods have made remarkable advancements in producing high-quality textures and geometry, capitalizing on the proliferation of large vision-language and image diffusion models. However, existing methods still struggle to create high-fidelity 3D head avatars in two aspects: (1) They rely mostly on a pre-trained text-to-image diffusion model whilst missing the necessary 3D awareness and head priors. This makes them prone to inconsistency and geometric distortions in the generated avatars. (2) They fall short in fine-grained editing. This is primarily due to the inherited limitations from the pre-trained 2D image diffusion models, which become more pronounced when it comes to 3D head avatars. In this work, we address these challenges by introducing a versatile coarse-to-fine pipeline dubbed HeadSculpt for crafting (i.e., generating and editing) 3D head avatars from textual prompts. Specifically, we first equip the diffusion model with 3D awareness by leveraging landmark-based control and a learned textual embedding representing the back view appearance of heads, enabling 3D-consistent head avatar generations. We further propose a novel identity-aware editing score distillation strategy to optimize a textured mesh with a high-resolution differentiable rendering technique. This enables identity preservation while following the editing instruction. We showcase HeadSculpt's superior fidelity and editing capabilities through comprehensive experiments and comparisons with existing methods.

Free-hand sketches are highly illustrative, and have been widely used by humans to depict objects or stories from ancient times to the present. The recent prevalence of touchscreen devices has made sketch creation a much easier task than ever and consequently made sketch-oriented applications increasingly popular. The progress of deep learning has immensely benefited free-hand sketch research and applications. This paper presents a comprehensive survey of the deep learning techniques oriented at free-hand sketch data, and the applications that they enable. The main contents of this survey include: (i) A discussion of the intrinsic traits and unique challenges of free-hand sketch, to highlight the essential differences between sketch data and other data modalities, e.g., natural photos. (ii) A review of the developments of free-hand sketch research in the deep learning era, by surveying existing datasets, research topics, and the state-of-the-art methods through a detailed taxonomy and experimental evaluation. (iii) Promotion of future work via a discussion of bottlenecks, open problems, and potential research directions for the community.

As powerful as fine-grained visual classification (FGVC) is, responding your query with a bird name of “Whip-poor-will” or “Mallard” probably does not make much sense. This however commonly accepted in the literature, underlines a fundamental question interfacing AI and human – what constitutes transferable knowledge for human to learn from AI? This paper sets out to answer this very question using FGVC as a test bed. Specifically, we envisage a scenario where a trained FGVC model (the AI expert) functions as a knowledge provider in enabling average people (you and me) to become better domain experts ourselves,i.e.,those capable in distinguishing between “Whip-poor-will” and “Mallard”. Fig. 1 lays out our approach in answering this question. Assuming an AI expert trained using expert human labels, we ask (i) what is the best transferable knowledge we can extract from AI, and (ii) what is the most practical means to measure the gains in expertise given that knowledge? On the former, we propose to represent knowledge as highly discriminative visual regions that are expert-exclusive. For that, we devise a multi-stage learning framework, which starts with modelling visual attention of domain experts and novices separately, before discriminatively distilling their differences to acquire those exclusive to experts. For the latter, we simulate the evaluation process as a book guide to best accommodate the learning practice of that is accustomed to humans. A comprehensive human study of 15,000 trials shows our method is able to consistently improve people of divergent bird expertise to recognise once unrecognisable birds. To counter the lack of reproducibility of perceptual studies, and in turn to make a sustainable direction out of our “AI for Human” effort, we further propose a quantitative metric, namely Transferable Effective Model Attention (TEMI). TEMI acts as a crude but benchmarkable metric to replace large-scale human studies, and therefore allows future efforts in this direction to be comparable to ours. We attest to the integrity of TEMI by (i) empirically showing a strong correlation between TEMI scores and raw human study data, and (ii) its expected behaviour holds for a large body of attention models. Last but not least, our approach also leads to improved FGVC performance in the conventional benchmarking sense, when the extracted knowledge defined is utilised as means to achieve discriminative localisation. Codes and all details on the human study are available at:https://github.com/PRIS-CV/Making-a-Bird-AI-Expert-Work-for-You-and-Me.

Generalized Few-shot Semantic Segmentation (GFSS) aims to segment each image pixel into either base classes with abundant training examples or novel classes with only a handful of (e.g., 1-5) training images per class. Compared to the widely studied Few-shot Semantic Segmentation (FSS), which is limited to segmenting novel classes only, GFSS is much under-studied despite being more practical. Existing approach to GFSS is based on classifier parameter fusion whereby a newly trained novel class classifier and a pre-trained base class classifier are combined to form a new classifier. As the training data is dominated by base classes, this approach is inevitably biased towards the base classes. In this work, we propose a novel Prediction Calibration Network (PCN) to address this problem. Instead of fusing the classifier parameters, we fuse the scores produced separately by the base and novel classifiers. To ensure that the fused scores are not biased to either the base or novel classes, a new Transformer-based calibration module is introduced. It is known that the lower-level features are useful of detecting edge information in an input image than higher-level features. Thus, we build a cross-attention module that guides the classifier’s final prediction using the fused multi-level features. However, transformers are computationally demanding. Crucially, to make the proposed cross-attention module training tractable at the pixel level, this module is designed based on feature-score cross-covariance and episodically trained to be generalizable at inference time. Extensive experiments on PASCAL-$5^{i}$and COCO-$20^{i}$show that our PCN outperforms the state-the-the-art alternatives by large margins.

Source-Free Domain Adaptation (SFDA) is becoming topical to address the challenge of distribution shift between training and deployment data, while also relaxing the requirement of source data availability during target domain adaptation. In this paper, we focus on SFDA for semantic segmentation, in which pseudo labeling based target domain self-training is a common solution. However, pseudo labels generated by the source models are particularly unreliable on the target domain data due to the domain shift issue. Therefore, we propose to use Bayesian Neural Network (BNN) to improve the target self-training by better estimating and exploiting pseudo-label uncertainty. With the uncertainty estimation of BNNs, we introduce two novel self-training based components: Uncertainty-aware Online Teacher-Student Learning (UOTSL) and Uncertainty-aware FeatureMix (UFM). Extensive experiments on two popular benchmarks, GTA 5 → Cityscapes and SYNTHIA → Cityscapes, show the superiority of our proposed method with mIoU gains of 3.6% and 5.7% over the state-of-the-art respectively.

Sketch is a well-researched topic in the vision community by now. Sketch semantic segmentation in particular, serves as a fundamental step towards finer-level sketch interpretation. Recent works use various means of extracting discriminative features from sketches and have achieved considerable improvements on segmentation accuracy. Common approaches for this include attending to the sketch-image as a whole, its stroke-level representation or the sequence information embedded in it. However, they mostly focus on only a part of such multi-facet information. In this paper, we for the first time demonstrate that there is complementary information to be explored across all these three facets of sketch data, and that segmentation performance consequently benefits as a result of such exploration of sketch-specific information. Specifically, we propose the Sketch-Segformer, a transformer-based framework for sketch semantic segmentation that inherently treats sketches as stroke sequences other than pixel-maps. In particular, Sketch-Segformer introduces two types of self-attention modules having similar structures that work with different receptive fields (i.e., whole sketch or individual stroke). The order embedding is then further synergized with spatial embeddings learned from the entire sketch as well as localized stroke-level information. Extensive experiments show that our sketch-specific design is not only able to obtain state-of-the-art performance on traditional figurative sketches (such as SPG, SketchSeg-150K datasets), but also performs well on creative sketches that do not conform to conventional object semantics (CreativeSketch dataset) thanks for our usage of multi-facet sketch information. Ablation studies, visualizations, and invariance tests further justifies our design choice and the effectiveness of Sketch-Segformer. Codes are available at https://github.com/PRIS-CV/Sketch-SF.

Designing real and virtual garments is becoming extremely demanding with rapidly changing fashion trends and increasing need for synthesizing realistically dressed digital humans for various applications. However, traditionally designing real and virtual garments has been time-consuming. Sketch based modeling aims to bring the ease and immediacy of drawing to the 3D world thereby motivating faster iterations. We propose a novel sketch-based garment modeling framework that is specifically targeted to synchronize with the iterative process of garment ideation, e.g., adding or removing details from different views in each iteration. At the core of our learning based approach is a view-aware feature aggregation module that fuses the features from the latest sketch with the thus far aggregated features to effective refine the generated 3D shape. We evaluate our approach on a wide variety of garment types and iterative refinement scenarios. We also provide comparisons to alternative feature aggregation methods and demonstrate favorable results. The code is available at https://github.com/pinakinathc/multiviewsketch-garment.

We study the practical task of fine-grained 3D-VR-sketch-based 3D shape retrieval. This task is of particular interest as 2D sketches were shown to be effective queries for 2D images. However, due to the domain gap, it remains hard to achieve strong performance in 3D shape retrieval from 2D sketches. Recent work demonstrated the advantage of 3D VR sketching on this task. In our work, we focus on the challenge caused by inherent inaccuracies in 3D VR sketches. We observe that retrieval results obtained with a triplet loss with a fixed margin value, commonly used for retrieval tasks, contain many irrelevant shapes and often just one or few with a similar structure to the query. To mitigate this problem, we for the first time draw a connection between adaptive margin values and shape similarities. In particular, we propose to use a triplet loss with an adaptive margin value driven by a ‘fitting gap’, which is the similarity of two shapes under structure-preserving deformations. We also conduct a user study which confirms that this fitting gap is indeed a suitable criterion to evaluate the structural similarity of shapes. Furthermore, we introduce a dataset of 202 VR sketches for 202 3D shapes drawn from memory rather than from observation. The code and data are available at https://github.com/Rowl1ng/Structure-Aware-VR-Sketch-Shape-Retrieval.

Graph neural networks (GNNs) have been used to tackle the few-shot learning (FSL) problem and shown great potentials under the transductive setting. However under the inductive setting, existing GNN based methods are less competitive. This is because they use an instance GNN as a label propagation/classification module, which is jointly meta-learned with a feature embedding network. This design is problematic because the classifier needs to adapt quickly to new tasks while the embedding does not. To overcome this problem, in this paper we propose a novel hybrid GNN (HGNN) model consisting of two GNNs, an instance GNN and a prototype GNN. Instead of label propagation, they act as feature embedding adaptation modules for quick adaptation of the meta-learned feature embedding to new tasks. Importantly they are designed to deal with a fundamental yet often neglected challenge in FSL, that is, with only a handful of shots per class, any few-shot classifier would be sensitive to badly sampled shots which are either outliers or can cause inter-class distribution overlapping. Extensive experiments show that our HGNN obtains new state-of-the-art on three FSL benchmarks. The code and models are available at https://github.com/TianyuanYu/HGNN.

The human visual system is remarkable in learning new visual concepts from just a few examples. This is precisely the goal behind few-shot class incremental learning (FS-CIL), where the emphasis is additionally placed on ensuring the model does not suffer from “forgetting”. In this paper, we push the boundary further for FSCIL by addressing two key questions that bottleneck its ubiquitous application (i) can the model learn from diverse modalities other than just photo (as humans do), and (ii) what if photos are not readily accessible (due to ethical and privacy constraints). Our key innovation lies in advocating the use of sketches as a new modality for class support. The product is a “Doodle It Yourself” (DIY) FSCIL framework where the users can freely sketch a few examples of a novel class for the model to learn to recognise photos of that class. For that, we present a framework that infuses (i) gradient consensus for domain invariant learning, (ii) knowledge distillation for preserving old class information, and (iii) graph attention networks for message passing between old and novel classes. We experimentally show that sketches are better class support than text in the context of FSCIL, echoing findings elsewhere in the sketching literature.

