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Ron Kuivila

dblp:98/2043 · also Ronald Kuivila · DBLP profile ↗
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1ranked-venue papers
0as first author
0since 2021 · last 1990
—ORCID · none

Domains — the database's venue-derived domains; a paper can count in several

Systems, architecture and hardware · 1

Expertise — from the expertise taxonomy: the topics of the expert's papers under the CCF categories. A weight counts papers with recency: 1 for a paper about the topic, 0.3 when the topic is its context, halved every five years.

Computer architecture, parallel and distributed computing, and storage systems
1 paper
Embedded and real-time systems · 100%
Computer graphics and multimedia
1 paper
Audio and music processing · 100%

Topics — the 2 heaviest of 2, each with the papers that count most for it

TopicWeightPapersLastEvidence papers
Embedded and real-time systems
real-time scheduling
0.011990
A System for Computer Music Performance · ACM Trans. Comput. Syst. 1990
Audio and music processing › music technology
computer music
0.011990
A System for Computer Music Performance · ACM Trans. Comput. Syst. 1990

Methods — techniques the papers use, named apart from their topics

virtual time systems · 0.0process grouping · 0.0
YearPublicationVenuePosition
1990 A System for Computer Music Performance
abstract
A computer music performance system (CMPS) is a computer system connected to input devices (including musical keyboards or other instruments) and to graphic and audio output devices. A human performer generates input events using the input devices. The CMPS responds to these events by computing and performing sequences of output actions whose intended timing is determined algorithmically. Because of the need for accurate timing of output actions, the scheduling requirements of a CMPS differ from those of general-purpose or conventional real-time systems. This paper describes the scheduling facilities of FORMULA, a CMPS used by many musicians. In addition to providing accurate timing of output action sequences, FORMULA provides other basic functions useful in musical applications: (1) per-process virtual time systems with independent relationships to real time; (2) process grouping mechanisms and language-level control structures with time-related semantics, and (3) integrated scheduling of tasks (such as compiling and editing) whose real-time constraints are less stringent than those of output action computations.
David P. Anderson, Ron Kuivila
ACM Trans. Comput. Syst.2