Sketching enables many exciting applications, notably, image retrieval. The fear-to-sketch problem (i.e., “I can't sketch”) has however proven to be fatal for its widespread adoption. This paper tackles this “fear” head on, and for the first time, proposes an auxiliary module for existing retrieval models that predominantly lets the users sketch without having to worry. We first conducted a pilot study that revealed the secret lies in the existence of noisy strokes, but not so much of the “I can't sketch”. We consequently design a stroke subset selector that detects noisy strokes, leaving only those which make a positive contribution towards successful retrieval. Our Reinforcement Learning based formulation quantifies the importance of each stroke present in a given subset, based on the extent to which that stroke contributes to retrieval. When combined with pre-trained retrieval models as a pre-processing module, we achieve a significant gain of 8%-10% over standard baselines and in turn report new state-of-the-art performance. Last but not least, we demonstrate the selector once trained, can also be used in a plug-and-play manner to empower various sketch applications in ways that were not previously possible.

We scrutinise an important observation plaguing scene-level sketch research - that a significant portion of scene sketches are “partial”. A quick pilot study reveals: (i) a scene sketch does not necessarily contain all objects in the corresponding photo, due to the subjective holistic interpretation of scenes, (ii) there exists significant empty (white) regions as a result of object-level abstraction, and as a result, (iii) existing scene-level fine-grained sketch-based image retrieval methods collapse as scene sketches become more partial. To solve this “partial” problem, we advocate for a simple set-based approach using optimal transport (OT) to model cross-modal region associativity in a partially-aware fashion. Importantly, we improve upon OT to further account for holistic partialness by comparing intra-modal adjacency matrices. Our proposed method is not only robust to partial scene-sketches but also yields state-of-the-art performance on existing datasets.

Image-based virtual try-on aims to fit an in-shop garment into a clothed person image. To achieve this, a key step is garment warping which spatially aligns the target garment with the corresponding body parts in the person image. Prior methods typically adopt a local appearance flow estimation model. They are thus intrinsically susceptible to difficult body poses/occlusions and large mis-alignments between person and garment images (see Fig. 1). To overcome this limitation, a novel global appearance flow estimation model is proposed in this work. For the first time, a StyleGAN based architecture is adopted for appearance flow estimation. This enables us to take advantage of a global style vector to encode a whole-image context to cope with the aforementioned challenges. To guide the StyleGAN flow generator to pay more attention to local garment deformation, a flow refinement module is introduced to add local context. Experiment results on a popular virtual tryon benchmark show that our method achieves new state-of-the-art performance. It is particularly effective in a ‘in-the-wild’ application scenario where the reference image is full-body resulting in a large mis-alignment with the garment image (Fig. 1 Top). Code is available at: https://github.com/SenHe/Flow-Style-VTON.

Zero-shot sketch-based image retrieval typically asks for a trained model to be applied as is to unseen categories. In this paper, we question to argue that this setup by definition is not compatible with the inherent abstract and subjective nature of sketches – the model might transfer well to new categories, but will not understand sketches existing in different test-time distribution as a result. We thus extend ZS-SBIR asking it to transfer to both categories and sketch distributions. Our key contribution is a test-time training paradigm that can adapt using just one sketch. Since there is no paired photo, we make use of a sketch raster-vector reconstruction module as a self-supervised auxiliary task. To maintain the fidelity of the trained cross-modal joint embedding during test-time update, we design a novel meta-learning based training paradigm to learn a separation between model updates incurred by this auxiliary task from those off the primary objective of discriminative learning. Extensive experiments show our model to outperform state-of-the-arts, thanks to the proposed test-time adaption that not only transfers to new categories but also accommodates to new sketching styles.

As lovely as bunnies are, your sketched version would probably not do it justice (Fig. 1). This paper recognises this very problem and studies sketch quality measurement for the first time - letting you find these badly drawn ones. Our key discovery lies in exploiting the magnitude ($L$2norm) of a sketch feature as a quantitative quality metric. We propose Geometry-Aware Classification Layer (GACL), a generic method that makes feature-magnitude-as-quality-metric possible and importantly does it without the need for specific quality annotations from humans. GACL sees feature magnitude and recognisability learning as a dual task, which can be simultaneously optimised under a neat crossentropy classification loss. GACL is lightweight with theoretic guarantees and enjoys a nice geometric interpretation to reason its success. We confirm consistent quality agreements between our GACL-induced metric and human perception through a carefully designed human study. Notably, we demonstrate three practical sketch applications enabled for the first time using our quantitative quality metric.

We advance sketch research to scenes with the first dataset of freehand scene sketches, FS-COCO. With practical applications in mind, we collect sketches that convey scene content well but can be sketched within a few minutes by a person with any sketching skills. Our dataset comprises 10, 000 freehand scene vector sketches with per point space-time information by 100 non-expert individuals, offering both object- and scene-level abstraction. Each sketch is augmented with its text description. Using our dataset, we study for the first time the problem of fine-grained image retrieval from freehand scene sketches and sketch captions. We draw insights on: (i) Scene salience encoded in sketches using the strokes temporal order; (ii) Performance comparison of image retrieval from a scene sketch and an image caption; (iii) Complementarity of information in sketches and image captions, as well as the potential benefit of combining the two modalities. In addition, we extend a popular vector sketch LSTM-based encoder to handle sketches with larger complexity than was supported by previous work. Namely, we propose a hierarchical sketch decoder, which we leverage at a sketch-specific “pretext” task. Our dataset enables for the first time research on freehand scene sketch understanding and its practical applications. We release the dataset under CC BY-NC 4.0 license: FS-COCO dataset ( https://github.com/pinakinathc/fscoco ).

In recent years, fine-grained visual classification (FGVC) algorithms have achieved excellent performance across a variety of datasets. However, it is still rare to see these algorithms applied in daily life. The main reasons for this are i) the algorithms are developed based on different design guidelines and cannot be deployed in the same environment; ii) there is not a simple and efficient platform to present the algorithm's results to the user - the accuracy is meaningless to the users. To address the above problem, we built a complex scenario-oriented fine-grained visual classification platform. The platform consists of a PyTorch-based fine-grained visual recognition algorithm library (FGL) and a WeChat applet-based user interaction module (WEM). We can quickly develop new algorithms or readily apply existing algorithms in the same environment through FGL. Driven by FGL, the WEM enables users to achieve fine-grained recognition of complex scenes interactively. In addition to showing the user the fine-grained labels of objects, we will also show how the model makes decisions to help the user master the ability to recognise the fine-grained object so that everyone can become a domain expert. A video demo shows an example of the proposed platform in a real-world scenario: https://reurl.cc/rRZE7O.

Sketch semantic segmentation serves as an important part of sketch interpretation. Recently, some researchers have obtained significant results using graph neural networks (GNN) for this task. However, existing GNN-based methods usually neglect the drawing order of sketches thus missing out the sequence information inherent to sketches. Towards solving this problem to achieve better performance on sketch semantic segmentation, we propose an encoder-decoder GNN framework named ENDE-GNN. Working with an auxiliary decoder, our ENDE-GNN guides the GNN backbone network to not only extract the inter-stroke and intra-stroke features, but also pays attention to the drawing order of sketches. This decoder acts during training only, preventing any additional overhead during testing. The proposed ENDE-GNN obtains state-of-the-art per-formances on three public sketch semantic segmentation datasets, namely SPG, SketchSeg-150K, and CreativeSketch. We further evaluate the effectiveness of ENDE-GNN via ablation studies and visualizations. Codes are available at https://github.com/PRIS-CV/ENDE_For_SSS.

Fine-grained visual classification (FGVC) is much more challenging than traditional classification tasks due to the inherently subtle intra-class object variations. Recent works are mainly part-driven (either explicitly or implicitly), with the assumption that fine-grained information naturally rests within the parts. In this paper, we take a different stance, and show that part operations are not strictly necessary - the key lies with encouraging the network to learn at different granularities and progressively fusing multi-granularity features together. In particular, we propose: (i) a progressive training strategy that effectively fuses features from different granularities, and (ii) a consistent block convolution that encourages the network to learn the category-consistent features at specific granularities. We evaluate on several standard FGVC benchmark datasets, and demonstrate the proposed method consistently outperforms existing alternatives or delivers competitive results. Codes are available at https://github.com/PRIS-CV/PMG-V2.

Fine-grained image analysis (FGIA) is a longstanding and fundamental problem in computer vision and pattern recognition, and underpins a diverse set of real-world applications. The task of FGIA targets analyzing visual objects from subordinate categories, e.g., species of birds or models of cars. The small inter-class and large intra-class variation inherent to fine-grained image analysis makes it a challenging problem. Capitalizing on advances in deep learning, in recent years we have witnessed remarkable progress in deep learning powered FGIA. In this paper we present a systematic survey of these advances, where we attempt to re-define and broaden the field of FGIA by consolidating two fundamental fine-grained research areas - fine-grained image recognition and fine-grained image retrieval. In addition, we also review other key issues of FGIA, such as publicly available benchmark datasets and related domain-specific applications. We conclude by highlighting several research directions and open problems which need further exploration from the community.

Most existing studies on unsupervised domain adaptation (UDA) assume that each domain's training samples come with domain labels (e.g., painting, photo). Samples from each domain are assumed to follow the same distribution and the domain labels are exploited to learn domain-invariant features via feature alignment. However, such an assumption often does not hold true-there often exist numerous finer-grained domains (e.g., dozens of modern painting styles have been developed, each differing dramatically from those of the classic styles). Therefore, forcing feature distribution alignment across each artificially-defined and coarse-grained domain can be ineffective. In this paper, we address both single-source and multi-source UDA from a completely different perspective, which is to view each instance as a fine domain. Feature alignment across domains is thus redundant. Instead, we propose to perform dynamic instance domain adaptation (DIDA). Concretely, a dynamic neural network with adaptive convolutional kernels is developed to generate instance-adaptive residuals to adapt domain-agnostic deep features to each individual instance. This enables a shared classifier to be applied to both source and target domain data without relying on any domain annotation. Further, instead of imposing intricate feature alignment losses, we adopt a simple semi-supervised learning paradigm using only a cross-entropy loss for both labeled source and pseudo labeled target data. Our model, dubbed DIDA-Net, achieves state-of-the-art performance on several commonly used single-source and multi-source UDA datasets including Digits, Office-Home, DomainNet, Digit-Five, and PACS.

In this paper, we aim to explore the fine-grained perception ability of deep models for the newly proposed scene sketch semantic segmentation task. Scene sketches are abstract drawings containing multiple related objects. It plays a vital role in daily communication and human-computer interaction. The study has only recently started due to a main obstacle of the absence of large-scale datasets. The currently available dataset SketchyScene is composed of clip art-style edge maps, which lacks abstractness and diversity. To drive further research, we contribute two new large-scale datasets based on real hand-drawn object sketches. A general automatic scene sketch synthesis process is developed to assist with new dataset composition. Furthermore, we propose to enhancing local detail perception in deep models to realize accurate stroke-oriented scene sketch segmentation. Due to the inherent differences between hand-drawn sketches and natural images, extreme low-level local features of strokes are incorporated to improve detail discrimination. Stroke masks are also integrated into model training to guide the learning attention. Extensive experiments are conducted on three large-scale scene sketch datasets. Our method achieves state-of-the-art performance under four evaluation metrics and yields meaningful interpretability via visual analytics.

We present the first one-shot personalized sketch segmentation method. We aim to segment all sketches belonging to the same category provisioned with a single sketch with a given part annotation while (i) preserving the parts semantics embedded in the exemplar, and (ii) being robust to input style and abstraction. We refer to this scenario as personalized. With that, we importantly enable a much-desired personalization capability for downstream fine-grained sketch analysis tasks. To train a robust segmentation module, we deform the exemplar sketch to each of the available sketches of the same category. Our method generalizes to sketches not observed during training. Our central contribution is a sketch-specific hierarchical deformation network. Given a multi-level sketch-strokes encoding obtained via a graph convolutional network, our method estimates rigid-body transformation from the target to the exemplar, on the upper level. Finer deformation from the exemplar to the globally warped target sketch is further obtained through stroke-wise deformations, on the lower-level. Both levels of deformation are guided by mean squared distances between the keypoints learned without supervision, ensuring that the stroke semantics are preserved. We evaluate our method against the state-of-the-art segmentation and perceptual grouping baselines re-purposed for the one-shot setting and against two few-shot 3D shape segmentation methods. We show that our method outperforms all the alternatives by more than 10% on average. Ablation studies further demonstrate that our method is robust to personalization: changes in input part semantics and style differences.

Multiple sketch datasets have been proposed to understand how people draw 3D objects. However, such datasets are often of small scale and cover a small set of objects or categories. In addition, these datasets contain freehand sketches mostly from expert users, making it difficult to compare the drawings by expert and novice users, while such comparisons are critical in informing more effective sketch-based interfaces for either user groups. These observations motivate us to analyze how differently people with and without adequate drawing skills sketch 3D objects. We invited 70 novice users and 38 expert users to sketch 136 3D objects, which were presented as 362 images rendered from multiple views. This leads to a new dataset of 3,620 freehand multi-view sketches, which are registered with their corresponding 3D objects under certain views. Our dataset is an order of magnitude larger than the existing datasets. We analyze the collected data at three levels, i.e., sketch-level, stroke-level, and pixel-level, under both spatial and temporal characteristics, and within and across groups of creators. We found that the drawings by professionals and novices show significant differences at stroke-level, both intrinsically and extrinsically. We demonstrate the usefulness of our dataset in two applications: (i) freehand-style sketch synthesis, and (ii) posing it as a potential benchmark for sketch-based 3D reconstruction. Our dataset and code are available at https://chufengxiao.github.io/DifferSketching/.

We present the first fine-grained dataset of 1,497 3D VR sketch and 3D shape pairs of a chair category with large shapes diversity. Our dataset supports the recent trend in the sketch community on fine-grained data analysis, and extends it to an actively developing 3D domain. We argue for the most convenient sketching scenario where the sketch consists of sparse lines and does not require any sketching skills, prior training or time-consuming accurate drawing. We then, for the first time, study the scenario of fine-grained 3D VR sketch to 3D shape retrieval, as a novel VR sketching application and a proving ground to drive out generic insights to inform future research. By experimenting with carefully selected combinations of design factors on this new problem, we draw important conclusions to help follow-on work. We hope our dataset will enable other novel applications, especially those that require a fine-grained angle such as fine-grained 3D shape reconstruction. The dataset is available at tinyurl.com/ VRSketch3DV21.

Analysis of human sketches in deep learning has advanced immensely through the use of waypoint-sequences rather than raster-graphic representations. We further aim to model sketches as a sequence of low-dimensional parametric curves. To this end, we propose an inverse graphics framework capable of approximating a raster or waypoint based stroke encoded as a point-cloud with a variable-degree Bézier curve. Building on this module, we present Cloud2Curve, a generative model for scalable high-resolution vector sketches that can be trained end-to-end using point-cloud data alone. As a consequence, our model is also capable of deterministic vectorization which can map novel raster or waypoint based sketches to their corresponding high-resolution scalable Bézier equivalent. We evaluate the generation and vectorization capabilities of our model on Quick, Draw! and K-MNIST datasets.

A fundamental challenge faced by existing Fine-Grained Sketch-Based Image Retrieval (FG-SBIR) models is the data scarcity – model performances are largely bottlenecked by the lack of sketch-photo pairs. Whilst the number of photos can be easily scaled, each corresponding sketch still needs to be individually produced. In this paper, we aim to mitigate such an upper-bound on sketch data, and study whether unlabelled photos alone (of which they are many) can be cultivated for performance gain. In particular, we introduce a novel semi-supervised framework for cross-modal retrieval that can additionally leverage large-scale unlabelled photos to account for data scarcity. At the center of our semi-supervision design is a sequential photo-to-sketch generation model that aims to generate paired sketches for unlabelled photos. Importantly, we further introduce a discriminator-guided mechanism to guide against unfaithful generation, together with a distillation loss-based regularizer to provide tolerance against noisy training samples. Last but not least, we treat generation and retrieval as two conjugate problems, where a joint learning procedure is devised for each module to mutually benefit from each other. Extensive experiments show that our semi-supervised model yields a significant performance boost over the state-of-the-art supervised alternatives, as well as existing methods that can exploit unlabelled photos for FG-SBIR.

Self-supervised learning has gained prominence due to its efficacy at learning powerful representations from unlabelled data that achieve excellent performance on many challenging downstream tasks. However, supervision-free pre-text tasks are challenging to design and usually modality specific. Although there is a rich literature of self-supervised methods for either spatial (such as images) or temporal data (sound or text) modalities, a common pretext task that benefits both modalities is largely missing. In this paper, we are interested in defining a self-supervised pre-text task for sketches and handwriting data. This data is uniquely characterised by its existence in dual modalities of rasterized images and vector coordinate sequences. We address and exploit this dual representation by proposing two novel cross-modal translation pre-text tasks for self-supervised feature learning: Vectorization and Rasterization. Vectorization learns to map image space to vector coordinates and rasterization maps vector coordinates to image space. We show that our learned encoder modules benefit both raster-based and vector-based downstream approaches to analysing hand-drawn data. Empirical evidence shows that our novel pre-text tasks surpass existing single and multi-modal self-supervision methods.

Handwritten Text Recognition (HTR) remains a challenging problem to date, largely due to the varying writing styles that exist amongst us. Prior works however generally operate with the assumption that there is a limited number of styles, most of which have already been captured by existing datasets. In this paper, we take a completely different perspective – we work on the assumption that there is always a new style that is drastically different, and that we will only have very limited data during testing to perform adaptation. This creates a commercially viable solution – being exposed to the new style, the model has the best shot at adaptation, and the few-sample nature makes it practical to implement. We achieve this via a novel meta-learning framework which exploits additional new-writer data via a support set, and outputs a writer-adapted model via single gradient step update, all during inference (see Figure 1). We discover and leverage on the important insight that there exists few key characters per writer that exhibit relatively larger style discrepancies. For that, we additionally propose to meta-learn instance specific weights for a character-wise cross-entropy loss, which is specifically designed to work with the sequential nature of text data. Our writer-adaptive MetaHTR framework can be easily implemented on the top of most state-of-the-art HTR models. Experiments show an average performance gain of 5-7% can be obtained by observing very few new style data (≤ 16).

Whether what you see in Figure 1 is a "flamingo" or a "bird", is the question we ask in this paper. While fine-grained visual classification (FGVC) strives to arrive at the former, for the majority of us non-experts just "bird" would probably suffice. The real question is therefore – how can we tailor for different fine-grained definitions under divergent levels of expertise. For that, we re-envisage the traditional setting of FGVC, from single-label classification, to that of top-down traversal of a pre-defined coarse-to-fine label hierarchy – so that our answer becomes "bird" ⇒ "Phoenicopteriformes" ⇒ "Phoenicopteridae" ⇒ "flamingo".To approach this new problem, we first conduct a comprehensive human study where we confirm that most participants prefer multi-granularity labels, regardless whether they consider themselves experts. We then discover the key intuition that: coarse-level label prediction exacerbates fine-grained feature learning, yet fine-level feature betters the learning of coarse-level classifier. This discovery enables us to design a very simple albeit surprisingly effective solution to our new problem, where we (i) leverage level-specific classification heads to disentangle coarse-level features with fine-grained ones, and (ii) allow finer-grained features to participate in coarser-grained label predictions, which in turn helps with better disentanglement. Experiments show that our method achieves superior performance in the new FGVC setting, and performs better than state-of-the-art on the traditional single-label FGVC problem as well. Thanks to its simplicity, our method can be easily implemented on top of any existing FGVC frameworks and is parameter-free.

A layout to image (L2I) generation model aims to generate a complicated image containing multiple objects (things) against natural background (stuff), conditioned on a given layout. Built upon the recent advances in generative adversarial networks (GANs), existing L2I models have made great progress. However, a close inspection of their generated images reveals two major limitations: (1) the object-to-object as well as object-to-stuff relations are often broken and (2) each object’s appearance is typically distorted lacking the key defining characteristics associated with the object class. We argue that these are caused by the lack of context-aware object and stuff feature encoding in their generators, and location-sensitive appearance representation in their discriminators. To address these limitations, two new modules are proposed in this work. First, a context-aware feature transformation module is introduced in the generator to ensure that the generated feature encoding of either object or stuff is aware of other coexisting objects/stuff in the scene. Second, instead of feeding location-insensitive image features to the discriminator, we use the Gram matrix computed from the feature maps of the generated object images to preserve location-sensitive information, resulting in much enhanced object appearance. Extensive experiments show that the proposed method achieves state-of-the-art performance on the COCO-Thing-Stuff and Visual Genome benchmarks. Code available at: https://github.com/wtliao/layout2img.

Perceptual organization remains one of the very few established theories on the human visual system. It underpinned many pre-deep seminal works on segmentation and detection, yet research has seen a rapid decline since the preferential shift to learning deep models. Of the limited attempts, most aimed at interpreting complex visual scenes using perceptual organizational rules. This has however been proven to be sub-optimal, since models were unable to effectively capture the visual complexity in real-world imagery. In this paper, we rejuvenate the study of perceptual organization, by advocating two positional changes: (i) we examine purposefully generated synthetic data, instead of complex real imagery, and (ii) we ask machines to synthesize novel perceptually-valid patterns, instead of explaining existing data. Our overall answer lies with the introduction of a novel visual challenge – the challenge of perceptual question answering (PQA). Upon observing example perceptual question-answer pairs, the goal for PQA is to solve similar questions by generating answers entirely from scratch (see Figure 1). Our first contribution is therefore the first dataset of perceptual question-answer pairs, each generated specifically for a particular Gestalt principle. We then borrow insights from human psychology to design an agent that casts perceptual organization as a self-attention problem, where a proposed grid-to-grid mapping network directly generates answer patterns from scratch. Experiments show our agent to outperform a selection of naive and strong baselines. A human study however indicates that ours uses astronomically more data to learn when compared to an average human, necessitating future research (with or without our dataset).

Sketch-based image retrieval (SBIR) is a cross-modal matching problem which is typically solved by learning a joint embedding space where the semantic content shared between photo and sketch modalities are preserved. However, a fundamental challenge in SBIR has been largely ignored so far, that is, sketches are drawn by humans and considerable style variations exist amongst different users. An effective SBIR model needs to explicitly account for this style diversity, crucially, to generalise to unseen user styles. To this end, a novel style-agnostic SBIR model is proposed. Different from existing models, a cross-modal variational autoencoder (VAE) is employed to explicitly disentangle each sketch into a semantic content part shared with the corresponding photo, and a style part unique to the sketcher. Importantly, to make our model dynamically adaptable to any unseen user styles, we propose to meta-train our cross-modal VAE by adding two style-adaptive components: a set of feature transformation layers to its encoder and a regulariser to the disentangled semantic content latent code. With this meta-learning framework, our model can not only disentangle the cross-modal shared semantic content for SBIR, but can adapt the disentanglement to any unseen user style as well, making the SBIR model truly style-agnostic. Extensive experiments show that our style-agnostic model yields state-of-the-art performance for both category-level and instance-level SBIR.

Visual text recognition is undoubtedly one of the most extensively researched topics in computer vision. Great progress have been made to date, with the latest models starting to focus on the more practical "in-the-wild" setting. However, a salient problem still hinders practical deployment – prior state-of-arts mostly struggle with recognising unseen (or rarely seen) character sequences. In this paper, we put forward a novel framework to specifically tackle this “unseen” problem. Our framework is iterative in nature, in that it utilises predicted knowledge of character sequences from a previous iteration, to augment the main network in improving the next prediction. Key to our success is a unique cross-modal variational autoencoder to act as a feedback module, which is trained with the presence of textual error distribution data. This module importantly translates a discrete predicted character space, to a continuous affine transformation parameter space used to condition the visual feature map at next iteration. Experiments on common datasets have shown competitive performance over state-of-the-arts under the conventional setting. Most importantly, under the new disjoint setup where train-test labels are mutually exclusive, ours offers the best performance thus showcasing the capability of generalising onto unseen words (Figure 1 offers a summary).

Text recognition remains a fundamental and extensively researched topic in computer vision, largely owing to its wide array of commercial applications. The challenging nature of the very problem however dictated a fragmentation of research efforts: Scene Text Recognition (STR) that deals with text in everyday scenes, and Handwriting Text Recognition (HTR) that tackles hand-written text. In this paper, for the first time, we argue for their unification – we aim for a single model that can compete favourably with two separate state-of-the-art STR and HTR models. We first show that cross-utilisation of STR and HTR models trigger significant performance drops due to differences in their inherent challenges. We then tackle their union by introducing a knowledge distillation (KD) based framework. This however is non-trivial, largely due to the variable-length and sequential nature of text sequences, which renders off-the-shelf KD techniques that mostly work with global fixed length data, inadequate. For that, we propose four distillation losses, all of which are specifically designed to cope with the aforementioned unique characteristics of text recognition. Empirical evidence suggests that our proposed unified model performs at par with individual models, even surpassing them in certain cases. Ablative studies demonstrate that naive baselines such as a two-stage framework, multi-task and domain adaption/generalisation alternatives do not work that well, further authenticating our design.

Although text recognition has significantly evolved over the years, state-of the-art (SOTA) models still struggle in the wild scenarios due to complex backgrounds, varying fonts, uncontrolled illuminations, distortions and other artifacts. This is because such models solely depend on visual information for text recognition, thus lacking semantic reasoning capabilities. In this paper, we argue that semantic information offers a complementary role in addition to visual only. More specifically, we additionally utilize semantic information by proposing a multi-stage multi-scale attentional decoder that performs joint visual-semantic reasoning. Our novelty lies in the intuition that for text recognition, prediction should be refined in a stage-wise manner. Therefore our key contribution is in designing a stage-wise unrolling attentional decoder where non-differentiability, invoked by discretely predicted character labels, needs to be bypassed for end-to-end training. While the first stage predicts using visual features, subsequent stages refine on-top of it using joint visual-semantic information. Additionally, we introduce multi-scale 2D attention along with dense and residual connections between different stages to deal with varying scales of character sizes, for better performance and faster convergence during training. Experimental results show our approach to outperform existing SOTA methods by a considerable margin.

A lifespan face synthesis (LFS) model aims to generate a set of photo-realistic face images of a person’s whole life, given only one snapshot as reference. The generated face image given a target age code is expected to be age-sensitive reflected by bio-plausible transformations of shape and texture, while being identity preserving. This is extremely challenging because the shape and texture characteristics of a face undergo separate and highly nonlinear transformations w.r.t. age. Most recent LFS models are based on generative adversarial networks (GANs) whereby age code conditional transformations are applied to a latent face representation. They benefit greatly from the recent advancements of GANs. However, without explicitly disentangling their latent representations into the texture, shape and identity factors, they are fundamentally limited in modeling the nonlinear age-related transformation on texture and shape whilst preserving identity. In this work, a novel LFS model is proposed to disentangle the key face characteristics including shape, texture and identity so that the unique shape and texture age transformations can be modeled effectively. This is achieved by extracting shape, texture and identity features separately from an encoder. Critically, two transformation modules, one conditional convolution based and the other channel attention based, are designed for modeling the nonlinear shape and texture feature transformations respectively. This is to accommodate their rather distinct aging processes and ensure that our synthesized images are both age-sensitive and identity preserving. Extensive experiments show that our LFS model is clearly superior to the state-of-the-art alternatives. Codes and demo are available on our project website: https://senhe.github.io/projects/iccv_2021_lifespan_face.

A few-shot semantic segmentation model is typically composed of a CNN encoder, a CNN decoder and a simple classifier (separating foreground and background pixels). Most existing methods meta-learn all three model components for fast adaptation to a new class. However, given that as few as a single support set image is available, effective model adaption of all three components to the new class is extremely challenging. In this work we propose to simplify the meta-learning task by focusing solely on the simplest component – the classifier, whilst leaving the en-coder and decoder to pre-training. We hypothesize that if we pretrain an off-the-shelf segmentation model over a set of diverse training classes with sufficient annotations, the encoder and decoder can capture rich discriminative features applicable for any unseen classes, rendering the sub-sequent meta-learning stage unnecessary. For the classifier meta-learning, we introduce a Classifier Weight Transformer (CWT) designed to dynamically adapt the support-set trained classifier’s weights to each query image in an inductive way. Extensive experiments on two standard bench-marks show that despite its simplicity, our method outperforms the state-of-the-art alternatives, often by a large margin. Code is available on https://github.com/zhiheLu/CWT-for-FSS.

The key challenge in designing a sketch representation lies with handling the abstract and iconic nature of sketches. Existing work predominantly utilizes either, (i) a pixelative format that treats sketches as natural images employing off-the-shelf CNN-based networks, or (ii) an elaborately designed vector format that leverages the structural information of drawing orders using sequential RNN-based methods. While the pixelative format lacks intuitive exploitation of structural cues, sketches in vector format are absent in most cases limiting their practical usage. Hence, in this paper, we propose a lattice structured sketch representation that not only removes the bottleneck of requiring vector data but also preserves the structural cues that vector data provides. Essentially, sketch lattice is a set of points sampled from the pixelative format of the sketch using a lattice graph. We show that our lattice structure is particularly amenable to structural changes that largely benefits sketch abstraction modeling for generation tasks. Our lattice representation could be effectively encoded using a graph model, that uses significantly fewer model parameters (13.5 times lesser) than existing state-of-the-art. Extensive experiments demonstrate the effectiveness of sketch lattice for sketch manipulation, including sketch healing and image-to-sketch synthesis.

What makes free-hand sketches appealing for humans lies with its capability as a universal tool to depict the visual world. Such flexibility at human ease, however, introduces abstract renderings that pose unique challenges to computer vision models. In this paper, we propose a purpose-made sketch representation for human sketches. The key intuition is that such representation should be abstract at design, so to accommodate the abstract nature of sketches. This is achieved by interpreting sketch abstraction on two levels: appearance and structure. We abstract sketch structure as a pre-defined coarse-to-fine visual block hierarchy, and average visual features within each block to model appearance abstraction. We then discuss three general strategies on how to exploit feature synergy across different levels of this abstraction hierarchy. The superiority of explicitly abstracting sketch representation is empirically validated on a number of sketch analysis tasks, including sketch recognition, fine-grained sketch-based image retrieval, and generative sketch healing. Our simple design not only yields strong results on all said tasks, but also offers intuitive feature granularity control to tailor for various downstream tasks. Code will be made publicly available.

A deep hashing model typically has two main learning objectives: to make the learned binary hash codes discriminative and to minimize a quantization error. With further constraints such as bit balance and code orthogonality, it is not uncommon for existing models to employ a large number (>4) of losses. This leads to difficulties in model training and subsequently impedes their effectiveness. In this work, we propose a novel deep hashing model with only $\textit{a single learning objective}$. Specifically, we show that maximizing the cosine similarity between the continuous codes and their corresponding $\textit{binary orthogonal codes}$ can ensure both hash code discriminativeness and quantization error minimization. Further, with this learning objective, code balancing can be achieved by simply using a Batch Normalization (BN) layer and multi-label classification is also straightforward with label smoothing. The result is a one-loss deep hashing model that removes all the hassles of tuning the weights of various losses. Importantly, extensive experiments show that our model is highly effective, outperforming the state-of-the-art multi-loss hashing models on three large-scale instance retrieval benchmarks, often by significant margins.

In this paper, we focus on learning semantic representations for large-scale highly abstract sketches that were produced by the practical sketch-based application rather than the excessively well dawn sketches obtained by crowd-sourcing. We propose a dual-branch CNN-RNN network architecture to represent sketches, which simultaneously encodes both the static and temporal patterns of sketch strokes. Based on this architecture, we further explore learning the sketch-oriented semantic representations in two practical settings, i.e., hashing retrieval and zero-shot recognition on million-scale highly abstract sketches produced by practical online interactions. Specifically, we use our dual-branch architecture as a universal representation framework to design two sketch-specific deep models: (i) We propose a deep hashing model for sketch retrieval, where a novel hashing loss is specifically designed to further accommodate both the abstract and messy traits of sketches. (ii) We propose a deep embedding model for sketch zero-shot recognition, via collecting a large-scale edge-map dataset and proposing to extract a set of semantic vectors from edge-maps as the semantic knowledge for sketch zero-shot domain alignment. Both deep models are evaluated by comprehensive experiments on million-scale abstract sketches produced by a global online game QuickDraw and outperform state-of-the-art competitors.

Existing sketch-analysis work studies sketches depicting static objects or scenes. In this work, we propose a novel cross-modal retrieval problem of fine-grained instance-level sketch-based video retrieval (FG-SBVR), where a sketch sequence is used as a query to retrieve a specific target video instance. Compared with sketch-based still image retrieval, and coarse-grained category-level video retrieval, this is more challenging as both visual appearance and motion need to be simultaneously matched at a fine-grained level. We contribute the first FG-SBVR dataset with rich annotations. We then introduce a novel multi-stream multi-modality deep network to perform FG-SBVR under both strong and weakly supervised settings. The key component of the network is a relation module, designed to prevent model overfitting given scarce training data. We show that this model significantly outperforms a number of existing state-of-the-art models designed for video analysis.

In this paper, we tackle for the first time, the problem of self-supervised representation learning for free-hand sketches. This importantly addresses a common problem faced by the sketch community – that annotated supervisory data are difficult to obtain. This problem is very challenging in which sketches are highly abstract and subject to different drawing styles, making existing solutions tailored for photos unsuitable. Key for the success of our self-supervised learning paradigm lies with our sketch-specific designs: (i) we propose a set of pretext tasks specifically designed for sketches that mimic different drawing styles, and (ii) we further exploit the use of the textual convolution network (TCN) together with the convolutional neural network (CNN) in a dual-branch architecture for sketch feature learning, as means to accommodate the sequential stroke nature of sketches. We demonstrate the superiority of our sketch-specific designs through two sketch-related applications (retrieval and recognition) on a million-scale sketch dataset, and show that the proposed approach outperforms the state-of-the-art unsupervised representation learning methods, and significantly narrows the performance gap between with supervised representation learning.11PyTorch code of this work is available athttps://github.com/zzz1515151/self-supervised_learning_sketch.

In this article, we study the problem of multi-view sketch correspondence, where we take as input multiple freehand sketches with different views of the same object and predict as output the semantic correspondence among the sketches. This problem is challenging since the visual features of corresponding points at different views can be very different. To this end, we take a deep learning approach and learn a novel local sketch descriptor from data. We contribute a training dataset by generating the pixel-level correspondence for the multi-view line drawings synthesized from 3D shapes. To handle the sparsity and ambiguity of sketches, we design a novel multi-branch neural network that integrates a patch-based representation and a multi-scale strategy to learn the pixel-level correspondence among multi-view sketches. We demonstrate the effectiveness of our proposed approach with extensive experiments on hand-drawn sketches and multi-view line drawings rendered from multiple 3D shape datasets.

In this paper, for the first time, we investigate the problem of generating 3D shapes from professional 2D sketches via deep learning. We target sketches done by professional artists, as these sketches are likely to contain more details than the ones produced by novices, and thus the reconstruction from such sketches poses a higher demand on the level of detail in the reconstructed models. This is importantly different to previous work, where the training and testing was conducted on either synthetic sketches or sketches done by novices. Novices sketches often depict shapes that are physically unrealistic, while models trained with synthetic sketches could not cope with the level of abstraction and style found in real sketches. To address this problem, we collected the first large-scale dataset of professional sketches, where each sketch is paired with a reference 3D shape, with a total of 1,500 professional sketches collected across 500 3D shapes. The dataset is available at http://sketchx.ai/downloads/. We introduce two bespoke designs within a deep adversarial network to tackle the imprecision of human sketches and the unique figure/ground ambiguity problem inherent to sketch-based reconstruction. We show that existing 3D shapes generation methods designed for images fail to be naively applied to our problem, and demonstrate the effectiveness of our method both qualitatively and quantitatively.

In this paper we study, for the first time, the problem of fine-grained sketch-based 3D shape retrieval. We advocate the use of sketches as a fine-grained input modality to retrieve 3D shapes at instance-level - e.g., given a sketch of a chair, we set out to retrieve a specific chair from a gallery of all chairs. Fine-grained sketch-based 3D shape retrieval (FG-SBSR) has not been possible till now due to a lack of datasets that exhibit one-to-one sketch-3D correspondences. The first key contribution of this paper is two new datasets, consisting a total of 4,680 sketch-3D pairings from two object categories. Even with the datasets, FG-SBSR is still highly challenging because (i) the inherent domain gap between 2D sketch and 3D shape is large, and (ii) retrieval needs to be conducted at the instance level instead of the coarse category level matching as in traditional SBSR. Thus, the second contribution of the paper is the first cross-modal deep embedding model for FG-SBSR, which specifically tackles the unique challenges presented by this new problem. Core to the deep embedding model is a novel cross-modal view attention module which automatically computes the optimal combination of 2D projections of a 3D shape given a query sketch.

Recently, recognition of online handwritten mathe- matical expression has been greatly improved by employing encoder-decoder based methods. Existing encoder-decoder models use string decoders to generate LaTeX strings for mathematical expression recognition. However, in this paper, we importantly argue that string representations might not be the most natural for mathematical expressions – mathematical expressions are inherently tree structures other than flat strings. For this purpose, we propose a novel sequential relation decoder (SRD) that aims to decode expressions into tree structures for online handwritten mathematical expression recognition. At each step of tree construction, a sub-tree structure composed of a relation node and two symbol nodes is computed based on previous sub-tree structures. This is the first work that builds a tree structure based decoder for encoder-decoder based mathematical expression recognition. Compared with string decoders, a decoder that better understands tree structures is crucial for mathematical expression recognition as it brings a more reasonable learning objective and improves overall generalization ability. We demonstrate how the proposed SRD outperforms state-of-the-art string decoders through a set of experiments on CROHME database, which is currently the largest benchmark for online handwritten mathematical expression recognition.

Growing free online 3D shapes collections dictated research on 3D retrieval. Active debate has however been had on (i) what the best input modality is to trigger retrieval, and (ii) the ultimate usage scenario for such retrieval. In this paper, we offer a different perspective towards answering these questions - we study the use of 3D sketches as an input modality and advocate a VR-scenario where retrieval is conducted. Thus, the ultimate vision is that users can freely retrieve a 3D model by air-doodling in a VR environment. As a first stab at this new 3D VR-sketch to 3D shape retrieval problem, we make four contributions. First, we code a VR utility to collect 3D VR-sketches and conduct retrieval. Second, we collect the first set of 167 3D VRsketches on two shape categories from ModelNet. Third, we propose a novel approach to generate a synthetic dataset of human-like 3D sketches of different abstract levels to train deep networks. At last, we compare the common multi-view and volumetric approaches: We show that, in contrast to 3D shape to 3D shape retrieval, volumetric point-based approaches exhibit superior performance on 3D sketch to 3D shape retrieval due to the sparse and abstract nature of 3D VR-sketches. We believe these contributions will collectively serve as enablers for future attempts at this problem. The VR interface, code and datasets are available at https://tinyurl.com/3DSketch3DV.

Deep image-based modeling received lots of attention in recent years, yet the parallel problem of sketch-based modeling has only been briefly studied, often as a potential application. In this work, for the first time, we identify the main differences between sketch and image inputs: (i) style variance, (ii) imprecise perspective, and (iii) sparsity. We discuss why each of these differences can pose a challenge, and even make a certain class of image-based methods inapplicable. We study alternative solutions to address each of the difference. By doing so, we drive out a few important insights: (i) sparsity commonly results in an incorrect prediction of foreground versus background, (ii) diversity of human styles, if not taken into account, can lead to very poor generalization properties, and finally (iii) unless a dedicated sketching interface is used, one can not expect sketches to match a perspective of a fixed viewpoint. Finally, we compare a set of representative deep single-image modeling solutions and show how their performance can be improved to tackle sketch input by taking into consideration the identified critical differences.

Fine-grained sketch-based image retrieval (FG-SBIR) addresses the problem of retrieving a particular photo instance given a user's query sketch. Its widespread applicability is however hindered by the fact that drawing a sketch takes time, and most people struggle to draw a complete and faithful sketch. In this paper, we reformulate the conventional FG-SBIR framework to tackle these challenges, with the ultimate goal of retrieving the target photo with the least number of strokes possible. We further propose an on-the-fly design that starts retrieving as soon as the user starts drawing. To accomplish this, we devise a reinforcement learning based cross-modal retrieval framework that directly optimizes rank of the ground-truth photo over a complete sketch drawing episode. Additionally, we introduce a novel reward scheme that circumvents the problems related to irrelevant sketch strokes, and thus provides us with a more consistent rank list during the retrieval. We achieve superior early-retrieval efficiency over state-of-the-art methods and alternative baselines on two publicly available fine-grained sketch retrieval datasets.

A common strategy adopted by existing state-of-the-art unsupervised domain adaptation (UDA) methods is to employ two classifiers to identify the misaligned local regions between source and target domain. Following the 'wisdom of the crowd' principle, one has to ask: why stop at two? Indeed, we find that using more classifiers leads to better performance, but also introduces more model parameters, therefore risking overfitting. In this paper, we introduce a novel method called STochastic clAssifieRs (STAR) for addressing this problem. Instead of representing one classifier as a weight vector, STAR models it as a Gaussian distribution with its variance representing the inter-classifier discrepancy. With STAR, we can now sample an arbitrary number of classifiers from the distribution, whilst keeping the model size the same as having two classifiers. Extensive experiments demonstrate that a variety of existing UDA methods can greatly benefit from STAR and achieve the state-of-the-art performance on both image classification and semantic segmentation tasks.

ImageNet pre-training has long been considered crucial by the fine-grained sketch-based image retrieval (FG-SBIR) community due to the lack of large sketch-photo paired datasets for FG-SBIR training. In this paper, we propose a self-supervised alternative for representation pre-training. Specifically, we consider the jigsaw puzzle game of recomposing images from shuffled parts. We identify two key facets of jigsaw task design that are required for effective FG-SBIR pre-training. The first is formulating the puzzle in a mixed-modality fashion. Second we show that framing the optimisation as permutation matrix inference via Sinkhorn iterations is more effective than the common classifier formulation of Jigsaw self-supervision. Experiments show that this self-supervised pre-training strategy significantly outperforms the standard ImageNet-based pipeline across all four product-level FG-SBIR benchmarks. Interestingly it also leads to improved cross-category generalisation across both pre-train/fine-tune and fine-tune/testing stages.

Sketches are distinctly different to photos. They are highly abstract and exhibit a severe lack of visual cues. Prior works have therefore explored additional traits unique to sketches to help recognition such as stroke ordering. In this paper, we pioneer in studying the role of structure in sketches, for the task of sketch recognition. In particular, we propose a novel graph representation specifically designed for sketches, which follows the inherent hierarchical relationship (segment-stroke-sketch”) of sketching elements. By conforming to this hierarchy, we also introduce ajoint network that encapsulates both the structural and temporal traits of sketches for sketch recognition, termed S3Net.S3Netemploys a recurrent neural network (RNN) to extract segmentlevel features, followed by a graph convolutional network (GCN) to aggregate them into sketch-level features. The RNN first encodes temporal cues in sketches while its outputs are used as node embedding to construct a hierarchical sketch-graph. The GCN module then takes in this sketchgraph to produce a structure-aware embedding for sketches. Extensive experiments on the QuickDraw dataset, exhibit superior performance over state-of-the-arts, surpassing them by over 4%. Ablative studies further demonstrate the effectiveness of the proposed structural graph for both inter-class, and intra-class feature discrimination. Code is available at: https://github.com/yanglan0225/s3net;.

Recent encoder-decoder approaches typically employ string decoders to convert images into serialized strings for image-to-markup. However, for tree-structured representational markup, string representations can hardly cope with the structural complexity. In this work, we first show via a set of toy problems that string decoders struggle to decode tree structures, especially as structural complexity increases, we then propose a tree-structured decoder that specifically aims at generating a tree-structured markup. Our decoders works sequentially, where at each step a child node and its parent node are simultaneously generated to form a sub-tree. This sub-tree is consequently used to construct the final tree structure in a recurrent manner. Key to the success of our tree decoder is twofold, (i) it strictly respects the parent-child relationship of trees, and (ii) it explicitly outputs trees as oppose to a linear string. Evaluated on both math formula recognition and chemical formula recognition, the proposed tree decoder is shown to greatly outperform strong string decoder baselines.

Sketch-based image retrieval (SBIR) is a challenging task due to the large cross-domain gap between sketches and natural images. How to align abstract sketches and natural images into a common high-level semantic space remains a key problem in SBIR. In this paper, we propose a novel semi-heterogeneous three-way joint embedding network (Semi3-Net), which integrates three branches (a sketch branch, a natural image branch, and an edgemap branch) to learn more discriminative cross-domain feature representations for the SBIR task. The key insight lies with how we cultivate the mutual and subtle relationships amongst the sketches, natural images, and edgemaps. A semi-heterogeneous feature mapping is designed to extract bottom features from each domain, where the sketch and edgemap branches are shared while the natural image branch is heterogeneous to the other branches. In addition, a joint semantic embedding is introduced to embed the features from different domains into a common high-level semantic space, where all of the three branches are shared. To further capture informative features common to both natural images and the corresponding edgemaps, a co-attention model is introduced to conduct common channel-wise feature recalibration between different domains. A hybrid-loss mechanism is designed to align the three branches, where an alignment loss and a sketch-edgemap contrastive loss are presented to encourage the network to learn invariant cross-domain representations. Experimental results on two widely used category-level datasets (Sketchy and TU-Berlin Extension) demonstrate that the proposed method outperforms state-of-the-art methods.

Categorizing free-hand human sketches has profound implications in applications such as human computer interaction and image retrieval. The task is non-trivial due to the iconic nature of sketches, signified by large variances in both appearance and structure when compared with photographs. Despite recent advances made by deep learning methods, the requirement of a large training set is commonly imposed making them impractical for real-world applications where training sketches are cumbersome to obtain - sketches have to be hand-drawn one by one other than crawled freely on the Internet. In this work, we aim to delve further into the data scarcity problem of sketch-related research, by proposing a few-shot sketch classification framework. The model is based on a co-regularized embedding algorithm where common/shareable parts of learned human sketches are exploited, thereby can embed query sketch into a co-regularized sparse representation space for few-shot classification. A new dataset of 8,000 part-level annotated sketches of 100 categories is also proposed to facilitate future research. Experiment shows that our approach can achieve an 5-way one-shot classification accuracy of 85%, and 20-way one-shot at 51%.

The key to solving fine-grained image categorization is finding discriminate and local regions that correspond to subtle visual traits. Great strides have been made, with complex networks designed specifically to learn part-level discriminate feature representations. In this paper, we show that it is possible to cultivate subtle details without the need for overly complicated network designs or training mechanisms - a single loss is all it takes. The main trick lies with how we delve into individual feature channels early on, as opposed to the convention of starting from a consolidated feature map. The proposed loss function, termed as mutual-channel loss (MC-Loss), consists of two channel-specific components: a discriminality component and a diversity component. The discriminality component forces all feature channels belonging to the same class to be discriminative, through a novel channel-wise attention mechanism. The diversity component additionally constraints channels so that they become mutually exclusive across the spatial dimension. The end result is therefore a set of feature channels, each of which reflects different locally discriminative regions for a specific class. The MC-Loss can be trained end-to-end, without the need for any bounding-box/part annotations, and yields highly discriminative regions during inference. Experimental results show our MC-Loss when implemented on top of common base networks can achieve state-of-the-art performance on all four fine-grained categorization datasets (CUB-Birds, FGVC-Aircraft, Flowers-102, and Stanford Cars). Ablative studies further demonstrate the superiority of the MC-Loss when compared with other recently proposed general-purpose losses for visual classification, on two different base networks.

Given pixel-level annotated data, traditional photo segmentation techniques have achieved promising results. However, these photo segmentation models can only identify objects in categories for which data annotation and training have been carried out. This limitation has inspired recent work on few-shot and zero-shot learning for image segmentation. In this paper, we show the value of sketch for photo segmentation, in particular as a transferable representation to describe a concept to be segmented. We show, for the first time, that it is possible to generate a photo-segmentation model of a novel category using just a single sketch and furthermore exploit the unique fine-grained characteristics of sketch to produce more detailed segmentation. More specifically, we propose a sketch-based photo segmentation method that takes sketch as input and synthesizes the weights required for a neural network to segment the corresponding region of a given photo. Our framework can be applied at both the category-level and the instance-level, and fine-grained input sketches provide more accurate segmentation in the latter. This framework generalizes across categories via sketch and thus provides an alternative to zero-shot learning when segmenting a photo from a category without annotated training data. To investigate the instance-level relationship across sketch and photo, we create the SketchySeg dataset which contains segmentation annotations for photos corresponding to paired sketches in the Sketchy Dataset.

We present the first competitive drawing agent Pixelor that exhibits humanlevel performance at a Pictionary-like sketching game, where the participant whose sketch is recognized first is a winner. Our AI agent can autonomously sketch a given visual concept, and achieve a recognizable rendition as quickly or faster than a human competitor. The key to victory for the agent's goal is to learn the optimal stroke sequencing strategies that generate the most recognizable and distinguishable strokes first. Training Pixelor is done in two steps. First, we infer the stroke order that maximizes early recognizability of human training sketches. Second, this order is used to supervise the training of a sequence-to-sequence stroke generator. Our key technical contributions are a tractable search of the exponential space of orderings using neural sorting; and an improved Seq2Seq Wasserstein (S2S-WAE) generator that uses an optimal-transport loss to accommodate the multi-modal nature of the optimal stroke distribution. Our analysis shows that Pixelor is better than the human players of the Quick, Draw! game, under both AI and human judging of early recognition. To analyze the impact of human competitors' strategies, we conducted a further human study with participants being given unlimited thinking time and training in early recognizability by feedback from an AI judge. The study shows that humans do gradually improve their strategies with training, but overall Pixelor still matches human performance. The code and the dataset are available at http://sketchx.ai/pixelor.

Over the past few years, specialised online and offline press blossomed with articles about art made "with" Artificial Intelligence (AI) but the narrative is rapidly changing. In fact, in October 2018, the auction house Christie's sold an art piece allegedly made "by" an AI. We draw from philosophy of art and science arguing that AI as a technical object is always intertwined with human nature despite its level of autonomy. However, the use of creative autonomous agents has cultural and social implications in the way we experience art as creators as well as audience. Therefore, we highlight the importance of an interdisciplinary dialogue by promoting a culture of transparency of the technology used, awareness of the meaning of technology in our society and the value of creativity in our lives.

In this paper, we investigate the problem of zero-shot sketch-based image retrieval (ZS-SBIR), where human sketches are used as queries to conduct retrieval of photos from unseen categories. We importantly advance prior arts by proposing a novel ZS-SBIR scenario that represents a firm step forward in its practical application. The new setting uniquely recognizes two important yet often neglected challenges of practical ZS-SBIR, (i) the large domain gap between amateur sketch and photo, and (ii) the necessity for moving towards large-scale retrieval. We first contribute to the community a novel ZS-SBIR dataset, QuickDraw-Extended, that consists of 330,000 sketches and 204,000 photos spanning across 110 categories. Highly abstract amateur human sketches are purposefully sourced to maximize the domain gap, instead of ones included in existing datasets that can often be semi-photorealistic. We then formulate a ZS-SBIR framework to jointly model sketches and photos into a common embedding space. A novel strategy to mine the mutual information among domains is specifically engineered to alleviate the domain gap. External semantic knowledge is further embedded to aid semantic transfer. We show that, rather surprisingly, retrieval performance significantly outperforms that of state-of-the-art on existing datasets that can already be achieved using a reduced version of our model. We further demonstrate the superior performance of our full model by comparing with a number of alternatives on the newly proposed dataset. The new dataset, plus all training and testing code of our model, will be publicly released to facilitate future research.

Fine-grained sketch-based image retrieval (FG-SBIR) addresses matching specific photo instance using free-hand sketch as a query modality. Existing models aim to learn an embedding space in which sketch and photo can be directly compared. While successful, they require instance-level pairing within each coarse-grained category as annotated training data. Since the learned embedding space is domain-specific, these models do not generalise well across categories. This limits the practical applicability of FG-SBIR. In this paper, we identify cross-category generalisation for FG-SBIR as a domain generalisation problem, and propose the first solution. Our key contribution is a novel unsupervised learning approach to model a universal manifold of prototypical visual sketch traits. This manifold can then be used to paramaterise the learning of a sketch/photo representation. Model adaptation to novel categories then becomes automatic via embedding the novel sketch in the manifold and updating the representation and retrieval function accordingly. Experiments on the two largest FG-SBIR datasets, Sketchy and QMUL-Shoe-V2, demonstrate the efficacy of our approach in enabling cross-category generalisation of FG-SBIR.

We aim to learn a domain generalizable person re-identification (ReID) model. When such a model is trained on a set of source domains (ReID datasets collected from different camera networks), it can be directly applied to any new unseen dataset for effective ReID without any model updating. Despite its practical value in real-world deployments, generalizable ReID has seldom been studied. In this work, a novel deep ReID model termed Domain-Invariant Mapping Network (DIMN) is proposed. DIMN is designed to learn a mapping between a person image and its identity classifier, i.e., it produces a classifier using a single shot. To make the model domain-invariant, we follow a meta-learning pipeline and sample a subset of source domain training tasks during each training episode. However, the model is significantly different from conventional meta-learning methods in that: (1) no model updating is required for the target domain, (2) different training tasks share a memory bank for maintaining both scalability and discrimination ability, and (3) it can be used to match an arbitrary number of identities in a target domain. Extensive experiments on a newly proposed large-scale ReID domain generalization benchmark show that our DIMN significantly outperforms alternative domain generalization or meta-learning methods.

Domain generalization (DG) is the challenging and topical problem of learning models that generalize to novel testing domains with different statistics than a set of known training domains. The simple approach of aggregating data from all source domains and training a single deep neural network end-to-end on all the data provides a surprisingly strong baseline that surpasses many prior published methods. In this paper we build on this strong baseline by designing an episodic training procedure that trains a single deep network in a way that exposes it to the domain shift that characterises a novel domain at runtime. Specifically, we decompose a deep network into feature extractor and classifier components, and then train each component by simulating it interacting with a partner who is badly tuned for the current domain. This makes both components more robust, ultimately leading to our networks producing state-of-the-art performance on three DG benchmarks. Furthermore, we consider the pervasive workflow of using an ImageNet trained CNN as a fixed feature extractor for downstream recognition tasks. Using the Visual Decathlon benchmark, we demonstrate that our episodic-DG training improves the performance of such a general purpose feature extractor by explicitly training a feature for robustness to novel problems. This shows that DG training can benefit standard practice in computer vision.

Automatic data abstraction is an important capability for both benchmarking machine intelligence and supporting summarization applications. In the former one asks whether a machine can `understand' enough about the meaning of input data to produce a meaningful but more compact abstraction. In the latter this capability is exploited for saving space or human time by summarizing the essence of input data. In this paper we study a general reinforcement learning based framework for learning to abstract sequential data in a goal-driven way. The ability to define different abstraction goals uniquely allows different aspects of the input data to be preserved according to the ultimate purpose of the abstraction. Our reinforcement learning objective does not require human-defined examples of ideal abstraction. Importantly our model processes the input sequence holistically without being constrained by the original input order. Our framework is also domain agnostic -- we demonstrate applications to sketch, video and text data and achieve promising results in all domains.

Human free-hand sketches provide the useful data for studying human perceptual grouping, where the grouping principles such as the Gestalt laws of grouping are naturally in play during both the perception and sketching stages. In this paper, we make the first attempt to develop a universal sketch perceptual grouper. That is, a grouper that can be applied to sketches of any category created with any drawing style and ability, to group constituent strokes/segments into semantically meaningful object parts. The first obstacle to achieving this goal is the lack of large-scale datasets with grouping annotation. To overcome this, we contribute the largest sketch perceptual grouping dataset to date, consisting of 20 000 unique sketches evenly distributed over 25 object categories. Furthermore, we propose a novel deep perceptual grouping model learned with both generative and discriminative losses. The generative loss improves the generalization ability of the model, while the discriminative loss guarantees both local and global grouping consistency. Extensive experiments demonstrate that the proposed grouper significantly outperforms the state-of-the-art competitors. In addition, we show that our grouper is useful for a number of sketch analysis tasks, including sketch semantic segmentation, synthesis, and fine-grained sketch-based image retrieval.

In this paper, we develop a novel variational Bayesian learning method for the Dirichlet process (DP) mixture of the inverted Dirichlet distributions, which has been shown to be very flexible for modeling vectors with positive elements. The recently proposed extended variational inference (EVI) framework is adopted to derive an analytically tractable solution. The convergency of the proposed algorithm is theoretically guaranteed by introducing single lower bound approximation to the original objective function in the EVI framework. In principle, the proposed model can be viewed as an infinite inverted Dirichlet mixture model that allows the automatic determination of the number of mixture components from data. Therefore, the problem of predetermining the optimal number of mixing components has been overcome. Moreover, the problems of overfitting and underfitting are avoided by the Bayesian estimation approach. Compared with several recently proposed DP-related methods and conventional applied methods, the good performance and effectiveness of the proposed method have been demonstrated with both synthesized data and real data evaluations.

Domain shift refers to the well known problem that a model trained in one source domain performs poorly when appliedto a target domain with different statistics. Domain Generalization (DG) techniques attempt to alleviate this issue by producing models which by design generalize well to novel testing domains. We propose a novel meta-learning method for domain generalization. Rather than designing a specific model that is robust to domain shift as in most previous DG work, we propose a model agnostic training procedure for DG. Our algorithm simulates train/test domain shift during training by synthesizing virtual testing domains within each mini-batch. The meta-optimization objective requires that steps to improve training domain performance should also improve testing domain performance. This meta-learning procedure trains models with good generalization ability to novel domains. We evaluate our method and achieve state of the art results on a recent cross-domain image classification benchmark, as well demonstrating its potential on two classic reinforcement learning tasks.

We propose a deep hashing framework for sketch retrieval that, for the first time, works on a multi-million scale human sketch dataset. Leveraging on this large dataset, we explore a few sketch-specific traits that were otherwise under-studied in prior literature. Instead of following the conventional sketch recognition task, we introduce the novel problem of sketch hashing retrieval which is not only more challenging, but also offers a better testbed for large-scale sketch analysis, since: (i) more fine-grained sketch feature learning is required to accommodate the large variations in style and Abstraction, and (ii) a compact binary code needs to be learned at the same time to enable efficient retrieval. Key to our network design is the embedding of unique characteristics of human sketch, where (i) a two-branch CNN-RNN architecture is adapted to explore the temporal ordering of strokes, and (ii) a novel hashing loss is specifically designed to accommodate both the temporal and Abstract traits of sketches. By working with a 3.8M sketch dataset, we show that state-of-the-art hashing models specifically engineered for static images fail to perform well on temporal sketch data. Our network on the other hand not only offers the best retrieval performance on various code sizes, but also yields the best generalization performance under a zero-shot setting and when re-purposed for sketch recognition. Such superior performances effectively demonstrate the benefit of our sketch-specific design.

Contemporary deep learning techniques have made image recognition a reasonably reliable technology. However training effective photo classifiers typically takes numerous examples which limits image recognition's scalability and applicability to scenarios where images may not be available. This has motivated investigation into zero-shot learning, which addresses the issue via knowledge transfer from other modalities such as text. In this paper we investigate an alternative approach of synthesizing image classifiers: almost directly from a user's imagination, via freehand sketch. This approach doesn't require the category to be nameable or describable via attributes as per zero-shot learning. We achieve this via training a model regression network to map from free-hand sketch space to the space of photo classifiers. It turns out that this mapping can be learned in a category-agnostic way, allowing photo classifiers for new categories to be synthesized by user with no need for annotated training photos. We also demonstrate that this modality of classifier generation can also be used to enhance the granularity of an existing photo classifier, or as a complement to name-based zero-shot learning.

To see is to sketch - free-hand sketching naturally builds ties between human and machine vision. In this paper, we present a novel approach for translating an object photo to a sketch, mimicking the human sketching process. This is an extremely challenging task because the photo and sketch domains differ significantly. Furthermore, human sketches exhibit various levels of sophistication and abstraction even when depicting the same object instance in a reference photo. This means that even if photo-sketch pairs are available, they only provide weak supervision signal to learn a translation model. Compared with existing supervised approaches that solve the problem of D(E(photo)) → sketch), where E(·) and D(·) denote encoder and decoder respectively, we take advantage of the inverse problem (e.g., D(E(sketch) → photo), and combine with the unsupervised learning tasks of within-domain reconstruction, all within a multi-task learning framework. Compared with existing unsupervised approaches based on cycle consistency (i.e., D(E(D(E(photo)))) → photo), we introduce a shortcut consistency enforced at the encoder bottleneck (e.g., D(E(photo)) → photo) to exploit the additional self-supervision. Both qualitative and quantitative results show that the proposed model is superior to a number of state-of-the-art alternatives. We also show that the synthetic sketches can be used to train a better fine-grained sketch-based image retrieval (FG-SBIR) model, effectively alleviating the problem of sketch data scarcity.

Under person re-identification (Re-ID), a query photo of the target person is often required for retrieval. However, one is not always guaranteed to have such a photo readily available under a practical forensic setting. In this paper, we define the problem of Sketch Re-ID, which instead of using a photo as input, it initiates the query process using a professional sketch of the target person. This is akin to the traditional problem of forensic facial sketch recognition, yet with the major difference that our sketches are whole-body other than just the face. This problem is challenging because sketches and photos are in two distinct domains. Specifically, a sketch is the abstract description of a person. Besides, person appearance in photos is variational due to camera viewpoint, human pose and occlusion. We address the Sketch Re-ID problem by proposing a cross-domain adversarial feature learning approach to jointly learn the identity features and domain-invariant features. We employ adversarial feature learning to filter low-level interfering features and remain high-level semantic information. We also contribute to the community the first Sketch Re-ID dataset with 200 persons, where each person has one sketch and two photos from different cameras associated. Extensive experiments have been performed on the proposed dataset and other common sketch datasets including CUFSF and QUML-shoe. Results show that the proposed method outperforms the state-of-the-arts.

The problem of domain generalization is to learn from multiple training domains, and extract a domain-agnostic model that can then be applied to an unseen domain. Domain generalization (DG) has a clear motivation in contexts where there are target domains with distinct characteristics, yet sparse data for training. For example recognition in sketch images, which are distinctly more abstract and rarer than photos. Nevertheless, DG methods have primarily been evaluated on photo-only benchmarks focusing on alleviating the dataset bias where both problems of domain distinctiveness and data sparsity can be minimal. We argue that these benchmarks are overly straightforward, and show that simple deep learning baselines perform surprisingly well on them. In this paper, we make two main contributions: Firstly, we build upon the favorable domain shift-robust properties of deep learning methods, and develop a low-rank parameterized CNN model for end-to-end DG learning. Secondly, we develop a DG benchmark dataset covering photo, sketch, cartoon and painting domains. This is both more practically relevant, and harder (bigger domain shift) than existing benchmarks. The results show that our method outperforms existing DG alternatives, and our dataset provides a more significant DG challenge to drive future research.

Human sketches are unique in being able to capture both the spatial topology of a visual object, as well as its subtle appearance details. Fine-grained sketch-based image retrieval (FG-SBIR) importantly leverages on such fine-grained characteristics of sketches to conduct instance-level retrieval of photos. Nevertheless, human sketches are often highly abstract and iconic, resulting in severe misalignments with candidate photos which in turn make subtle visual detail matching difficult. Existing FG-SBIR approaches focus only on coarse holistic matching via deep cross-domain representation learning, yet ignore explicitly accounting for fine-grained details and their spatial context. In this paper, a novel deep FG-SBIR model is proposed which differs significantly from the existing models in that: (1) It is spatially aware, achieved by introducing an attention module that is sensitive to the spatial position of visual details: (2) It combines coarse and fine semantic information via a shortcut connection fusion block: and (3) It models feature correlation and is robust to misalignments between the extracted features across the two domains by introducing a novel higher-order learnable energy function (HOLEF) based loss. Extensive experiments show that the proposed deep spatial-semantic attention model significantly outperforms the state-of-the-art.

We present a generative model which can automatically summarize the stroke composition of free-hand sketches of a given category. When our model is fit to a collection of sketches with similar poses, it discovers and learns the structure and appearance of a set of coherent parts, with each part represented by a group of strokes. It represents both consistent (topology) as well as diverse aspects (structure and appearance variations) of each sketch category. Key to the success of our model are important insights learned from a comprehensive study performed on human stroke data. By fitting this model to images, we are able to synthesize visually similar and pleasant free-hand sketches.

We study the problem of fine-grained sketch-based image retrieval. By performing instance-level (rather than category-level) retrieval, it embodies a timely and practical application, particularly with the ubiquitous availability of touchscreens. Three factors contribute to the challenging nature of the problem: 1) free-hand sketches are inherently abstract and iconic, making visual comparisons with photos difficult; 2) sketches and photos are in two different visual domains, i.e., black and white lines versus color pixels; and 3) fine-grained distinctions are especially challenging when executed across domain and abstraction-level. To address these challenges, we propose to bridge the image-sketch gap both at the high level via parts and attributes, as well as at the low level via introducing a new domain alignment method. More specifically, first, we contribute a data set with 304 photos and 912 sketches, where each sketch and image is annotated with its semantic parts and associated part-level attributes. With the help of this data set, second, we investigate how strongly supervised deformable part-based models can be learned that subsequently enable automatic detection of part-level attributes, and provide pose-aligned sketch-image comparisons. To reduce the sketch-image gap when comparing low-level features, third, we also propose a novel method for instance-level domain-alignment that exploits both subspace and instance-level cues to better align the domains. Finally, fourth, these are combined in a matching framework integrating aligned low-level features, mid-level geometric structure, and high-level semantic attributes. Extensive experiments conducted on our new data set demonstrate effectiveness of the proposed method.

We investigate whether it is possible to improve the performance of automated facial forensic sketch matching by learning from examples of facial forgetting over time. Forensic facial sketch recognition is a key capability for law enforcement, but remains an unsolved problem. It is extremely challenging because there are three distinct contributors to the domain gap between forensic sketches and photos: The well-studied sketch-photo modality gap, and the less studied gaps due to (i) the forgetting process of the eye-witness and (ii) their inability to elucidate their memory. In this paper, we address the memory problem head on by introducing a database of 400 forensic sketches created at different time-delays. Based on this database we build a model to reverse the forgetting process. Surprisingly, we show that it is possible to systematically "un-forget" facial details. Moreover, it is possible to apply this model to dramatically improve forensic sketch recognition in practice: we achieve the state of the art results when matching 195 benchmark forensic sketches against corresponding photos and a 10,030 mugshot database.

We investigate the problem of fine-grained sketch-based image retrieval (SBIR), where free-hand human sketches are used as queries to perform instance-level retrieval of images. This is an extremely challenging task because (i) visual comparisons not only need to be fine-grained but also executed cross-domain, (ii) free-hand (finger) sketches are highly abstract, making fine-grained matching harder, and most importantly (iii) annotated cross-domain sketch-photo datasets required for training are scarce, challenging many state-of-the-art machine learning techniques. In this paper, for the first time, we address all these challenges, providing a step towards the capabilities that would underpin a commercial sketch-based image retrieval application. We introduce a new database of 1,432 sketchphoto pairs from two categories with 32,000 fine-grained triplet ranking annotations. We then develop a deep tripletranking model for instance-level SBIR with a novel data augmentation and staged pre-training strategy to alleviate the issue of insufficient fine-grained training data. Extensive experiments are carried out to contribute a variety of insights into the challenges of data sufficiency and over-fitting avoidance when training deep networks for finegrained cross-domain ranking tasks.

Sketch-based image retrieval (SBIR) is a challenging task due to the ambiguity inherent in sketches when compared with photos. In this paper, we propose a novel convolutional neural network based on Siamese network for SBIR. The main idea is to pull output feature vectors closer for input sketch-image pairs that are labeled as similar, and push them away if irrelevant. This is achieved by jointly tuning two convolutional neural networks which linked by one loss function. Experimental results on Flickr15K demonstrate that the proposed method offers a better performance when compared with several state-of-the-art approaches.

We study the problem of fine-grained sketch-based image retrieval. By performing instance-level (rather than category-level) retrieval, it embodies a timely and practical application, particularly with the ubiquitous availability of touchscreens. Three factors contribute to the challenging nature of the problem: (i) free-hand sketches are inherently abstract and iconic, making visual comparisons with photos more difficult, (ii) sketches and photos are in two different visual domains, i.e. black and white lines vs. color pixels, and (iii) fine-grained distinctions are especially challenging when executed across domain and abstraction-level. To address this, we propose to detect visual attributes at part-level, in order to build a new representation that not only captures fine-grained characteristics but also traverses across visual domains. More specifically, (i) we propose a dataset with 304 photos and 912 sketches, where each sketch and photo is annotated with its semantic parts and associated part-level attributes, and with the help of this dataset, we investigate (ii) how strongly-supervised deformable part-based models can be learned that subsequently enable automatic detection of part-level attributes, and (iii) a novel matching framework that synergistically integrates low-level features, mid-level geometric structure and high-level semantic attributes to boost retrieval performance. Extensive experiments conducted on our new dataset demonstrate value of the proposed method.

We propose a multi-scale multi-channel deep neural network framework that, for the first time, yields sketch recognition performance surpassing that of humans. Our superior performance is a result of explicitly embedding the unique characteristics of sketches in our model: (i) a network architecture designed for sketch rather than natural photo statistics, (ii) a multi-channel generalisation that encodes sequential ordering in the sketching process, and (iii) a multi-scale network ensemble with joint Bayesian fusion that accounts for the different levels of abstraction exhibited in free-hand sketches. We show that state-of-the-art deep networks specifically engineered for photos of natural objects fail to perform well on sketch recognition, regardless whether they are trained using photo or sketch. Our network on the other hand not only delivers the best performance on the largest human sketch dataset to date, but also is small in size making efficient training possible using just CPUs.

We propose a perceptual grouping framework that organizes image edges into meaningful structures and demonstrate its usefulness on various computer vision tasks. Our grouper formulates edge grouping as a graph partition problem, where a learning to rank method is developed to encode probabilities of candidate edge pairs. In particular, RankSVM is employed for the first time to combine multiple Gestalt principles as cue for edge grouping. Afterwards, an edge grouping based object proposal measure is introduced that yields proposals comparable to state-of-the-art alternatives. We further show how human-like sketches can be generated from edge groupings and consequently used to deliver state-of-the-art sketch-based image retrieval performance. Last but not least, we tackle the problem of freehand human sketch segmentation by utilizing the proposed grouper to cluster strokes into semantic object parts.

We present a graph matching refinement framework that improves the performance of a given graph matching algorithm. Our method synergistically uses the inherent structure information embedded globally in the active association graph, and locally on each individual graph. The combination of such information reveals how consistent each candidate match is with its global and local contexts. In doing so, the proposed method removes most false matches and improves precision. The validation on standard benchmark datasets demonstrates the effectiveness of our method.

Sketch recognition aims to automatically classify human hand sketches of objects into known categories. This has become increasingly a desirable capability due to recent advances in human computer interaction on portable devices. The problem is nontrivial because of the sparse and abstract nature of hand drawings as compared to photographic images of objects, compounded by a highly variable degree of details in human sketches. To this end, we present a method for the representation and matching of sketches by exploiting not only local features but also global structures of sketches, through a star graph based ensemble matching strategy. Different local feature representations were evaluated using the star graph model to demonstrate the effectiveness of the ensemble matching of structured features. We further show that by encapsulating holistic structure matching and learned bag-of-features models into a single framework, notable recognition performance improvement over the state-of-the-art can be observed. Extensive comparative experiments were carried out using the currently largest sketch dataset released by Eitz et al. [15], with over 20,000 sketches of 250 object categories generated by AMT (Amazon Mechanical Turk) crowd-sourcing.

Sketch is used for rendering the visual world since prehistoric times, and has become ubiquitous nowadays with the increasing availability of touchscreens on portable devices. However, how to automatically map images to sketches, a problem that has profound implications on applications such as sketch-based image retrieval, still remains open. In this paper, we propose a novel method that draws a sketch automatically from a single natural image. Sketch extraction is posed within an unified contour grouping framework, where perceptual grouping is first used to form contour segment groups, followed by a group-based contour simplification method that generate the final sketches. In our experiment, for the first time we pose sketch evaluation as a sketch-based object recognition problem and the results validate the effectiveness of our system over the state-of-the-arts alternatives.

Gestalt principles, a set of conjoining rules derived from human visual studies, have been known to play an important role in computer vision. Many applications such as image segmentation, contour grouping and scene understanding often rely on such rules to work. However, the problem of Gestalt confliction, i.e., the relative importance of each rule compared with another, remains unsolved. In this paper, we investigate the problem of perceptual grouping by quantifying the confliction among three commonly used rules: similarity, continuity and proximity. More specifically, we propose to quantify the importance of Gestalt rules by solving a learning to rank problem, and formulate a multi-label graph-cuts algorithm to group image primitives while taking into account the learned Gestalt confliction. Our experiment results confirm the existence of Gestalt confliction in perceptual grouping and demonstrate an improved performance when such a confliction is accounted for via the proposed grouping algorithm. Finally, a novel cross domain image classification method is proposed by exploiting perceptual grouping as representation.

Facial Expression Recognition (FER) techniques have already been adopted in numerous multimedia systems. Plenty of previous research assumes that each facial picture should be linked to only one of the predefined affective labels. Nevertheless, in practical applications, few of the expressions are exactly one of the predefined affective states. Therefore, to depict the facial expressions more accurately, this paper proposes a multi-label classification approach for FER and each facial expression would be labeled with one or multiple affective states. Meanwhile, by modeling the relationship between labels via Group Lasso regularization term, a maximum margin multi-label classifier is presented and the convex optimization formulation guarantees a global optimal solution. To evaluate the performance of our classifier, the JAFFE dataset is extended into a multi-label facial expression dataset by setting threshold to its continuous labels marked in the original dataset and the labeling results have shown that multiple labels can output a far more accurate description of facial expression. At the same time, the classification results have verified the superior performance of our algorithm.

This paper shows that classifying shapes is a tool useful in nonphotorealistic rendering (NPR) from photographs. Our classifier inputs regions from an image segmentation hierarchy and outputs the "best" fitting simple shape such as a circle, square, or triangle. Other approaches to NPR have recognized the benefits of segmentation, but none have classified the shape of segments. By doing so, we can create artwork of a more abstract nature, emulating the style of modern artists such as Matisse and other artists who favored shape simplification in their artwork. The classifier chooses the shape that "best" represents the region. Since the classifier is trained by a user, the "best shape" has a subjective quality that can over-ride measurements such as minimum error and more importantly captures user preferences. Once trained, the system is fully automatic, although simple user interaction is also possible to allow for differences in individual tastes. A gallery of results shows how this classifier contributes to NPR from images by producing abstract artwork.

Finding meaningful groupings of image primitives has been a long-standing problem in computer vision. This paper studies how salient groupings can be produced using established theories in the field of visual perception alone. The major contribution is a novel definition of the Gestalt principle of Prägnanz, based upon Koffka's definition that image descriptions should be both stable and simple. Our method is global in the sense that it operates over all primitives in an image at once. It works regardless of the type of image primitives and is generally independent of image properties such as intensity, color, and texture. A novel experiment is designed to quantitatively evaluate the groupings outputs by our method, which takes human disagreement into account and is generic to outputs of any grouper. We also demonstrate the value of our method in an image segmentation application and quantitatively show that segmentations deliver promising results when benchmarked using the Berkeley Segmentation Dataset (BSDS).

We present a probabilistic approach for the automatic production of tree models with convincing 3D appearance and motion. The only input is a video of a moving tree that provides us an initial dynamic tree model, which is used to generate new individual trees of the same type. Our approach combines global and local constraints to construct a dynamic 3D tree model from a 2D skeleton. Our modeling takes into account factors such as the shape of branches, the overall shape of the tree, and physically plausible motion. Furthermore, we provide a generative model that creates multiple trees in 3D, given a single example model. This means that users no longer have to make each tree individually, or specify rules to make new trees. Results with different species are presented and compared to both reference input data and state of the art alternatives.

We describe a mobile augmented reality application that is based on 3D snapshotting using multiple photographs. Optical square markers provide the anchor for reconstructed virtual objects in the scene. A novel approach based on pixel flow highly improves tracking performance. This dual tracking approach also allows for a new single-button user interface metaphor for moving virtual objects in the scene. The development of the AR viewer was accompanied by user studies confirming the chosen approach.

This paper is about shape fitting to regions that segment an image and some applications that rely on the abstraction that offers. The novelty lies in three areas: (1) we fit a shape drawn from a selection of shape families, not just one class of shape, using a supervised classifier; (2) We use results from the classifier to match photographs and artwork of particular objects using a few qualitative shapes, which overcomes the significant differences between photographs and paintings; (3) We further use the shape classifier to process photographs into abstract synthetic art which, so far as we know, is novel too. Thus we use our shape classier in both discriminative (matching) and generative (image synthesis) tasks. We conclude the level of abstraction offered by our shape classifier is novel and useful. 1

The problem of identifying the class of an object from its visual appearance has received significant attention recently. Most of the work to date is premised on photometric measures, often building codebooks made from interest regions. All of it has been tested only on photographs, so far as we know. Our approach differs in two significant ways. First, we do not build a codebook of interest regions but instead make use of a hierarchical description of an image based on a watershed transform. Root nodes in the hierarchy are putative objects to be classified. Second, we classify these putative objects using a vector of fixed length that represents the structure of the hierarchy below the node. This allows us to classify not just photographs, but also paintings and drawings of visual objects. 1

Abstract-We introduce a simple but versatile camera model that we call the Rational Tensor Camera (RTcam). RTcams are well principled mathematically and provably subsume several important contemporary camera models in both computer graphics and vision; their generality is one contribution. They can be used alone or compounded to produce more complicated visual effects. In this paper, we apply RTcams to generate synthetic artwork with novel perspective effects from real photographs. Existing Nonphotorealistic Rendering from Photographs (NPRP) is constrained to the projection inherent in the source photograph, which is most often linear. RTcams lift this restriction and so contribute to NPRP via multiperspective projection. This paper describes RTcams, compares them to contemporary alternatives, and discusses how to control them in practice. Illustrative examples are provided throughout.